Ayyappante Kavithakal Sampoornam takes us through the poems which filled Malayali hearts with intense passion. Pallu, the last poem written by Ayyappan has also been included in the collection. Studies about Ayyappan's poems by various people, including T.P. Rajeevan, M.K. Harikumar, Balachandran Chullikkad, Guru Nithyachaithanyayathi, D Vinayachandran, V.R. Sudheesh, Sachidanandan, Kalpetta Narayanan and E.V. Ramakrishnan have been included in this book. Interviews with Ayyappan by P.K. Parakkadavu, Shibu Joseph, Unnikrishnan Sreekandapuram and others are also there. Foreword by Sebastian.

    

    In this book, the author has described about the autocratic rule in Nepal and the struggle the leaders of different political parties had to do against those dictators. In this book, the author has explained about the painful experience in prison during those struggling periods. Similarly, through this book, the author has even mentioned about the Nepali society of that time. Similarly, here in some places it is also mentioned about the world war and the history of Hitler. This book also describes about the different aspects of life. Here, it is also shown about the relationship and the love between a husband and a wife. Similarly, somewhere it also talks about the pain and sorrow arisen at the time of departure from our beloved ones and own nation. Thus, this book has presented us different aspects of life. This book must be read at least for once.

    The book adopts an interpretive and tries to explain what led to the dislocation of centuries-old social order and the emergence of new social classes.

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    Overwhelmed with nostalgia, he goes back to his village to see the house one last time after 16 long years. And then begins a journey to his past--a past that he has always wanted to forget. And thus unfolds the story of his friendship with Pawan, who falls prey to village politics and superstitions, losing his memory in the process. This story is multilayered with the stories of the loving Jethiaama, the snake killer Chilgadi, the goon Rocky Dada, the village shaman Kohinoor--all colorful characters who delight and surprise readers in equal measure.Written in a sweet, flowing language, Firfire brings back the kaleidoscopic memories of our individual pasts.

    Prepare for exams and succeed in your mathematics course with this comprehensive solutions manual! Featuring worked out-solutions to the problems in CALCULUS: THE CLASSIC EDITION, 5th Edition, this manual shows you how to approach and solve problems using the same step-by-step explanations found in your textbook examples.

    And while art criticism is ubiquitous in newspapers, magazines, and exhibition brochures, it is also virtually absent from academic writing. How is it that even as criticism drifts away from academia, it becomes more academic? How is it that sifting through a countless array of colorful periodicals and catalogs makes criticism seem to slip even further from our grasp? In this pamphlet, James Elkins surveys the last fifty years of art criticism, proposing some interesting explanations for these startling changes."In What Happened to Art Criticism?, art historian James Elkins sounds the alarm about the perilous state of that craft, which he believes is 'In worldwide crisis . . . dissolving into the background clutter of ephemeral cultural criticism' even as more and more people are doing it. 'It's dying, but it's everywhere . . . massively produced, and massively ignored.' Those who pay attention to other sorts of criticism may recognize the problems Elkins describes: 'Local judgments are preferred to wider ones, and recently judgments themselves have even come to seem inappropriate. In their place critics proffer informal opinions or transitory thoughts, and they shy from strong commitments.' What he'd like to see more of: ambitious judgment, reflection about judgment itself, and 'criticism important enough to count as history, and vice versa.' Amen to that."—Jennifer Howard, Washington Post Book World

    

    

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    Paul. Now, in Once There Were Castles, he offers a richly illustrated look at another world of ghosts in our midst: the lost mansions and estates of the Twin Cities.Nobody can say for sure how many lost mansions haunt the Twin Cities, but at least five hundred can be accounted for in public records and archives. In Minneapolis and St. Paul, entire neighborhoods of luxurious homes have disappeared, virtually without a trace. Many grand estates that once spread out over hundreds of acres along the shores of Lake Minnetonka are also gone. The greatest of these lost houses often had astonishingly short lives: the lavish Charles Gates mansion in Minneapolis survived only nineteen years, and Norman Kittson’s sprawling castle on the site of the St. Paul Cathedral stood for barely more than two decades. Railroad and freeway building, commercial and institutional expansion, fires, and financial disasters all claimed their share of mansions; others succumbed to their own extravagance, becoming too costly to maintain once their original owners died.The stories of these grand houses are, above all else, the stories of those who built and lived in them—from the fantastic saga of Marion Savage to the continent-spanning conquests of James J. Hill, to the all-but-forgotten tragedy of Olaf Searle, a poor immigrant turned millionaire who found and lost a dream in the middle of Lake Minnetonka. These and many other mansion builders poured all their dreams, desires, and obsessions into extravagant homes designed to display wealth and solidify social status in a culture of ever-fluctuating class distinctions.The first book to take an in-depth look at the history of the Twin Cities’ mansions, Once There Were Castles presents ninety lost mansions and estates, organized by neighborhood and illustrated with photographs and drawings. An absorbing read for Twin Cities residents and a crucial addition to the body of work on the region’s history, Once There Were Castles brings these “ghost mansions” back to life.

    

    Escher (Dutch, 1898-1972) shows us the limitless, the infinite, and the impossible -- continuous staircases that rise and yet end at their beginning points, two hands reaching out of a page to draw each other. The pop-up format adds even more intrigue, bringing the designs to life. Each pop-up is accompanied by a quotation from Escher's writings.