Responding to the post-industrial landscape of rural life, Jenny George braids together regional plains poetry and the darkly fantastic imagery of medieval painting. Alluding to Goya’s grotesque bestiary, The Dream of Reason is similarly preoccupied with creatures of all kinds: tiny husks of insects, bats crawling across porches like goblins, purring moths, and pigs, in many forms. George names these creatures and documents the traumas of farm life, the role of the handlers involved, and the empathy and horror that comes with it. The collection lingers, transfixed by its strange imaginings, searching for sense in the dark.

    Dear Mr. Ted, contains all four books.Dear Teddy Book One -Little boy little boy,Curled in a ball.I know your secrets,I know them allI write in my journal as much as I can. I talk to Mr. Ted. He is my only friend. He understands when the bad man comes. He holds my hand when I have nightmares and my mummy doesn't hear me cry. Mr. Ted doesn’t tell. He won’t say when my daddy hurts me. He keeps my secrets and my stories. I love Mr. Ted. He is the only one who loves me back.Mr. Ted.I keep falling asleep. Bad things happen. I get sore all the time. But I don’t know why. My mum says it’s a demon. Because I got evil. Please make me be good....Where does an abused child turn when he has no one to talk to? Believing that he is evil and meant to be a victim, he tells his horrific journey to his only friend, Mr. Ted. The boy is five. In his own words through the compelling pages of his journal, he writes in terrific detail of unspeakable abuse forced upon him by his parents. Through manipulation and control, he is moulded into a creation of their own design. Fear follows close behind in the guise of the “bad man.”His voice is no longer silent.Telling Teddy Book Two-Mr. Ted. I love you very much.I love my Mr. Ted. He is all mine and he is magic. He keeps me safe from the bad man. I hug him all tight. We sit on the floor by the fire. I don't be allowed to sit on the chairs. I am too evil.Me and Mr. Ted like to write stories. He tells me what to write. Then I draw the pictures about it and we make it all nice. I put it in my scrap book. My Nan bought me the scrap book. It is big and has lots of pages. It has a car on the front and my name.Stupid Boy Book Three -Stupid Boy, the sequel to the #1 ranked book, Dear Teddy and Telling Teddy.” I am a stupid boy, with stupid hair and stupid clothes. I am always stupid, forever. My badness comes out and makes it all stupid. I don’t tell Mr. Ted though. He is my friend. We go outside and we get to play. We chop up all the bad people with our swords. We play with Andrew too. He is magic, he is invisible. He doesn’t know that I am Stupid Boy. Nobody ever wants Stupid Boy.”Stupid Boy is the third instalment of Dear Teddy, and continues the pain-filled journey of a seven-year old boy through his horrific childhood of abuse. In his own words, he shows you his scars and tells you the lies that he believes; every page an accounting of the deliberate destruction of a child by those he loves and the strangers he is forced to please.His gentle spirit will reach out and amaze you with its strength. Wrap your arms around him as he opens his heart once more and shares his life with you.His story continues…Goodbye Teddy Book Four -This journey has been an odd one; I didn’t even know I was on it. Dear Teddy was born out of a conversation with my therapist at the time, a way for the child to speak after so many years of silence and being locked away in the dark. Once I gave him a pen and told him it was okay for him to talk, he didn’t stop. He had so much to say, and he did.Goodbye Teddy is the fourth and final book in the Dear Teddy series, as with the previous books; it is told through the eyes of the child. He asks you to walk with him as he shows you his world. This is a tale of child abuse in all forms. Every page takes you through the horrific events and the ways he came to survive them. It shows you the betrayal by those very people that should have protected him; his mother and father.Listen as he shares his secrets, his fears, his hopes and dreams. Laugh with him, cry with him, but don’t stop or close your eyes.ExcerptI sit on the cushions. I look at my dad’s bottle of petrol. Maybe I can drink it. It is poison. My dad says it is. He shouts when my brother plays in there. Because there is lots of things and it is poison and can make him die and go to heaven. I look at it lots of times. Maybe I can drink it all

    

    0-935906-02-9$5.00 / Javan Press

    Weaving between whispered science and circus, Campbell turns a cracked mirror on society and asks who gets to control the twisted tales hiding in the wings. Jen Campbell received an Eric Gregory Award in 2016, is Vlogger in Residence for the Poetry Book Society, and was a judge of the Forward Prize in 2018. She talks about books, fairy tales and disfigurement at youtube.com/jenvcampbell. She lives in London.

    Awake chronicles Laux's coming to terms with a childhood darkened by violence and sexual abuse--a struggle at once to embrace and to forgive the past.

    The result easily demonstrated, then as now, the massive achievement of the writer whom Carolyn Kizer called "one of the most passionate, energetic, and honest poets living."

    Culled from classic works of poetry, unpublished work solicited especially for the book, and poetry and erotica journals, these poems celebrate sexual connection and expression. Contributors include Sharon Olds, Gary Soto, E. E. cummings, Marge Piercy, Raymond Carver, Galway Kinnell, Pablo Neruda, and Tess Gallagher.

    [2:35] [3] Babycakes [4:54] [4] Cold Colours [16:11] [5] The White Road [20:57] [6] Banshee [25:41]DISC II: THE LONG HAUL [1] Chivalry [32:55] [2] Troll Bridge [28:35]

    Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

    A girl with a strong will, a full heart, and much to learn. Born into a family reeling from the ruptures of Partition in India, we follow her as she crosses the precarious lines between childhood, teenage discovery, and realizing her adult self. In the process, Paro must confront fear, desire and the darkest parts of herself in the search for meaning and, ultimately, empowerment.Nikita Gill's vivid poetry and beautiful illustrations have captured hearts and imaginations--but in The Girl and the Goddess, she offers us her most personal and deeply felt writing to date: an intimate coming-of-age story told in linked poems that offers a look into the Hindu mythology and rich cultural influences that helped her become the woman she is today.

    I wrote this for you. I wrote this for you and only you. Everyone else who reads it, doesn't get it."The follow-up to the international #1 bestselling collection of prose and photography, I Wrote This For You And Only You is the third book in the I Wrote This For You series and gathers together the very best entries in the project from 2011 to 2015. Started in 2007, I Wrote This For You is an internationally acclaimed exploration of hauntingly beautiful words, photography and emotion that's unique to each person that reads it.

    The historical body of evidence that remains from the Salem witch trials of 1692 touched the hands, mind, and imagination of poet Nicole Cooley, compelling her to seek entry to an inaccessible past of lies. The Afflicted Girls, so named after the young women who claimed to be victims of witchcraft, spans the centuries to give voice to those both audible and silent on history's pages--accusers and accused of several kinds: wife and husband, servant and master, congregant and minister, and, not least, bewitched and witch. Piercing, enchanting, Cooley's poems form a remarkable narrative, one that displays the enormous cultural power the Salem witch trials retain in twenty-first-century America.

    Through the ages and around the world, the Green Man and other nature spirits have appeared in stories, songs, and artwork, as well as many beloved fantasy novels, including Tolkien's Lord of the Rings. Now Ellen Datlow and Terri Windling, the acclaimed editors of over thirty anthologies, have gathered some of today's finest writers of magical fiction to interpret the spirits of nature in short stories and poetry. Folklorist and artist Charles Vess brings his stellar eye and brush to the decorations, and Windling provides an introduction exploring Green Man symbolism and forest myth. The Green Man is required reading, not only for fans of fantasy fiction but for those interested in mythology and the mysteries of the wilderness.

    In it, he found both a structure and a persona that gave his vision a new power and coherence. A. Alvarez wrote in the Observer, 'Each fresh encounter with despair becomes the occasion for a separate, almost funny, story in which natural forces and creatures, mythic figures, even parts of the body, act out their special roles, each endowed with its own irrepressible life. With Crow, Hughes joins the select band of survivor-poets whose work is adequate to the destructive reality we inhabit.'