In stories like "Stranger Danger", we watch how shy Julie, though supported by her roomies, is filled with apprehension as she goes on her first white-guy date, while years later in "Two Years Less A Day" we witness her change as her worries and vulnerability are put to the real test when she is unjustly convicted in a violent melee and must serve some jail time. "The House and Things That Can Be Taken" establishes how the move from the city both excites and intimidate reserve youth respectively, how a young man finds a job or a young woman becomes vulnerable in the bar scene. As well as developing her characters experientially, Dumont carefully contrasts them, as we see in the fragile and uncertain Everett and the culturally strong and independent but reckless Taz.As the four friends experience family catastrophes, broken friendships, travel to Mexico, and the aftermath of the great tragedy of 9/11, readers are intimately connected with each struggle, whether it is with racism, isolation, finding their cultural identity, or repairing the wounds of their upbringing.

    Janeczko and Richard Jones invite you to enjoy an assortment of poems that inform and inspire.Today I walked outside and spied a hedgehog on the hill. When she and I met eye to eye, she raised up straight and still. Be they practical (how to mix a pancake or how to bird-watch) or fanciful (how to scare monsters or how to be a snowflake), the poems in this book boast a flair and joy that you won't find in any instruction manual. Poets from Kwame Alexander to Pat Mora to Allan Wolf share the way to play hard, to love nature, and to be grateful. Soft, evocative illustrations will encourage readers to look at the world with an eye to its countless possibilities.

    Sixties Scoop. Bill C-31. Blood quantum. Appropriation. Two-Spirit. Tsilhqot’in. Status. TRC. RCAP. FNPOA. Pass and permit. Numbered Treaties. Terra nullius. The Great Peace…Are you familiar with the terms listed above? In Indigenous Writes, Chelsea Vowel, legal scholar, teacher, and intellectual, opens an important dialogue about these (and more) concepts and the wider social beliefs associated with the relationship between Indigenous peoples and Canada. In 31 essays, Chelsea explores the Indigenous experience from the time of contact to the present, through five categories – Terminology of Relationships; Culture and Identity; Myth-Busting; State Violence; and Land, Learning, Law, and Treaties. She answers the questions that many people have on these topics to spark further conversations at home, in the classroom, and in the larger community.Indigenous Writes is one title in The Debwe Series.

    But at one home in particular, an endless succession of gifts keeps arriving: birds of all stripes, ladies dancing aboard a brightly bedecked boat, lords leaping on rooftops, and pipers piping up and down stairs. Filled with intricate patterns and whimsical flourishes, Jane Ray’s gorgeous artwork is the perfect match for this wonderfully cumulative tale.

    Who will earn the honor in this story?The First Laugh Ceremony is a celebration held to welcome a new member of the community. As everyone--from Baby's nima (mom) to nadi (big sister) to cheii (grandfather)--tries to elicit the joyous sound from Baby, readers are introduced to details about Navajo life and the Navajo names for family members. Back matter includes information about other cultural ceremonies that welcome new babies and children, including man yue celebration (China), sanskaras (Hindu) and aquiqa (Muslim).

    This fact remained unnoticed by most settlers, however, since non-aboriginals just didn’t get the joke. For most of written history, a stern, unyielding profile of “the Indian” dominated the popular mainstream imagination. Indians, it was believed, never laughed. But Indians themselves always knew better. As an award-winning playwright, columnist, and comedy-sketch creator, Drew Hayden Taylor has spent 15 years writing and researching aboriginal humor. For Me Funny, he asked a noted cast of writers from a variety of fields — including such celebrated wordsmiths as Thomas King, Allan J. Ryan, Mirjam Hirch, and Tomson Highway — to take a look at what makes aboriginal humor tick. Their hilarious, enlightening contributions playfully examine the use of humor in areas as diverse as stand-up comedy, fiction, visual art, drama, performance, poetry, traditional storytelling, and education.

    Providing the language necessary to begin critical conversations at the earliest age, Antiracist Baby is the perfect gift for readers of all ages dedicated to forming a just society.

    but where will it stop?Webster's Email is a wonderfully witty rhyming story that gathers pace as the little spider begins to regret emailing a funny picture of his sister. Count with Webster in this number book as his email reaches more and more people, while gently introducing young readers to the vocabulary and etiquette of email technology.

    Sarah was smart and good at languages, so she was able to link the worlds. As she became older, this made her a great leader. Sarah used condemning letters, fiery speeches, and her autobiography, Life Among the Piutes, to provide detailed accounts of her people’s turmoil through years of starvation, unjust relocations, and violent attacks. With sweeping illustrations and extensive backmatter, including hand-drawn maps, a chronology, archival photographs, an author's notes, and additional resource information, Deborah Kogan Ray offers a remarkable look at an underrepresented historical figure.

    This is a story about justice, and terrible injustices, a story about a murder, and a courtroom drama as compelling as any thriller as it unravels the events that put Yvonne Johnson behind bars for life, first in Kingston's Federal Prison for Women until the riot that closed it, and presently in the Okimaw Ochi Healing Lodge in the Cypress Hills. But above all it is the unforgettable true story of the life of a Native woman who has decided to speak out and break the silence, written with the redeeming compassion that marks all Rudy Wiebe's writing, and informed throughout by Yvonne Johnson's own intelligence and poetic eloquence.Characters and events spring to life with the vividness of fiction. The story is told sometimes in the first person by Rudy Wiebe, sometimes by Yvonne herself. He tracks down the details of Yvonne's early life in Butte, Montana, as a child with a double-cleft palate, unable to speak until the kindness of one man provided the necessary operations; the murder of her beloved brother while in police custody; her life of sexual abuse at the hands of another brother, grandfather and others; her escape to Canada - to Winnipeg and Wetaskiwin; the traumas of her life thatled to alcoholism, and her slow descent into hell despite the love she found with her husband and three children.He reveals how she participated, with three others, in the murder of the man she believed to be a child abuser; he unravels the police story, taking us step by step, with jail-taped transcripts, through the police attempts to set one member of the group against the others in their search for a conviction - and the courtroom drama that followed. And Yvonne openly examines her life and, through her grandmother, comes to understand the legacy she has inherited from her ancestor Big Bear; having been led through pain to wisdom, she brings us with her to the point where she finds spiritual strength in passing on the lessons and understandings of her life. How the great-great-granddaughter of Big Bear reached out to the author of The Temptations of Big Bear to help her tell her story is itself an extraordinary tale. The co-authorship between one of Canada's foremost writers and the only Native woman in Canada serving life imprisonment for murder has produced a deeply moving, raw and honest book that speaks to all of us, and gives us new insight into the society we live in, while offering a deeply moving affirmation of spiritual healing.

    Read one way, each poem tells the story of a familiar myth; but when read in reverse, the poems reveal a new point of view! Readers will delight in uncovering the dual points of view in well-known legends, including the stories of Pandora’s box, King Midas and his golden touch, Perseus and Medusa, Pygmalion, Icarus and Daedalus, Demeter and Persephone, and Echo and Narcissus.   These cunning verses combine with beautiful illustrations to create a collection of fourteen reverso poems to treasure.

    To restore calm to her land, a girl must delve beneath the surface of a lake, deep into a spirit world. What she finds will thrill readers and introduce them to a classic hero's journey.

    Every morning, the rain forest calls to Zonia, and every morning she answers. She visits the sloth family, greets the giant anteater, and runs with the speedy jaguar. But one morning, the rain forest calls to her in a troubled voice. How will Zonia answer?Acclaimed author-illustrator Juana Martinez-Neal explores the wonders of the rain forest with Zonia, an Asháninka girl, in her joyful outdoor adventures. The engaging text emphasizes Zonia’s empowering bond with her home, while the illustrations—created on paper made from banana bark—burst with luxuriant greens and delicate details. Illuminating back matter includes a translation of the story in Asháninka, information on the Asháninka community, as well as resources on the Amazon rain forest and its wildlife.

    Siblings Mintoo and Chintoo are busy gathering flowers to make into colorful powders to toss during the festival. And when at last the big day comes, they gather with their friends, family, and neighbors for a vibrant celebration of fresh starts, friendship, forgiveness, and, of course, fun!

    His mother would read him one book, or two, His father would sing ‘till his face turned blue, All day Michael ran and played and kicked ball, But then he’d just shrug: “I’m not tired at all.”