She has crazy red pigtails, no parents to tell her what to do, a horse that lives on her porch, and a flair for the outrageous that seems to lead to one adventure after another!

    In his Cinéma Paradis there are no buckets of popcorn, no XXL coca-colas, no Hollywood blockbusters. Not a good business plan if you want to survive, but Alain holds firm to his principles of quality. He wants to show films that create dreams, and he likes most of the people that come to his cinema. Particularly the enchanting, shy woman in the red coat who turns up every Wednesday in row 17. What could her story be? One evening, Alain plucks up courage and invites the unknown beauty to dinner. The most tender of love stories is just getting under way when something incredible happens: The Cinéma Paradis is going to be the location of Allan Woods' new film Tender Memories of Paris. Solène Avril, the famous American director's favourite actress, has known the cinema since childhood and has got it into her head that she wants the film to be shot there. Alain is totally overwhelmed when he meets her in person. Suddenly, the little cinema and its owner are the focus of public attention, and the red-plush seats are sold out every evening.But the mystery woman Alain has just fallen in love with seems suddenly to have vanished. Is this just coincidence? Alain sets off in search of her and becomes part of a story more delightful than anything the cinema has to offer.

    Nancy Mitford's most famous novel, The Pursuit of Love satirizes British aristocracy in the twenties and thirties through the amorous adventures of the Radletts, an exuberantly unconventional family closely modelled on Mitford's own.The Radletts of Alconleigh occupy the heights of genteel eccentricity, from terrifying Lord Alconleigh (who, like Mitford's father, used to hunt his children with bloodhounds when foxes were not available), to his gentle wife, Sadie, their wayward daughter Linda, and the other six lively Radlett children. Mitford's wickedly funny prose follows these characters through misguided marriages and dramatic love affairs, as the shadow of World War II begins to close in on their rapidly vanishing world.

    

    Focusing on characters both young and old, gay and straight, single and married, he discovers the dramas that are obscured by life's daily struggles. These beautifully crafted stories depict the surface of the world we all know, but go on to reveal the mysteries lurking beneath life's deceptively placid surface - the half we don't know.

    Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive "History of Crome." Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Lambasting the post-Victorian standards of morality, Crome Yellow is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too ironic to be called satire and too scornful to be called irony."

    He spends his nights meticulously archiving the traces his long-absent mother left behind. He spends his days plotting with his only friend, Sunny, trying to contrive ways to protect himself from neighborhood bullies and an abusive father. But the stories they tell and the realities they live are painfully far apart, and when Sunny is forced to move away, Bobby fears he has no one else to turn to.Then Bobby encounters two outcasts like himself: Rosa, a girl with a red tricycle who collects names in her notebook and whose disability invites the scorn of the same bullies that haunt Bobby; and Val, her mother, a lonely divorcee who cleans the town's mobile library for work. They connect deeply, filling the gaps in each other's lives, but the bond between the older woman and young boy also draws the town's suspicion and outrage, as rumors begin to fly about the nature of their relationship. Val loses her job, Bobby is beaten severely by his father, and, with worse sure to follow, they abscond with Rosa in their sixteen-wheel bookmobile, embarking on a picaresque adventure that comes to rival those in the classic books that fill their library on wheels.

    But Lister didn't have a choice. All he remembered was going on a birthday celebration pub crawl through London. When he came to his senses again, with nothing in his pockets but a passport in the name of Emily Berkenstein.So he did the only thing he could. Amazed to discover they would actually hire him, he joined the space corps----and found himself aboard Red Dwarf, a spaceship as big as a small city that, six or seven years from now, would get him back to Earth. What Lister couldn't forsee was that he'd inadvertently signed up for a one--way jaunt three million years into the future---a future which would see him the last living member of the human race, with only a hologram crew mate and a highly evolved cat for company. Of course, that was before the ship broke the light barrier and things began to get really weird...

    "Norma had run off with Guy Dupree and I was waiting around for the credit card billings to come in so I could see where they had gone." The fussbudget is assailed by tropical storms, grifters, hippies, car trouble, and candy wrappers at high speed "wind came up through the floor hole in such a way that the Heath wrappers were suspended behind my head in a noisy brown vortex". Leech Dr Reo Symes is a font of dubious financial schemes and fluff such as a circus "fifty-pound rat from the sewers of Paris, France. Of course it didn't really weigh fifty pounds and it wasn't your true rat and it wasn't from Paris, France, either. It was some kind of animal from South America."

    First published in Hanoi during 1936, it follows the absurd and unexpected rise within colonial society of a street-smart vagabond named Red-haired Xuan. As it charts Xuan's fantastic social ascent, the novel provides a panoramic view of late colonial urban social order, from the filthy sidewalks of Hanoi's old commercial quarter to the gaudy mansions of the emergent Francophile northern upper classes. The transformation of traditional Vietnamese class and gender relations triggered by the growth of colonial capitalism represents a major theme of the novel.Dumb Luck is the first translation of a major work by Vu Trong Phung, arguably the greatest Vietnamese writer of the twentieth century. The novel's clever plot, richly drawn characters and humorous tone and its preoccupation with sex, fashion and capitalism will appeal to a wide audience. It will appeal to students and scholars of Vietnam, comparative literature, colonial and postcolonial studies, and Southeast Asian civilization.Vu Trong Phung died in Hanoi, in 1939 at the age of twenty-seven. He is the author of at least eight novels, seven plays, and several other works of fiction in addition to Dumb Luck.Peter Zinoman is Associate Professor of Southeast Asian History, University of California, Berkeley. Nguyen Nguyet Cam is Vietnamese Language Instructor, University of California, Berkeley.

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

    When a bare-knuckle fight offers both money and a purpose, he finds it turns into a monumental struggle to keep his heritage and integrity intact.

    And business is brisk at The Suicide Shop. Run by the Tuvache family for generations, the shop offers an amazing variety of ways to end it all, with something to fit every budget. The Tuvaches go mournfully about their business, taking pride in the morbid service they provide. Until the youngest member of the family threatens to destroy their contented misery by confronting them with something they ve never encountered before: a love of life.

    Keeping her end up while seven grown-up children tear about the fecking place like the eejits haven't got a home to go to.Packed with Mammy's tips for keeping a perfect family, or at least a family, as well as contributions from her children, neighbours and other hangers on, Mrs Brown's Family Handbook dispenses advice in her own inimical fecking style. You'll learn:• why every mammy's secret weapon is the tea towel• the dos and don't of cleaning up Granddad • what Dermot doesn't know about farting (not much)• what Winnie knows about seks (not enough)• all about the Five-Sausages-A-Day Diet (hint: contains sausages)• from Maria all about pain relief in child birth (if its free, take it)The perfect gift for anyone in a large family - it's one present and cheap - or with no family at all (seeing what they're missing might cheer the miserable feckers up), Mrs Brown's Family Handbook is also ideal for anyone sick and tired of giving out bloody DVDs for Christmas.Brendan O'Carroll is an Irish writer, producer, comedian, actor, director and author. He is best known for playing Agnes Brown in Mrs Brown's Boys, which won the best sitcom BAFTA in 2012. He has written four films and nine comedy shows, including The Course (1995), The Last Wedding (1999) and last year saw the release of his DVD for the live tour Good Mourning Mrs Brown. He has also published seven novels, including The Mammy, The Scrapper and The Young Wan - a number of which have been translated into 12 languages.

    Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).