If they were real, her mother would still be able to remember her name and not in a care home with early onset dementia. A condition that Saoirse may one day turn out to have inherited. So she’s not looking for a relationship. She doesn’t see the point in igniting any romantic sparks if she’s bound to burn out.But after a chance encounter at an end-of-term house party, Saoirse is about to break her own rules. For a girl with one blue freckle, an irresistible sense of mischief, and a passion for rom-coms.Unbothered by Saoirse’s no-relationships rulebook, Ruby proposes a loophole: They don’t need true love to have one summer of fun, complete with every cliché, rom-com montage-worthy date they can dream up—and a binding agreement to end their romance come fall. It would be the perfect plan, if they weren’t forgetting one thing about the Falling in Love Montage: when it’s over, the characters actually fall in love… for real.

    Trying not to get lost in translation is quite the culture shock for this born-and-bred Midwesterner.She’s surprised when her boss asks her to beta test the new dolls—an assignment that requires having her brain scanned so the company can fashion a personalized doll based on her innermost desires. But most surprising of all: her test PLC turns out to be a woman—one who looks and acts remarkably like her neighbor and coworker, Yuriko Vellucci. American-born Yuriko is a former transplant herself and is sympathetic to the difficulties of adjustment—to a point. Kathleen is about the most pathetic foreigner this engineer’s ever met. She clearly needs Yuriko’s help and expertise if this transition—and the PLC project—is to be a success. With Yuriko to show her the way, Kathleen will learn to socialize at an izakaya, find the best onsen in Nikko, party at a matsuri, buy doujinshii in Akihabara, and fall in love with a country so very different from her own. But can she also learn how to confess her love for the person who showed it to her?

    This arrangement has long kept peace in the Courts—until a series of gruesome and ritualistic murders rocks the city of Toronto and threatens to expose faeries to the human world.Four queer teens, each who hold a key piece of the truth behind these murders, must form a tenuous alliance in their effort to track down the mysterious killer behind these crimes. If they fail, they risk the destruction of the faerie and human worlds alike. If that’s not bad enough, there’s a war brewing between the Mortal and Immortal Realms, and one of these teens is destined to tip the scales. The only question is: which way?Wish them luck. They’re going to need it.

    As Tala’s wedding day approaches, simmering tensions come to boiling point and the pressure mounts for Tala to be true to herself.Moving between the vast enclaves of Middle Eastern high society and the stunning backdrop of London’s West End, I Can’t Think Straight explores the clashes between East and West, love and marriage, conventions and individuality, creating a humorous and tender story of unexpected love and unusual freedoms.

    Now, years later, Amy returns to Little Dip, the Garoul home valley to help her aunt finish a botanical project. Except Little Dip is no longer the happy place of Amy’s childhood memories. There’s something sinister in the woods. And why hasn’t Leone moved on? Why does she still dog Amy’s every move? As more and more of the Garoul family arrive for a special hunting weekend, parts of the puzzle come together and Amy’s fears escalate as she moves closer to the truth—and the secret that has eluded her since childhood.

     Allie just wants to make movies. But that’s not so easy when distractions abound. Distractions like sexy set designer Ashley. Or for that matter, sensitive screenwriter Cameron. In the high pressure atmosphere of a top film school, can Allie hang on to who she is? And with two different love paths in front of her, will she choose the right one? Or will she fuck everything up? From the author of 'The Plus One' and 'Waiting for the Punchline', 'Close Ups and F**k Ups' is about risking everything for what (and who) you love.

    Who is brave enough to find her--and who won't make it out of the woods?It's been exactly one year since Sara's sister, Becca, disappeared, and high school life has far from settled back to normal. With her sister gone, Sara doesn't know whether her former friends no longer like her...or are scared of her, and the days of eating alone at lunch have started to blend together. When a mysterious text message invites Sara and her estranged friends to "play the game" and find local ghost legend Lucy Gallows, Sara is sure this is the only way to find Becca--before she's lost forever. And even though she's hardly spoken with them for a year, Sara finds herself deep in the darkness of the forest, her friends--and their cameras--following her down the path. Together, they will have to draw on all of their strengths to survive. The road is rarely forgiving, and no one will be the same on the other side.

    Among humans, none have power like mages. And among mages, none have will like Sal the Cacophony. Once revered, now vagrant, she walks a wasteland scarred by generations of magical warfare. The Scar, a land torn between powerful empires, is where rogue mages go to disappear, disgraced soldiers go to die and Sal went with a blade, a gun and a list of names she intended to use both on. But vengeance is a flame swift extinguished. Betrayed by those she trusted most, her magic torn from her and awaiting execution, Sal the Cacophony has one last tale to tell before they take her head. All she has left is her name, her story and the weapon she used to carved both. Vengeance is its own reward.

    She will climb the mountain, enter the Shrine of the Unspoken, and gain the most honored title: sacrifice. On the day of her foretold death, however, a powerful mage offers her a new fate.Csorwe leaves her home, her destiny, and her god to become the wizard's loyal sword-hand -- stealing, spying, and killing to help him reclaim his seat of power in the homeland from which he was exiled.But Csorwe and the wizard will soon learn – gods remember, and if you live long enough, all debts come due.

    They’ve also hidden a tragic legacy: if they fall in love too deeply, their lovers vanish. But then, after generations of vanishings, a strange boy appears in the gardens.The boy is a mystery to Estrella, the Nomeolvides girl who finds him, and to her family, but he’s even more a mystery to himself; he knows nothing more about who he is or where he came from than his first name. As Estrella tries to help Fel piece together his unknown past, La Pradera leads them to secrets as dangerous as they are magical in this stunning exploration of love, loss, and family.

    There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box.But when the Eastwood sisters--James Juniper, Agnes Amaranth, and Beatrice Belladonna--join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote-and perhaps not even to live-the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive.There's no such thing as witches. But there will be.

    As a priestess of the Sisterhood, she travels the stars alongside the soldiers of Earth and Mars—the same ones who own the rights to her body and soul. When her former captain abandons her, First Sister’s hopes for freedom are dashed when she is forced to stay on her ship with no friends, no power, and a new captain—Saito Ren—whom she knows nothing about. She is commanded to spy on Captain Ren by the Sisterhood, but soon discovers that working for the war effort is so much harder to do when you’re falling in love.Lito val Lucius climbed his way out of the slums to become an elite soldier of Venus, but was defeated in combat by none other than Saito Ren, resulting in the disappearance of his partner, Hiro. When Lito learns that Hiro is both alive and a traitor to the cause, he now has a shot at redemption: track down and kill his former partner. But when he discovers recordings that Hiro secretly made, Lito’s own allegiances are put to the test. Ultimately, he must decide between following orders and following his heart.

    What is the right way to handle an abusive partner? An unexpected pregnancy? A toxic friendship? Chronic unemployment? A family member going to war? A disability? Anger? Loneliness?  Finding themselves in disempowering, frightening, or otherwise unendurable circumstances, the girls and women in Maria Adelmann's stories look for ways to free themselves into new lives or, at the very least, new states of feeling. Sometimes they do this by hurting someone else or getting hurt; sometimes by submitting, other times by mounting a rebellion. With a special talent for pressing the sharp up against the tender, Adelmann explores the many pathways through the titular condition. Ranging in style from the magical to the terrifying to the calm tones of a self-help manual, GIRLS OF A CERTAIN AGE captures the spectrum of strategies we apply to the pain of life, strategies that we persist in pretending might actually work.

    From first loves to weird roommates, heartbreak, self-discovery, coming out and mental health, the two of them document every wild and awkward moment to each other. But as each changes and grows into her new life, will their friendship be able to survive the distance?

    With Odd Girl Out, Bannon introduces Laura Landon, whose love affair with her college roommate Beth launched the lesbian pulp fiction genre.