K. Chesterton is one of the most beguiling authors of the early twentieth century. When asked to perform a lecture tour in 1921, Chesterton was in a slump of depression. He had recently lost his brother to the First World War and his wavering faith in the face of the horrors of the conflict only intensified his malaise. 'What I Saw in America' tells us as much about the author and his particular views as it does about his destination. Indeed, Chesterton's personalised observations - his aversion to imperialism, capitalism, Anglo-Americanism and his commitment to democracy and fraternity - are distinguished by the piercing wit for which he is famed.Many of Chesterton's reflections are timeless and startlingly prescient. He was highly critical of both the naive immigration policies and the grinding dehumanisation brought about by the growth of the economy. Nonetheless, he was enthralled by the glorious ideals of the nation - founded on principles of equality, democracy and freedom - even if the essence of these ideals had been lost somewhere along the way. 'What I Saw in America' ranks among the finest of Chesterton's works, containing all of the author's virtues and vices: his wry humour, sympathy and intelligence playing devilishly against an irrepressible mischievousness.

    Theirs was a suicide mission, to hold the pass against the invading millions of the mighty Persian army.Day after bloody day they withstood the terrible onslaught, buying time for the Greeks to rally their forces. Born into a cult of spiritual courage, physical endurance, and unmatched battle skill, the Spartans would be remembered for the greatest military stand in history—one that would not end until the rocks were awash with blood, leaving only one gravely injured Spartan squire to tell the tale. . . .“A novel that is intricate and arresting and, once begun, almost impossible to put down.”—Daily News “A timeless epic of man and war . . . Pressfield has created a new classic deserving a place beside the very best of the old.”—Stephen Coonts

    Warren's Profession; Pygmalion. Eight full-cast performances featuring: Kate Burton, Roger Rees, Shirley Knight, Anne Heche, Eric Stoltz, Martin Jarvis, Paxton Whitehead, Richard Dreyfuss, Bruce Davison and many more.

    See the city through their eyes as it teeters on the edge of the fateful war that would end its golden age. Athens, 416 BC. A tenuous peace holds. The city-state's political and military might are feared throughout the ancient world; it pushes the boundaries of social, literary and philosophical experimentation in an era when it has a greater concentration of geniuses per capita than at any other time in human history. Yet even geniuses go to the bathroom, argue with their spouse and enjoy a drink with friends.Few of the city's other inhabitants enjoy the benefits of such a civilized society, though - as multicultural and progressive as Athens can be, many are barred from citizenship. No, for the average person, life is about making ends meet, whether that be selling fish, guarding the temple or smuggling lucrative Greek figs.During the course of a day we meet 24 Athenians from all strata of society - from the slave-girl to the councilman, the vase painter to the naval commander, the housewife to the hoplite - and get to know what the real Athens was like by spending an hour in their company. We encounter a different one of these characters every chapter, with each chapter forming an hour in the life of the ancient city. We also get to spy on the daily doings of notable Athenians through the eyes of regular people as the city hovers on the brink of the fateful war that will destroy its golden age.

    Sallust adopts the usually accepted view of Catiline, and describes him as the deliberate foe of law, order and morality, and does not give a comprehensive explanation of his views and intentions. Catiline had supported the party of Sulla, to which Sallust was opposed. Sallust's "Jugurthine War" is a valuable and interesting monograph. We may assume that Sallust collected materials and put together notes for it during his governorship of Numidia. Here, too, he dwells upon the feebleness of the senate and aristocracy.

    For these readers, Malcolm M. Willcock provides a line-by-line commentary that explains the many factual details, mythological allusions, and Homeric conventions that a student or general reader could not be expected to bring to an initial encounter with the Iliad.  The notes, which always relate to particular lines in the text, have as their prime aim the simple, factual explanation of things the inexperienced reader would be unlikely to have at his or her command (What is a hecatomb? Who is Atreus' son?). Second, they enhance an appreciation of the Iliad by illuminating epic style, Homer's methods of composition, the structure of the work, and the characterization of the major heroes. The "Homeric Question," concerning the origin and authorship of the Iliad, is also discussed. Professor Willcock's commentary is based on Richmond Lattimore's translation—regarded by many as the outstanding translation of the present generation—but it may be used profitably with other versions as well. This clearly written commentary, which includes an excellent select bibliography, will make one of the touchstones of Western literature accessible to a wider audience.—from the back cover

    A. Wallis Budge (1857-1934) was one of the great Egyptologists of the century and author of a host of books on ancient Egypt. For this collection, he carefully selected nine of the most interesting and important Egyptian legends and published them in hieroglyphic texts with literal translations on facing pages. The result is a wonderful sampling of typical Egyptian literature in the best and most complete form possible.This convenient edition enables students to study these ancient myths for their linguistic, literary, and cultural meanings — all in one inexpensive volume. The legends included are:The Legend of the CreationThe Legend of the Destruction of MankindThe Legend of Ra and the Snake-BiteThe Legend of Horus of Edfu and the Winged DiskThe Legend of the Origin of HorusA Legend of Khensu Nefer-Hetep and the Princess of BekhtenThe Legend of Khnemu and a Seven Years’ FamineThe Legend of the Death and Resurrection of HorusThe Legend of Isis and Osiris According to Classical WritersAny student of ancient Egyptian literature, language, or culture will welcome this classic compilation, enhanced with 19 illustrations from Egyptian art.

    This edition has been professionally formatted and contains several tables of contents. The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Paideia, the shaping of Greek character through a union of civilization, tradition, literature, and philosophy is the basis for Jaeger's evaluation of Hellenic culture.Volume I describes the foundation, growth, and crisis of Greek culture during the archaic and classical epochs, ending with the collapse of the Athenian empire. The second and third volumes of the work deal with the intellectual history of ancient Greece in the Age of Plato, the 4th centuryB.C.--the age in which Greece lost everything that is valued in this world--state, power, liberty--but still clung to the concept of paideia. As its last great poet, Menander summarized the primary role of this ideal in Greek culture when he said: The possession which no one can take away from manis paideia.

    W. Foote and J. M. WheelerVoltaire by John MorleyVoltaire in the Netherlands by C. A. Van SypesteynVoltaire by George Saintsbury

    It engineered a civilization, empowered the world's first democracy, and led a band of ordinary citizens on a voyage of discovery that altered the course of history. With Lords of the Sea, renowned archaeologist John R. Hale presents, for the first time, the definitive history of the epic battles, the fearsome ships, and the men – from extraordinary leaders to seductive rogues – that established Athens's supremacy. With a scholar's insight and a storyteller's flair, Hale takes us on an unforgettable voyage with these heroes, their turbulent careers, and far-flung expeditions, bringing back to light a forgotten maritime empire and its majestic legacy.

    Crook's memoir brings an astonishing array of personal details of life in the executive mansion. His sensitive observations of Lincoln are especially moving.A well-known figure in Washington, Crook knew every president from Lincoln until Crook's death in 1915. He was a keen observer and his stories will entertain and sometimes surprise you.

    

    Surrounded by men who are jockeying for power–Cicero, Brutus, Cassius, and Mark Antony–young Octavius must work against the powerful Roman political machinations to claim his destiny as first Roman emperor. Sprung from meticulous research and the pen of a true poet, Augustus tells the story of one man’s dream to liberate a corrupt Rome from the fancy of the capriciously crooked and the wildly wealthy.