A brutal triple murder in a remote community in the Scottish Highlands leads to the arrest of a young man by the name of Roderick Macrae. A memoir written by the accused makes it clear that he is guilty, but it falls to the country's finest legal and psychiatric minds to uncover what drove him to commit such merciless acts of violence. Was he mad? Only the persuasive powers of his advocate stand between Macrae and the gallows. Graeme Macrae Burnet tells an irresistible and original story about the provisional nature of truth, even when the facts seem clear. His Bloody Project is a mesmerising literary thriller set in an unforgiving landscape where the exercise of power is arbitrary.--back cover

    Europe is modernizing, and the sultan of the Ottoman Empire feels he has no choice but to follow suit. But just as he's poised to announce sweeping political change, a wave of murders threatens the fragile balance of power in his court. Who is behind the killings? Deep in the Abode of Felicity, the most forbidden district of Topkapi Palace, the sultan - ruler of the Black Sea and the White, ruler of Rumelia and Mingrelia, lord of Anatolia and Ionia, Romania and Macedonia, Protector of the Holy Cities, steely rider through the realms of bliss - announces, "Send for Yashim." Leading us through the palace's luxurious seraglios and Istanbul's teeming streets, Yashim places together the clues. He is not alone. He depends on the wisdom of a dyspeptic Polish ambassador, a transsexual dancer, and the Creole-born queen mother. He manages to find sweet salvation in the arms of another man's wife (this is not your everyday eunuch!). And he introduces us to the Janissaries. For four hundred years, they were the empire's elite soldiers. But they grew too powerful, and ten years earlier the sultan had them crushed. Are the Janissaries staging a brutal comeback? And if they are, how can they be stopped without throwing Istanbul into political chaos?

    But the forest is gradually emptying as more and more people leave to settle in villages, where they break their backs tilling the land to grow wheat for their “bread” (which Leemet has been told tastes horrible) and where they pray to a god very different from the spirits worshipped in the forest’s sacred grove. With lothario bears who wordlessly seduce women, a giant louse with a penchant for swimming, a legendary flying frog, and a young charismatic viper named Ints, The Man Who Spoke Snakish is a totally inventive novel for readers of David Mitchell, Sjón, and Terry Pratchett.

    But no one expects to find the mysterious child-sized handprint in the childless home. Public prosecutor Jana Berzelius steps in to lead the investigation. Young and brilliant but emotionally cold, Berzelius, like her famous prosecutor father, won't be swayed by the hysterical widow or intimidated by the threatening letters the victim had tried to hide. Jana is steely, aloof, impenetrable. That is, until the boy… A few days later on a nearby deserted shoreline, the body of a preteen boy is discovered, and with him, the murder weapon that killed him and the original victim. Berzelius is drawn more deeply into the case for as she attends his autopsy, she recognizes something strangely familiar in his small, scarred, heroin-riddled body. Cut deep into his flesh are initials that scream child trafficking and trigger in her a flash of memory of her own dark, fear-ridden past. Her connection to this boy has been carved with deliberation and malice that penetrate to her very core. Now, to protect her own hidden past, she must find the suspect behind these murders, before the police do. International bestselling author Emelie Schepp introduces us to the enigmatic, unforgettable Jana Berzelius in this first novel of a chilling trilogy.

    Here, her chronicles continue with a Christmas story, a tale of robbery and attempted murder, and a narrative of Brother Cadfael's early years.

    In his most dazzling novel since the groundbreaking New York Times bestseller An Instance of the Fingerpost, Iain Pears tells the story of John Stone, financier and arms dealer, a man so wealthy that in the years before World War One he was able to manipulate markets, industries, and indeed entire countries and continents.A panoramic novel with a riveting mystery at its heart, Stone’s Fall is a quest to discover how and why John Stone dies, falling out of a window at his London home.Chronologically, it moves backwards–from London in 1909 to Paris in 1890, and finally to Venice in 1867– and in the process the quest to uncover the truth plays out against the backdrop of the evolution of high-stakes international finance, Europe’s first great age of espionage, and the start of the twentieth century’s arms race.Like Fingerpost, Stone’s Fall is an intricately plotted and richly satisfying puzzle–an erudite work of history and fiction that feels utterly true and oddly timely–and marks the triumphant return of one of the world’s great storytellers.

    But now it’s his turn—he knows too much about the crime of the century: the assassination of President John F. Kennedy.Within hours of JFK’s murder, everyone with ties to Marcello is turning up dead, and Guidry suspects he’s next: he was in Dallas on an errand for the boss less than two weeks before the president was shot. With few good options, Guidry hits the road to Las Vegas, to see an old associate—a dangerous man who hates Marcello enough to help Guidry vanish.Guidry knows that the first rule of running is "don’t stop," but when he sees a beautiful housewife on the side of the road with a broken-down car, two little daughters and a dog in the back seat, he sees the perfect disguise to cover his tracks from the hit men on his tail. Posing as an insurance man, Guidry offers to help Charlotte reach her destination, California. If she accompanies him to Vegas, he can help her get a new car.For her, it’s more than a car— it’s an escape. She’s on the run too, from a stifling existence in small-town Oklahoma and a kindly husband who’s a hopeless drunk.It’s an American story: two strangers meet to share the open road west, a dream, a hope—and find each other on the way.Charlotte sees that he’s strong and kind; Guidry discovers that she’s smart and funny. He learns that’s she determined to give herself and her kids a new life; she can’t know that he’s desperate to leave his old one behind.Another rule—fugitives shouldn’t fall in love, especially with each other. A road isn’t just a road, it’s a trail, and Guidry’s ruthless and relentless hunters are closing in on him. But now Guidry doesn’t want to just survive, he wants to really live, maybe for the first time.Everyone’s expendable, or they should be, but now Guidry just can’t throw away the woman he’s come to love.And it might get them both killed.

    Aelred Barling, esteemed clerk to the justices of King Henry II, is dispatched from the royal court with his young assistant, Hugo Stanton, to investigate a brutal murder in a village outside York.The case appears straightforward. A suspect is under lock and key in the local prison, and the angry villagers are demanding swift justice. But when more bodies are discovered, certainty turns to doubt—and amid the chaos it becomes clear that nobody is above suspicion.Facing growing unrest in the village and the fury of the lord of the manor, Stanton and Barling find themselves drawn into a mystery that defies logic, pursuing a killer who evades capture at every turn.Can they solve the riddle of who is preying upon the villagers? And can they do it without becoming prey themselves?

    He did not just kill—he ripped with a butcher’s glee—and then, after the particularly gruesome slaying of Mary Jane Kelly, he disappeared. For 127 years, Jack has haunted the dark corners of our imagination, the paradigm of the psychotic killer. We remember him not only for his crimes, but because, despite one of the biggest dragnets in London history, he was never caught.I, Ripper is a vivid reimagining of Jack’s personal story entwined with that of an Irish journalist who covered the case, knew the principals, charted the investigation, and at last, stymied, went off in a bold new direction. These two men stalk each other through a city twisted in fear of the madman’s blade, a cat-and-mouse game that brings to life the sounds and smells of the fleshpot tenderloin of Whitechapel and all the lurid acts that fueled the Ripper headlines.Dripping with intrigue, atmosphere, and diabolical twists, this is a magnificent psychological thriller from perennial New York Times bestseller Stephen Hunter, who the San Francisco Examiner calls “one of the best storytellers of his generation.”

    Bruno -- as he is affectionately nicknamed -- may be the town's only municipal policeman, but in the hearts and minds of its denizens, he is chief of police.Bruno is a former soldier who has embraced the pleasures and slow rhythms of country life -- living in his restored shepherd's cottage; patronizing the weekly market; sparring with, and basically ignoring, the European Union bureaucrats from Brussels. He has a gun but never wears it; he has the power to arrest but never uses it. But then the murder of an elderly North African who fought in the French army changes everything and galvanizes Bruno's attention: the man was found with a swastika carved into his chest.Because of the case's potential political ramifications, a young policewoman is sent from Paris to aid Bruno with his investigation. The two immediately suspect militants from the anti-immigrant National Front, but when a visiting scholar helps to untangle the dead man's past, Bruno's suspicions turn toward a more complex motive. His investigation draws him into one of the darkest chapters of French history -- World War II, a time of terror and betrayal that set brother against brother. Bruno soon discovers that even his seemingly perfect corner of la belle France is not exempt from that period's sinister legacy.

    A dismembered handN47° 48.022 E013° 10.910 Two severed earsN47° 26.195 E013° 12.523 A mutilated corpseA woman is found murdered. Tattooed on her feet is a strange combination of numbers and letters.Map co-ordinates. The start of a sinister treasure hunt by a twisted killer.Detective Beatrice Kaspary must risk all she has to uncover the killer in a terrifying game of cat-and-mouse

    Intelligence believes the Nazis are building new factories that could turn the tide of the war. When their plane is shot down, James and Bryan know they will be executed if captured. With an enemy patrol in pursuit, they manage to jump aboard a train reserved for senior SS soldiers wounded on the eastern front. In a moment of desperation, they throw two patients off the train and take their places, hoping they can escape later. But their act is too convincing and they end up in the Alphabet House, a mental hospital located far behind enemy lines, where German doctors subject their patients to daily rounds of shock treatments and experimental drugs. The pilots’ only hope of survival is to fake insanity until the war ends, but their friendship and courage are put to the ultimate test when James and Bryan realize they aren’t the only ones in the Alphabet House feigning madness. Millions of fans around the world—and in this country—know Adler-Olsen for his award-winning Department Q series. His first stand-alone, The Alphabet House, is the perfect introduction for those who have yet to discover his riveting work.

    In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town's Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry II is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt. Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest "master of the art of death," an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a "mistress" of the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king. In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king's tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia's investigation takes her into Cambridge's shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again . .

    Driven and strong headed, Madeleine is set apart by her unusual occupation: assisting her father, Dr. Albert Karno, in his job as a forensic doctor.The year is 1894, and a young girl is found dead on the snowy streets of Varbourg. Dr. Karno is called in to determine the cause of her death, but before he can examine the body, the girl's family forbids the autopsy from taking place. The only anomaly he manages to find is in the form of a mite in her nostril. Shortly after, several other dead bodies are discovered throughout the city, and Madeleine, her father, and the city commissioner must use the new science of forensic evidence to solve the mysterious cases before they all become the next victims of a deadly disease—or of a heinous murderer.

    Every dream, inflection, or slip of tongue in his “hysterical” patients has meaning and reveals some hidden truth. When a mysterious and beautiful medium dies under extraordinary circumstances, Max’s good friend, Detective Oskar Rheinhardt, calls for his expert assistance. The medium’s body has been found in a room that can only be locked from the inside. Her body has been shot, but there’s no gun and absolutely no trace of a bullet. All signs point to a supernatural killer, but Liebermann the scientist is not so easily convinced. Set in the Vienna of Freud, Klimt, and Mahler, a time of unprecedented activity in the worlds of philosophy, science, and art, A Death in Vienna (original title: Mortal Mischief) is an elegantly written novel, taut with suspense and rich in historical details.