Both are poles apart in terms of spiritual awakening. Destiny maneuvers their lives to cross each other’s paths, until Salaar falls in love with Imama after facing a horrifying experience that totally changes the course of his life.It was published in Shuaa Digest from July 2003 to February 2004.

    The novel is so exciting that the reader will love to read it more than once. Feudal system of undivided India, British, Hindu & Muslims are main characters of this novel.

    An amazing, sui generis book, River of Fire spans two and a half millennia. Set during four Indian epochs (the classical, the medieval, the colonial, and the modern post-national), the novel is a meditation on history and human nature, tracing four souls through time. Each section is linked by characters who bear, in every period, the same names: Gautam, Champa, Kamal, and Cyril. Gautam (appearing first as a student of mysticism at the Forest University of Shravasti in the 4th century B.C.E.) and Champa (throughout embodying the enigmatic experience of Indian women) begin and end the novel; Muslim Kamal appears mid-way through, as the Muslims did, and loses himself in the Indian landscape; and Cyril, the Englishman, appears later still. In different eras, different relations from among the four -- romance and war, possession and dispossession. Yet together the characters reflect the oneness of human nature: amidst the nationalist and religious upheavals of Indian history, Hyder argues for a culture that is inclusive.Interweaving parables, legends, dreams, diaries, and letters, Hyder's prose is lyrical and witty. There is really no book like River of Fire. Qurratulain Hyder was awarded the Bharatiya Gnanpith, India's highest literary award, in 1989, and here is her masterpiece, her broadest canvas and her finest art.

    The story of Husain and Zammarrud fallen in the grip of the Assassins take us back to the last days of Hasan Bin Sabah's merciless followers, at the end of which the sect's stronghold, the famous fort of Alamoot, was destroyed by the even more merciless Mongol hordes. Sharar writes famously in the style of a Walter Scott novel, the novel itself being a new literary form in his day. But there are shades of an earlier indigenous genre - the Dastaan - in his work. Yet although he tells a gripping tale, part Scott and part Dastaan, he is not unaware of character. Husain may be credulous, and smitten silly by his love for Zammarrud, but he can still ask Shaikh Vujoodi intelligent questions which the Shaikh can only parry by the display of great wrath and superhuman knowledge. Husain's credulity in accepting his answers immediately has a lot to do with his fear that he would not be allowed to visit his beloved in 'Paradise.' There is a definite modern streak in Sharar's work. His treatment of Zamarrud is different from the usual portrayal of female characters in his day. Zamarrud has a mind of her own. She is observant and intelligent and capable of rebuffing her lover when he sounds credulous and foolish. No old fashioned perceptions of female 'duty' or the superior status of men holds her back from realizing that she is more clear-headed than Husain. She is moreover not mild of manner or adulatory of her man, as the prototypes of female perfection tend to be in Urdu literature of the day. Yet non of this detracts from her femininity, as she runs around 'like a delicate, fleet-footed doe' but fully determined to have her way. Much has been written about the Assassins in English and other languages. Sharar's novel has its own charm, and given a chance it should become a very popular book. Translated into Tajik, Sharar's works have quite a lot of readers in Tajikistan, where they are also the subject of a Ph.D. dissertation by Vladimir Lanikin.

    The story follows her life from when she is sixteen, though courtship, engagement, marriage, having children, and the many challenges that she confronts in her adult life. This classic Christian story is told through a series of journal entries by Katherine and is an inspirational tale for young girls who themselves are facing the very same challenges of growing up.

    Ashfaq Ahmed is a consummate master of words.

    Mukhtar Masood brings into this text his close observation of the years of upheaval preceding the partition of India and the end of Victorian rule. The books details the events, forces, people, and ideas that lead to the creation of Pakistan.

    

    Gidh is the Urdu word for a vulture and Raja is a Hindi synonym for king. The name anticipates the kingdom of vultures. In fact, parallel to the main plot of the novel, an allegorical story of such a kingdom is narrated. The metaphor of the vulture as an animal feeding mostly on the carcasses of dead animals is employed to portray the trespassing of ethical limits imposed by the society or by the religion.Bano Qudsia has written this novel drawing on the religious concept of Haraam and Halaal. Many readers tend to interpret Raja Gidh as a sermon, in which Bano Qudsia puts forth her theory of hereditary transmission of Haraam genes. Naturally the plot is woven to support the thesis. In the opinion of many readers and critics she manages to convince them that the pursuance of Haraam, be it financial, moral or emotional, results in the deterioration of a person's normality in some sense. She seems to suggest that the abnormality is transferred genetically to the next generation.Apart from the above implication the novel has many social, emotional and psychological aspects. The nostalgic narration of the historical Government College Lahore and of the Lawrence Garden Lahore lights upon the days of seventies and eighties.Bano Qudsia is among those Urdu writers who would think ten times before writing a sentence. But she does not sacrifice the flow of the narrative anywhere in this novel. Her characters are not black and white ones as some of the critics would like to suggest. Every sensitive reader who has attended a college or a university in a Pakistani setting is bound to find some similarities between themselves and one of the characters.Plot: Seemin Shah, hailing from an upper middle class family, falls in love with her handsome class fellow Aftab in the MA Sociology class at Government College Lahore. Seemin is a modern and attractive urban girl and attracts most of her male class fellows, including the narrator (abdul)Qayyum and the young liberal professor Suhail. Aftab belongs to a Kashmiri business family. Though he also loves her, he can not rise above his family values and succumbs to his parent's pressure to marry someone against his wishes and leave for London to look after his family business. Now the long story of separation begins.

    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.

    Despite being part of the country's small Hindu community, that is terrorized at every opportunity by Muslim fundamentalists, they refuse to leave their country, as most of their friends and relatives have done. Sudhamoy, an atheist, believes with a naive mix of optimism and idealism that his motherland will not let him down... And then, on 6 December 1992, the Babri Masjid at Ayodhya in India is demolished by a mob of Hindu fundamentalists. The world condemns the incident but its fallout is felt most acutely in Bangladesh, where Muslim mobs begin to seek out and attack the Hindus... The nightmare inevitably arrives at the Duttas' doorstep - and their world begins to fall apart.

    The Smoky Mountain community of Cutter Gap feels suspended in time, trapped by poverty, superstitions, and century-old traditions.But as Christy struggles to find acceptance in her new home, some see her — and her one-room school — as a threat to their way of life. Her faith is challenged and her heart is torn between two strong men with conflicting views about how to care for the families of the Cove.Yearning to make a difference, will Christy’s determination and devotion be enough?

    Known for her charm, wit and beauty, Umrao Jaan was also a talented poet, dancer and a singer. Rich in historical detail, the audiobook transports us in old Lucknow, where decadence was nothing more than a part of day-to-day life.

    The principal narrator of the saga, which extends over six hundred years, is a bawdy, ageing reprobate who loves Delhi as much as he does the hijra whore Bhagmati - half man, half woman with sexual inventiveness and energy of both the sexes. Travelling through time, space and history to 'discover' his beloved city, the narrator meets a myriad of people-poets and princes, saints and sultans, temptresses and traitors, emperors and eunuchs - who have shaped and endowed Delhi with its very special mystique And as we accompany the narrator on his epic journey we find the city of emperors transformed and immortalized in our minds for ever.

    Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.