His European visits were infrequent enough to have kept unimpaired the freshness of his eye, and he was always struck anew by the vast and consummately ordered spectacle of Paris: by its look of having been boldly and deliberately planned as a background for the enjoyment of life, instead of being forced into grudging concessions to the festive instincts, or barricading itself against them in unenlightened ugliness, like his own lamentable New York. But to-day, if the scene had never presented itself more alluringly, in that moist spring bloom between showers, when the horse-chestnuts dome themselves in unreal green against a gauzy sky, and the very dust of the pavement seems the fragrance of lilac made visible-to-day for the first time the sense of a personal stake in it all, of having to reckon individually with its effects and influences, kept Durham from an unrestrained yielding to the spell. Paris might still be-to the unimplicated it doubtless still was-the most beautiful city in the world; but whether it were the most lovable or the most detestable depended for him, in the last analysis, on the buttoning of the white glove over which Fanny de Malrive still lingered.

    But this worldly, sarcastic, and perhaps even wicked woman may have been made for something greater than love.In her portrait of Myra and in her exquisitely nuanced depiction of her marriage, Cather shows the evolution of a human spirit as it comes to bridle against the constraints of ordinary happiness and seek an otherworldly fulfillment. My Mortal Enemy is a work whose drama and intensely moral imagination make it unforgettable.

    Its fourteen-year-old heroine Wendla is killed by abortion pills. The young Moritz terrorized by the world around him and especially by his teachers shoots himself. The ending seems likely to be the suicide of Moritz's friend Melchior but in a confrontation with a mysterious stranger (the famous Masked Man) he finally manages to shed his illusions and face the consequences.

    H. Lawrence's death in 1930. Immediately recognized as a masterpiece in which Lawrence had distilled and purified his ideas about sexuality and morality, The Virgin and the Gipsy has become a classic and is one of Lawrence's most electrifying short novels.Set in a small village in the English countryside, this is the story of a secluded, sensitive rector's daughter who yearns for meaning beyond the life to which she seems doomed. When she meets a handsome young gipsy whose life appears different from hers in every way, she is immediately smitten and yet still paralyzed by her own fear and social convention. Not until a natural catastrophe suddenly, miraculously sweeps away the world as she knew it does a new world of passion open for her. Lawrence's spirit is infused by all his tenderness, passion, and knowledge of the human soul.

    Contains 3 novellas originally published between 1952-1959: The Cloven Viscount, The Baron In the Trees, The Non-Existent Knight.

    P. Lovecraft's last major story. It was first published in Astounding Stories for June 1936. And yet, this text has never been published as Lovecraft wrote it--until now. The recent discovery of Lovecraft's handwritten manuscript allows readers to appreciate this magnificently cosmic story exactly as originally written.All previous editions of the story contain hundreds of serious errors, including errors in paragraphing, omissions and mistranscriptions of many words and passages, and erroneous punctuation. Leading Lovecraft scholars S. T. Joshi and David E. Schultz have provided an exhaustive introduction and commentary on the story, elucidating names, places and other elements in this richly evocative story. A must for all devotees of Lovecraft and weird fiction!

    The von Globig family’s manor house, the Georgenhof, is falling into disrepair. Auntie runs the estate as best she can since Eberhard von Globig, a special officer in the German army, went to war, leaving behind his beautiful but vague wife, Katharina, and her bookish twelve-year-old son, Peter. As the road fills with Germans fleeing the occupied territories, the Georgenhof begins to receive strange visitors—a Nazi violinist, a dissident painter, a Baltic baron, even a Jewish refugee. Yet in the main, life continues as banal, wondrous, and complicit as ever for the family, until their caution, their hedged bets, and their denial are answered by the wholly expected events they haven’t allowed themselves to imagine.All for Nothing, published in 2006, was the last novel by Walter Kempowski, one of postwar Germany’s most acclaimed and popular writers.

    "Elizabeth and Her German Garden" is a year's diary written by Elizabeth about her experiences learning gardening and interacting with her friends. It includes commentary on the beauty of nature and on society, but is primarily humorous due to Elizabeth's frequent mistakes and her idiosyncratic outlook on life. The story is full of sweet, endearing moments. Elizabeth was an avid reader and has interesting comments on where certain authors are best read; she tells charming stories of her children and has a sometimes sharp sense of humor in regards to the people who will come and disrupt her solitary lifestyle.

    Stripped of any preciousness or sentimentality, Natalia Ginzburg’s writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don’t more wives kill their husbands?

    Told from the viewpoints of three different women, this is a story of the psychological impact of illicit love. First viewed through the eyes of Shoko, who learns of the affair through reading her mother's diary, then through the eyes of Midori, who had long known about the affair of her husband with Saiko, and finally through the eyes of Saiko herself.

    Haiku.And snow."An international bestseller, "Snow "is "a novel that reads like a poem. Limpid, delicate, and pure like its title."* In nineteenth-century Japan, a young haiku poet named Yuko journeys through snow-covered mountains on a quest for art and finds love instead. Maxence Fermine's prose is hypnotic, and his sensuous love story envelops you as if you¹re wrapped in one of his dreams with your eyes wide open.Yuko has all the makings of greatness, but must learn to reach beyond the silent starkness of snow, his ultimate inspiration, to find the color pulsing through life. Color enhanced by love, without which he will remain invisible to the world. On his journey to enlightenment he learns how fragile the balance of life can be through the tragic story of his blind master, Soseki, and the love of his life, a French tightrope walker named Snow. Love and art finally converge in a most startling and exquisite way when a special young woman opens Yuko's heart to the purest of color and light."*Gala" (Italy)

    Twain wrote this version between November 1897 and September 1900. "Eseldorf" is German for "Assville" or "Donkeytown".

    But the story itself is much older and its original intent more complex. This eye-opening new volume presents two of the tale's earliest versions, both in new translations: E.T.A. Hoffmann's Nutcracker and Mouse King (1816), in which a young girl is whisked away to the Land of Toys to help her animated nutcracker defeat the Mouse King, and Alexandre Dumas's 1845 adaptation, The Tale of the Nutcracker, based on Hoffmann's popular work. Irresistible tales of magic, mystery, and childhood adventure, these timeless delights and fresh interpretations about the importance of imagination will captivate readers of all ages.

    One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

    It has been 60 years since the great Red Death wiped out mankind, and the handful of survivors from all walks of life have established their own civilization and their own hierarchy in a savage world. Art, science, and all learning has been lost, and the young descendants of the healthy know nothing of the world that was—nothing but myths and make-believe. The old man is the only one who can convey the wonders of that bygone age, and the horrors of the plague that brought about its end. What future lies in store for the remnants of mankind can only be surmised—their ignorance, barbarity, and ruthlessness the only hopes they have?'