Migration. Betrayal. Family secrets. Doomed love. Uncertain futures. In Daniel Alarcon's hands, these are transformed into deeply human stories with high stakes. In -The Thousands, - people are on the move and forging new paths; hope and heartbreak abound. A man deals with the fallout of his blind relatives' mysterious deaths and his father's mental breakdown and incarceration in -The Bridge.- A gang member discovers a way to forgiveness and redemption through the haze of violence and trauma in -The Ballad of Rocky Rontal.- And in the tour de force novella, -The Auroras-, a man severs himself from his old life and seeks to make a new one in a new city, only to find himself seduced and controlled by a powerful woman. Richly drawn, full of unforgettable characters, The King is Always Above the People reveals experiences both unsettling and unknown, and yet eerily familiar in this new world.The thousands --The ballad of Rocky Rontal --The king is always above the people --Abraham Lincoln has been shot --The provincials --Extinct anatomies --República and Grau --The bridge --The lord rides a swift cloud --The auroras

    In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

    What is the right way to handle an abusive partner? An unexpected pregnancy? A toxic friendship? Chronic unemployment? A family member going to war? A disability? Anger? Loneliness?  Finding themselves in disempowering, frightening, or otherwise unendurable circumstances, the girls and women in Maria Adelmann's stories look for ways to free themselves into new lives or, at the very least, new states of feeling. Sometimes they do this by hurting someone else or getting hurt; sometimes by submitting, other times by mounting a rebellion. With a special talent for pressing the sharp up against the tender, Adelmann explores the many pathways through the titular condition. Ranging in style from the magical to the terrifying to the calm tones of a self-help manual, GIRLS OF A CERTAIN AGE captures the spectrum of strategies we apply to the pain of life, strategies that we persist in pretending might actually work.

    Once out of the fray -- far from our cubicles and the relentless rat race -- and back into nature, we find time to ponder bigger questions. Peelle has crafted eight stories that capture these moments: summers riding horses, life as a carnival worker, kidding season on a farm. Quiet and telling, her stories are filled alternately with supreme joy and with deep sorrow, desperation and longing, dreams born and broken -- set in landscapes where the clock ticks more slowly. Her landscapes are the kind of places you want to run away from, or to which you wish you could return, if time hadn't irrevocably changed them. A single thread runs through each of these stories, the unspoken quest to answer one of life's most primal questions: Who am I?Peelle's writing is calm and smooth on the surface -- even soothing in its descriptions of daily life on a farm, for example -- but her words can hardly contain the depth of emotion that lies beneath them. So make some time and find a big tree to sit beneath, take a deep breath, and dive into this quietly impressive collection.

    Sharp and unsettling, wry and moving in its portrayal of love, friendship, and family, this collection expands the conversation about some of women's most intimate experiences.One woman struggling with infertility deals with the news that her sister is pregnant. Another woman nervous about her biological clock "forgets" to take her birth control and confronts the reality of becoming a single parent. A new mother with postpartum depression finds comfort with a much younger man. A psychologist who studies infant laughter faces her best friend's tragedy.Together, these twelve empathetic stories reveal pregnancy and new motherhood in all its anxiety and absurdity, darkness and wonder.

    . .Nikki lives in cosmopolitan West London, where she tends bar at the local pub. The daughter of Indian immigrants, she’s spent most of her twenty-odd years distancing herself from the traditional Sikh community of her childhood, preferring a more independent (that is, Western) life. When her father’s death leaves the family financially strapped, Nikki, a law school dropout, impulsively takes a job teaching a "creative writing" course at the community center in the beating heart of London’s close-knit Punjabi community.Because of a miscommunication, the proper Sikh widows who show up are expecting to learn basic English literacy, not the art of short-story writing. When one of the widows finds a book of sexy stories in English and shares it with the class, Nikki realizes that beneath their white dupattas, her students have a wealth of fantasies and memories. Eager to liberate these modest women, she teaches them how to express their untold stories, unleashing creativity of the most unexpected—and exciting—kind.As more women are drawn to the class, Nikki warns her students to keep their work secret from the Brotherhood, a group of highly conservative young men who have appointed themselves the community’s "moral police." But when the widows’ gossip offers shocking insights into the death of a young wife—a modern woman like Nikki—and some of the class erotica is shared among friends, it sparks a scandal that threatens them all.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind. The Best American Short Stories 2011 includes Chimamanda Ngozi Adichie, Megan Mayhew Bergman, Jennifer Egan, Nathan Englander, Allegra Goodman, Ehud Havazelet, Rebecca Makkai, Steven Millhauser, George Saunders, Mark Slouka, and others

    In another, the narrator feels compelled to promise to deliver a takeout order that has incorrectly been phoned in to her. In a third, the petty details of a property transaction illuminate the complicated pains and loves of a family.The tales in this groundbreaking collection are secretly in conversation with canonical stories, re-imagined from the perspective of female characters. Just as Wallace Stevens’s “Anecdote of the Jar” responds to John Keats’s “Ode on a Grecian Urn,” Galchen’s “The Lost Order” covertly recapitulates James Thurber’s “The Secret Life of Walter Mitty,” while “The Region of Unlikeness” is a smoky and playful mirror to Jorge Luis Borges’s “The Aleph.” The title story, “American Innovations,” revisits Nikolai Gogol’s “The Nose.”By turns realistic, fantastical, witty, and lyrical, these marvelously uneasy stories are deeply emotional and written in exuberant, pitch-perfect prose. Whether exploring the tensions in a mother-daughter relationship or the finer points of time travel, Galchen is a writer like none other today.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    But in a Scarborough subdivision populated by newcomers from all over the world, a series of sudden catastrophic events reveals that not everyone’s dreams come true. Moving from house to house, Carrianne Leung explores the inner lives behind the tidy front gardens and picture-perfect windows, always returning to June, an irrepressible adolescent Chinese-Canadian coming of age in this shifting world. Through June and her neighbours, Leung depicts the fine line where childhood meets the realities of adult life, and examines, with insight and sharp prose, how difficult it is to be true to ourselves at any age.

    A man crushes pills on the bathroom counter while his son watches from the hallway; missionaries clumsily navigate an uprising with barbed wire and broken glass; a boy disparages memorized scripture, facedown on the asphalt, as he fails to fend off his bully. From Kentucky to Florida to Haiti, these seemingly disparate lives are woven together within a series of nested repetitions, enacting the struggle to remain physically and spiritually alive throughout the untamable turbulence of their worlds. In a masterful blend of fiction, autobiography, and surrealism, Kyle Minor shows us that the space between fearlessness and terror is often very small. Long before Praying Drunk reaches its plaintive, pitch-perfect end, Minor establishes himself again and again as one of the most talented younger writers in America.

    But life comes with expectations, there are choices to be made, boxes to tick and – sometimes – stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices – because life according to Olive looks a little bit different.Moving, memorable and a mirror for every woman at a crossroads, OLIVE has a little bit of all of us. Told with great warmth and nostalgia, this is a modern tale about the obstacle course of adulthood, milestone decisions and the ‘taboo’ about choosing not to have children.

    Stories increasingly change point of view, switch location, and sometimes pack as much material as a short novel might,” writes guest editor Elizabeth Strout. “It’s the variety of voices that most indicates the increasing confluence of cultures involved in making us who we are.” The Best American Short Stories 2013 presents an impressive diversity of writers who dexterously lead us into their corners of the world.In “Miss Lora,” Junot Díaz masterfully puts us in the mind of a teenage boy who throws aside his better sense and pursues an intimate affair with a high school teacher. Sheila Kohler tackles innocence and abuse as a child wanders away from her mother, in thrall to a stranger she believes is the “Magic Man.” Kirstin Valdez Quade’s “Nemecia” depicts the after-effects of a secret, violent family trauma. Joan Wickersham’s “The Tunnel” is a tragic love story about a mother’s declining health and her daughter’s helplessness as she struggles to balance her responsibility to her mother and her own desires. New author Callan Wink’s “Breatharians” unsettles the reader as a farm boy shoulders a grim chore in the wake of his parents’ estrangement.“Elizabeth Strout was a wonderful reader, an author who knows well that the sound of one’s writing is just as important as and indivisible from the content,” writes series editor Heidi Pitlor. “Here are twenty compellingly told, powerfully felt stories about urgent matters with profound consequences.”

    By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting. Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey. Pairing superlative emotional insight with unabashed vivid fantasy, Broder tells a tale of appetites: physical hunger, sexual desire, spiritual longing, and the ways that we as humans can compartmentalize these so often interdependent instincts. Milk Fed is a tender and riotously funny meditation on love, certitude, and the question of what we are all being fed, from one of our major writers on the psyche—both sacred and profane.

    In essays drawn from her witty and sometimes brutally candid column in the New York Observer, Candace Bushnell introduces us to the young and beautiful who travel in packs from parties to bars to clubs. Meet "Carrie," the quintessential young writer looking for love in all the wrong places..."Mr. Big," the business tycoon who drifts from one relationship to another..."Samantha Jones," the fortyish, successful, "testosterone woman" who uses sex like a man...not to mention "Psycho Moms," "Bicycle Boys," "International Crazy Girls," and the rest of the New Yorkers who have inspired one of the most watched TV series of our time. You've seen them on HBO, now read the book that started it all...