The use of enjambment here is impeccable, giving the entire collection a cadence akin to that of a march through the author's own personal underworld."— Owen Green, The Book Nook Review"One of the most authentic autobiographies told in verse."— Steve Quade, Indies Today"This is a very powerful and inspiring book that will touch the hearts of a lot of readers."— Ria Kataria, The Online Book Club"This is an in-depth essay unravelling through complex human emotions. Their beauty lies in their unadulterated voice."— Amina Thajudeen, The Ultimate Reviewer"The true power of poetry is sharing the struggles of life and this book drives that home."— Rob Alex, Book Promotion Club

    Murrow's radio program, This I Believe, gave voice to the feelings and treasured beliefs of Americans around the country. Fifty years later, the popular update of the series, which now continues on Bob Edwards Weekend on public radio, explores the beliefs that people hold dear today. This book brings together essays on love from ordinary people far and wide whose sentiments and stories will surprise, inspire, and move you.Includes extraordinary essays written by ordinary Americans on love in its many manifestations-from romantic love and love of family to love of place and love of animals Paints a compelling portrait of the diverse range of beliefs and experiences related to what is perhaps the most powerful and complex of human emotions-love Based on the popular This I Believe radio series and thisibelieve.org Web site By turns funny and profound, yet always engaging, This I Believe: On Love is a perfect gift to give or to keep.

    It is a totally fresh, savvy and supremely honest take on being young, naive and hopeful, and the pains of living life at hyperspeed in a mad pop-culture world. It is fast, pacy and funny - an exhilarating joyride through the formative years of four Falkirk teenagers.'A terrific yarn... superb from start to finish' - FHM 'There is real emotion here, and gutsiness... a feeling for language so passionate it shames the dullness of so many sentences that make it into print' - Sunday Herald 'Required reading for those who understand and live its message' - The Herald

    It is at once a textbook for independent travel in Africa, an illustrated atlas, a collection of life stories, an intimate confession, a list of little secrets and shame. Alternating between three narrators, it is a story of division, isolation and contact. Bantustans were reservations for Black Africans set up by the apartheid regime; in this book, bantustans refer to the bubbles in which we all live our lives. The three protagonists, as well as the people they encounter along the way, are constantly struggling to escape these multi-layered bubbles – of ego, family, social circle, class, race, religion, ethnicity, language, nationality etc – and establish contact with the rest of the world. Such attempts are often painful and sometimes downright disastrous, leading to a series of conflicts, disappointments and crises, but ultimately confirming the possibilities and importance of human connections.With a collection of maps, infographics and data visualizations for non-linear reading, BANTUSTAN is an example of ergodic and interactive literature. Readers can choose how to move through the book: in the traditional linear fashion, or using the maps as visual interfaces for skipping from one story to another. The maps represent a tapestry of pictograms, ideograms, scripts, labyrinths, emblems, motifs, secret messages and hidden clues for the reader to discover and decipher.BANTUSTAN contains a total of 32 full-page illustrations (19 of which are maps), as well as 25 smaller illustrations/glyphs.

    --from Coma The novelist and playwright Pierre Guyotat has been called the last great avant-garde visionary of the twentieth century, and the near-cult status of his work--because of its extreme linguistic innovation and its provocative violence--has made him one of the most influential of French writers today. He has been hailed as the true literary heir to Lautr?amont and Arthur Rimbaud, and his "inhuman" works have been mentioned in the same breath as those by Georges Bataille and Antonin Artaud.Winner of the 2006 prix D?cembre, Coma is the deeply moving, vivid portrayal of the artistic and spiritual crisis that wracked Guyotat in the 1980s when he reached the physical limits of his search for a new language, entered a mental clinic, and fell into a coma brought on by self-imposed starvation. A poetic, cruelly lucid account, Coma links Guyotat's illness and loss of subjectivity to a broader concern for the slow, progressive regeneration of humanity. Written in what the author himself has called a "normalized writing," this book visits a lifetime of moments that have in common the force of amazement, brilliance, and a flash of life. Grounded in experiences from the author's childhood and his family's role in the French Resistance, Coma is a tale of initiation that provides an invaluable key to interpreting Guyotat's work, past and future.

    Blood Lyrics is a mother's song, one seared with the knowledge that her country wages long, aching wars in which not all lives are equal. There is beauty imparted, too, but it arrives at a cost: "Don't say it's the beautiful / I praise," Ford writes. "I praise the human, / gutted and rising."

    It had come time to leave Los Angeles. Thus begins the pre-apocalyptic, cross-country race with death to bury the murdered past in Joseph Mattson's EMPTY THE SUN, an urgent, beautifully reckless novel of transgressive loss and hunted redemption culminating in a shotgun fight with God. Includes an open-road, open-whiskey soundtrack by enigmatic and stunning Drag City recording artist Six Organs of Admittance.

    Alternating between grand, Whitmanic tone and scope, Dickinsonian minute detail, Beat rhythms, New York School wit and Objectivist sensibility, this epic poem engages traditional lyricism with a breathtaking contemporary style and graceful urgency.A native of California, Eleni Sikelianos has lived in New York City, Paris and Athens. She is the author of the poetry collection, Earliest Worlds, the memoir, Book of Jon (forthcoming from City Lights), and the National Poetry Series award-winning collection The Monster Lives of Boys and Girls.

    The book was written just after he had returned to Chile after many wanderings and moved to his beloved Isla Negra on the Pacific coast. These sixty-eight poems thus denote a resting point, a rediscovery of sea and land, and an "autumnal period" (as the poet himself called it). In this book, Neruda developed a lyric poetry decidedly more personal than his earlier work.

     Cheryl is excited her sister Julie has asked for her help in organising her wedding but things aren't turning out the way Cheryl had hoped. There's going to be no little village church and no bridesmaids dress; the wedding is taking place on the Greek island of Holkamos. Vangelis has the perfect beach location for a wedding but his little beach cafe has never catered for weddings before. Will he be able to cope with all of Julie's demands? Andréas has moved back to Holkamos to help run the family gift shop after the death of his father. The business has to move with the times but will his mum allow things to change? Johnny is Cheryl's best friend. He doesn't like the way Julie treats her and has a plan to put things right but is it the right thing for Cheryl and what happens when they both arrive on the Greek island. Could it become more than just a weekend wedding for Cheryl and Johnny?

    Asian American Studies. Is there a relationship between the population density of Tokyo and the pinkest part of a hamburger? Can one touch the inside of a noun to learn the difference between one bicycle and a field of bicycles? How close is yellow to need? How far are human fears from the fears of insects? Through a sequence of prose investigations, directions, theoretical performances, and character sketches, Sawako Nakayasu's TEXTURE NOTES presses itself against everything. Here is a book of liminal cartography, where textures are percolated by thought and propelled by feeling, where intellectual frottage meets sunlight, moonlight, the pain of seeing something beautiful and an entire town enamored by a simple rock. Once again, Nakayasu's writing explodes with genre-bending fury and fine-tuned improvisation, leaving in its wake a largess of feeling for the things of the world.

    No other version has so vividly expressed the horror, cruelty, beauty, and outrageous imaginative flight of Dante's original vision.

    She takes the time to enjoy it. It will be over soon. For all those who loved The Alchemist, Siddhartha, and Jonathan Livingston Seagull, This Flawless Place Between is a mesmerising and uplifting story about death and dying. Interweaving the key themes of The Tibetan Book of the Dead, one of the world’s most influential and treasured spiritual texts, Portier gently explores our deepest questions about life, love, and death with a refreshing openness and delicacy. Anne and Evan are vacationing in the Tibetan mountains when on an isolated stretch of road they lose control of their motorbike. Bike and riders spin over the edge, plunging into a ravine. Evan’s leg is broken; Anne isn’t moving. A Tibetan peasant hurries to help them, but while Evan tries in vain to save Anne’s life, the stranger focuses on guiding her spirit along the new path it must take to the next one. So begins a cathartic voyage that carries Anne away from her broken body and back through the traumas and ecstasies of her life. Once again, she is a child mourning a dead pet, a young woman embracing her lover, the radiant hostess of an art exhibition, a distraught mother hearing that her young daughter has been critically injured. As she revisits her past, and the futures of those she will leave behind, Anne begins to accept not only her death but also her life – and that what happens next will be up to her. A gifted successor to the inspirational Paulo Coelho, BRUNO PORTIER is a writer, photographer, and documentary maker. He travelled around Asia for 12 years before undertaking a PhD in social anthropology and writing this, his first novel.

    The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.

    Its adulation of love as both mystery and revelation places it in the most abiding of literary traditions, but its stormy history and technical difficulty have prevented it from being translated into English until now. "There has never been any forbidden fruit. Only temptation is divine," writes André Breton, leader of the surrealists in Paris in the 1920s and '30s. Mad Love is dedicated to defying "the widespread opinion that love wears out, like the diamond, in its own dust." Celebrating breton's own love and lover, the book unveils the marvelous in everyday encounters and the hidden depths of ordinary things.