In Urdu, basti means any space, from the most intimate to the most universal, in which groups of people come together to try to live together, and the universal question at the heart of the book is how to constitute a common world. What brings people together? What tears them apart? “When the world was still all new, when the sky was fresh and the earth not yet soiled, when trees breathed through centuries and ages spoke around in the voices of birds, how astonished he was that everything was so new and yet looked so old”—so the book begins, with a mythic, even mystic, vision of harmony, as the hero, Zakir, looks back on his childhood in a subcontinent that had not yet been divided between Muslims and Hindus. But Zakir is abruptly evicted from this paradise—real or imagined—into the maelstrom of history. The new country of Pakistan is born, separating him once and for all from the woman he loves, and in a jagged and jarring sequence of scenes we witness a nation and a psyche torn into existence only to be torn apart again and again by political, religious, economic, linguistic, personal, and sexual conflicts—in effect, a world of loneliness. Zakir, whose name means “remember,” serves as the historian of this troubled place, while the ties he maintains across the years with old friends—friends who run into one another in cafés and on corners and the odd other places where history takes a time-out—suggest that the possibility of reconciliation is not simply a dream. The characters wait for a sign that minds and hearts may still meet. In the meantime, the dazzling artistry of Basti itself gives us reason to hope against hope.

    This is kind of literature which is the link between dastaan and novel. It was written almost 175 years ago but still found attractive and appreciated by critics. Although the language used is obsolete even then reader can find it interesting. There is brief vocabulary given at the end to help reader understand some old terms. Fasan e Ajaib had great influence on other books of its era and writers of that time tried to wrote books in its style. It was originally written in 1824 but published after 19 years in 1843 from Matba e Khusni Lakhnau.

    A novel about a helpless orphan girl who discovers the real meaning of the holy Quran which helps her cope with the vagaries of her miserable life.It appeared March-August 2011 in Khawateen Digest

    Michener sweeps readers off to the Caribbean, bringing to life the eternal allure and tumultuous history of this glittering string of islands. From the 1310 conquest of the Arawaks by cannibals to the decline of the Mayan empire, from Columbus's arrival to buccaneer Henry Morgan's notorious reign, from the bloody slave revolt on Haiti to the rise of Cuba's Fidel Castro, Caribbean packs seven hundred dramatic years into a tale teeming with revolution and romance, authentic characters and thunderous destinies. Through absorbing, magnificent prose, Michener captures the essence of the islands in all of their awe-inspiring scope and wonder.

    Like all women of her rank, she was expected to marry a prosperous Muslim from a respectable family, bear him many children and lead a sheltered life of leisure. Her marriage to Mustafa Khar, one of Pakistan's most eminent political figures, soon turned into a nightmare. Violently possessive and pathologically jealous, Mustafa Khar succeeded in cutting her off from the outside world. For fourteen years, Tehmina suffered alone, in silence. When she decided to rebel, the price she paid was extremely high: as a Muslim woman seeking a divorce, she signed away all financial support, lost the custody of her four children, and found herself alienated from her friends and disowned by her parents. When this book was first published it shook Pakistani society to its foundations. Here at last was someone who had succeded in reconciling her faith in Islam with her ardent belief in women's rights. Tehmina Durrani's story provided extraordinary insights into the vulnerable position of women caught in the complex web of Muslim society.

    He was arrested, interrogated and imprisoned by the communists, and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock—almost ten thousand books—in attics all over Kabul.But while Khan is passionate in his love of books and his hatred of censorship, he also has strict views on family life and the role of women. As an outsider, Åsne Seierstad found herself in a unique position, able to move freely between the private, restricted sphere of the women—including Khan’s two wives—and the freer, more public lives of the men.It is an experience that Seierstad finds both fascinating and frustrating. As she steps back from the page and allows the Khans to speak for themselves, we learn of proposals and marriages, hope and fear, crime and punishment. The result is a genuinely gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history.' to 'This mesmerizing portrait of a proud man who, through three decades and successive repressive regimes, heroically braved persecution to bring books to the people of Kabul has elicited extraordinary praise throughout the world and become a phenomenal international bestseller. The Bookseller of Kabul is startling in its intimacy and its details—a revelation of the plight of Afghan women and a window into the surprising realities of daily life in today’s Afghanistan.'

    Multigenerational saga of Alex Haley's father's family through his grandmother, Queen, the proud daughter born of a slave and a white slave owner.

    Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed. The ruling elite therefore mustn’t know the full scope or nature of the project, and panic erupts when one of the chosen miniaturists disappears. The only clue to the mystery–or crime? –lies in the half-finished illuminations themselves. Part fantasy and part philosophical puzzle, My Name is Red is a kaleidoscopic journey to the intersection of art, religion, love, sex and power.

    The adolescent Elie and his family, among hundreds of thousands of Jews from all parts of Eastern Europe, are cruelly deported from their hometown to the horrors of Auschwitz and Buchenwald. Wiesel writes of their battle for survival, and of his battle with God for a way to understand the wanton cruelty he witnesses each day.In the short novel Dawn (1961), Elisha - the sole survivor of his family, whose immolation he witnessed at Auschwitz - has survived the Second World War and settled in Palestine. Apprenticed to a Jewish terrorist gang, he is commanded to execute a British officer who has been taken hostage. During the lonely hours before dawn, he meditates on the act of murder he is waiting to commit.In The Accident, (1962), Wiesel's second novel, Elisha, now a journalist living in New York, is the victim of a nearly fatal automobile accident. This fiction questions the limits of the spirit and the self: Can Holocaust survivors forge a new life without the memories of the old? As the author writes in his introduction, "In Night it is the 'I' who speaks; in the other two [narratives], it is the 'I' who listens and questions." Wiesel's trilogy offers meditations on mankind's attraction to violence and on the temptation of self-destruction.

    Jesse James, at the age of 34, is at the height of his fame and powers as a singularly successful outlaw. Robert Ford is the skittish younger brother of one of the James gang: he has made himself an expert on the gang, but his particular interest - his obsession - is Jesse James himself. Both drawn to him and frightened of him, the nineteen-year-old is uncertain whether he wants to serve James or destroy him or, somehow, become him.Never have these two men been portrayed and their saga explored with such poetry, such grim precision and such raw-boned feeling as Ron Hansen has brought to this masterful retelling.'Wonderful. This is great storytelling, not undermined by our knowin how it turns out. The reader is driven - by story and by language and by history... the best blend of fiction and history I've read in a long while!' -- John Irving, author of The World According to Garp

    Made into a movie starring Patrick Swayze, this is the inspiring story of an American doctor who experienced a spiritual rebirth in an impoverished section of Calcutta.

    Ali's target is none other than General Zia ul-Haq, dictator of Pakistan. Enlisting a rag-tag group of conspirators, including his cologne-bathed roommate, a hash-smoking American lieutenant, and a mango-besotted crow, Ali sets his elaborate plan in motion. There's only one problem: the line of would-be Zia assassins is longer than he could have possibly known.

    In The Hope, his long-awaited return to historical fiction, he turns to one of the most thrilling stories of our time - the saga of Israel. In the grand, epic style of The Winds of War and War and Remembrance, The Hope plunges the reader into the major battles, the disasters and victories, and the fragile periods of peace from the 1948 War of Independence to the astounding triumph of the Six-Day War in 1967. And since Israelis have seen their share of comic mishaps as well as heroism, this novel offers some of Herman Wouk's most amusing scenes since the famed "strawberry business" in The Caine Mutiny. First to last The Hope is a tale of four Israeli army officers and the women they love: Zev Barak, Viennese-born cultured military man; Benny Luria, ace fighter pilot with religious stirrings; Sam Pasternak, sardonic and mysterious Mossad man; and an antic dashing warrior they call Kishote, Hebrew for Quixote, who arrives at Israel's first pitched battle a refugee boy on a mule and over the years rises to high rank. In the love stories of these four men, the author of Marjorie Morningstar has created a gallery of three memorable Israeli women and one quirky fascinating American, daughter of a high CIA official and headmistress of a Washington girls school. With the authenticity, authority, and narrative force of Wouk's finest fiction, The Hope portrays not so much the victory of one people over another, as the gallantry of the human spirit, surviving and triumphing against crushing odds. In that sense it can be called a tale of hope for all mankind; a note that Herman Wouk has struck in all his writings, against the prevailing pessimism of our turbulent century.

    And besides, it furnished me seven times the pleasure afforded me by any of the others; twelve years of preparation, and two years of writing. The others needed no preparation and got none." --Mark Twain

    Shivaji has been a legendary figure in the Indian history.Shivaji was one of the major influences on the revival of nationalism and Hindu culture during a period when centuries of rule by Muslim invaders had induced a condition of apathy and indifference in the people.Over the years, many legends have been added to Shivaji’s life, and it is hard to filter out these embellishments and just focus on the facts.The author has done his best to build this book just on facts. And the facts alone are interesting enough to highlight the achievements of this legendary king.Shivaji was a man who built a dynasty starting from nothing. His motivations were always immense pride in his culture and love for his motherland. However, he was not a bigot and treated all his subjects equally well, irrespective of their religion and other divisions. His battles were mostly with Muslim rulers, but he never showed any animosity towards the Muslim inhabitants of his kingdom.The author has presented Shivaji as he really was, with no embellishments. Shivaji was a dynamic leader, a warrior, and a nobleman. He was religious without being fanatic, he was a believer, but not superstitious, he was courageous but not foolish. He was a visionary who dreamt of building a Hindu kingdom in a region that was surrounded by Muslim dynasties. Yet, he was extremely practical.Shivaji was a courageous warrior and a great tactician. At the same time, he was also a very good administrator and the kingdom he was building up became stronger under his rule. He suffered many defeats too, but he never gave up his vision, and ultimately, he did succeed in making his dream a reality.The author, in this book, has captured all the different facets of Shivaji’s personality that contributed towards this legacy, and thus gives the reader a sense of involvement in the events taking place in the story.