His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    They made their life there. Got married, had kids, lived in the same houses that were always there along the streets that never changed. The whole white picket fence and tree swing might look good on greeting cards but in real life it was boring, at least to Sammy Jo.When Sammy Jo was a little girl she began dreaming of something bigger. Brighter. Something that wasn’t her town. She wanted to see the world and experience it all. Just how she was going to do that she had no idea. Because if her momma had her way, she’d marry one of the boys in town and be spitting out babies and going to church on Sunday with them all lined up in a row.The day Hale Christopher Jude III walked into the bakery she worked at, she knew he was it. That part of life she was missing. He smelled of foreign places and exciting things. He represented all the bright lights she dreamed of and simply put, she hoped he was her way out of this place.What Sammy Jo didn’t realize was things that appear perfect… aren’t. And chasing her dreams could lead to something very different.

    As a matter of fact, there is almost no scenery, and the various scenes are played within a single setting in which lights and a half-dozen articles of furniture are all that are used."

    Presents an introduction to Shakespeare's greatest plays including Hamlet Othello, As You Like It, The Taming of the Shrew, The Tempest and Pericles.

    Not least among the casualties is the notion that cinema and literature are two separate spheres. For in his screenplay, Nabokov married the structural and narrative felicities of great cinema to prose as sensuously entrancing as any he had ever written, resulting in a work that will delight cineasts and Nabokovians alike.

    Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of "Runway "magazine, Andrea finds herself in an office that shouts "Prada! Armani! Versace!" at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child. THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

    Stuck in a grind where everyone’s ahead apart from her, she’s partied out, disillusioned, and massively in debt. If she’s dumped by another rock-band wannabe, squashed by anyone else at her cut-throat fashion job, or chased by any more bailiffs, Grace suspects she’ll fall apart …So when older, sexy and above all, wealthy art-dealer Vaughn appears, she’s intrigued against her will. Could she handle being a sugar daddy’s arm candy?Soon Grace is thrown into a world of money and privilege, at Vaughn’s beck and call in return for thousands of pounds in luxurious gifts, priceless clothes—and cash. Where’s the line between acting the trophy girlfriend, and selling yourself for money?And, more importantly: whatever happened to love?

    This indispensable companion to the series is packed with colour photographs, interviews and lavish illustrations.Follow a typical day's filming, including the wholesale transformation of Lacock village into Jane Austen's Meryton. Discover how Colin Firth approaches the part of Darcy, how actors' costumes and wigs are designed and how Carl Davis recreates the period music and composes an original score. Piece together the roles of behind-the-scenes contributors from researchers to fencing masters.

    From acclaimed director Guillermo del Toro.

    Ernest Janning, one of the most influential German legal minds of the pre war era, and other influential Nazis face a military tribunal in the second wave of post war trials at Nuremberg. Issues at the forefront of this trial reverberate through h

    Since its publication it has spawned numerous film and stage adaptations, endless discourse on the dynamics of divorce as well as becoming part of the legal jargon describing the proceedings that follow. Adler's iconic tale takes us from suburban bliss to an incessant territorial battle. Jonathan and Barbara Rose are at first glance the perfect couple. Jonathan has a stable law career; Barbara is an aspiring gourmet entrepreneur with a promising pâté recipe. Their large home holds the rich antique collection that originally brought them together, as well as the loving familial bond that intertwines them with their children Eve and Josh. When Jonathan finds himself suddenly gripped by what is presumably a heart attack and Barbara confronts the loveless spelllingering between them, the sun-soaked sky that was once the Rose family union drifts into a torrential downpour. Their mutual hatred becomes ammunition in a domestic shootout that escalates in the most unpredictable ways while they helplessly eye their dwindling nuptial flame. In the chaos that unfolds Adler allows a moment of much needed contemplation on the shape of today's matrimonial bonds.The War of the Roses illuminates the relationship-shattering materialism, contempt and selfishness of husband and wife by posing a timeless question, how far are we willing to allow our material possessions the power to define who we are? Are today's marriages haunted by the struggle to get even?

    In Victoria and the Staveneys, a young woman gives birth to a child of mixed race and struggles with feelings of estrangement as her daughter gets drawn into a world of white privilege. The Reason for It traces the birth, faltering, and decline of an ancient culture, with enlightening modern resonances. A Love Child features a World War II soldier who believes he has fathered a love child during a fleeting wartime romance and cannot be convinced otherwise.

    This official publication contains 500 exclusive images, from the earliest pencil sketches and conceptual drawings to magnificent full-color paintings that shaped the look of the film. All the principal locations, costumes, armor and creatures are covered in stunning detail, including concepts, storyboards and images that did not make it into the final film.As well as a wealth of sketches, paintings and digital images, The Art of The Fellowship of the Ring contains photographs showing how the creative process was realized and a number of stills from the film. Contributors include Alan Lee and John Howe, the two artists who inspired Peter Jackson's vision of Middle-earth and who worked with him to bring his trilogy to the big screen. They and a dozen other designers who created all of these diverse elements explain how they contributed to the development of the film, giving a fascinating insight into how Middle-earth was brought to life.With text compiled from exclusive interviews with director Peter Jackson, special effects supervisor Richard Taylor, designers Grant Major, Ngila Dickson, Paul Lasaine and others, this unique book celebrates the pivotal contribution made by a handful of people which help turn the first Lord of the Rings movie into an award-winning global success.

    From the screenwriting process to the casting decisions to the elaborate sets and costumes to the actors' performances and directors' vision, this is the definitive companion to the breathtaking film.