Since winning her first race a little more than a year earlier, the unbeaten, unflappable Ruffian had literally raced her way into the hearts of a nation. One of those hearts belonged to Newsday turf reporter William Nack.As a boy in Illinois, Nack had carried in his pocket a trading card of his hero, Swaps, the winner of the 1955 Kentucky Derby. As a young soldier in Vietnam, Nack tuned out the midnight bomb blasts by listening to racetrack broadcasts from Santa Anita. Now, fresh off the publication of his astonishing biography of Secretariat -- described by Seabiscuit author Laura Hillenbrand as "the gold standard of horse books" -- he found himself smitten once again.But tragedy struck that summer's day at Belmont Park. After charging from the gate, Ruffian stumbled and shattered her right foreleg. She had to be put down. Nack's heartbreaking run with thoroughbred racing's most famous filly will soon be immortalized in a made-for-TV movie to be broadcast on ESPN and ABC. In this moving, lyrical memoir, he relives the afternoon that forever changed his love affair with the track.

    In it, Bucke described his own experience, that of contemporaries (most notably Whitman, but also unknown figures like "C.P."), and the experiences and outlook of historical figures including Buddha, Jesus, Paul, Plotinus, Muhammad, Dante, Francis Bacon, and William Blake. Bucke developed a theory involving three stages in the development of consciousness: the simple consciousness of animals; the self-consciousness of the mass of humanity (encompassing reason, imagination, etc.); and cosmic consciousness - an emerging faculty and the next stage of human development. Among the effects of this progression, he believed he detected a lengthy historical trend in which religious conceptions and theologies had become less and less fearful. A classic work.

    The evacuation of Dunkirk proves that the British can rise to a challenge, even against seemingly insurmountable odds. But now the soldiers walk the streets of Dover, even wandering through Woolworths store, and take weary turns on the town's skating rink. Life, despite the threat of invasion and the reality of bombing, must go on and people must take comfort where they find it. Toby Hendry, a fighter pilot, is awaiting orders when he meets Giselle, a young Frenchwoman who took the chance to flee occupied France with the English troops. Their love affair feels like a summer idyll, but can it withstand the forces of war? Meanwhile, reserve naval commander Paul Instow has been called up to fight in a war for which he feels too old. Distracting him from his worries is Molly, a young Dover prostitute. Their relationship is tender and happy, but is this a love born from desperation or could it be something more permanent? And then there are Harold, Spots and Boot, three boys desperate to fight the German invaders, armed only with catapults and a stolen Bren gun... In Dover Beach Thomas chronicles the lives and loves of ordinary people in besiged Britain during these tense, but curiously elated days.

     Will Shakespeare has left Stratford for London and pitched himself headlong into the chaotic, perilous world of the theater. Through raw will-and an amazing gift for words-he raises himself from poor player to master playwright. But as his success earns him great pleasure and adoration from others, it also draws the jealous wrath of Christopher Marlowe, a baby-faced genius whose anger is as punishing as his poetry is sweet...

    From his humble village beginnings in the great island kingdom of Lanka, he has risen to the prestigious position of court poet and now delights in his life of ease: composing romantic verses for love-struck courtiers, enjoying the confidence of his king and covertly teaching Sarasi, a beautiful and beguiling palace maid, the secrets of his art.But when Kalinga Magha, a ruthless prince with a formidable army, arrives upon Lanka's shores, Asanka's world is changed beyond imagining. Violent, hubristic and unpredictable, Magha usurps the throne, laying waste to all who stand in his way. Under his terrifying rule, nothing in the city is left untouched and, like many of his fellow citizens, Asanka retreats into the shadows, hoping to pass unnoticed by the tyrant. But it seems his new master is a lover of poetry...To Asanka's horror, Magha tasks him with the translation of an epic Sanskrit poem, a tale of Gods and nobles, love and revenge, which the king believes will have a civilising effect on his subjects, soothing their discontent and snuffing out the fires of rebellion he suspects are igniting across the island.Asanka has always believed that poetry makes nothing happen, but as each new chapter he writes is disseminated through the land and lines on the page become cries in the street, his belief and his loyalties are challenged. And, as Magha circles ever closer to the things Asanka treasures most, the poet will discover that true power lies not at the point of a sword, but in the tip of a pen.

    In this translation of his influential 1990 book Le Contrat Naturel, Serres calls for a natural contract to be negotiated between Earth and its inhabitants.World history is often referred to as the story of human conflict. Those struggles that are seen as our history must now include the uncontrolled violence that humanity perpetrates upon the earth, and the uncontrollable menace to human life posed by the earth in reaction to this violence. Just as a social contract once brought order to human relations, Serres believes that we must now sign a "natural contract" with the earth to bring balance and reciprocity to our relations with the planet that gives us life. Our survival depends on the extent to which humans join together and act globally, on an earth now conceived as an entity. Tracing the ancient beginnings of modernity, Serres examines the origins and possibilities of a natural contract through an extended meditation on the contractual foundations of law and science. By invoking a nonhuman, physical world, Serres asserts, science frees us from the oppressive confines of a purely social existence, but threatens to become a totalitarian order in its own right. The new legislator of the natural contract must bring science and law into balance.Serres ends his meditation by retelling the story of the natural contract as a series of parables. He sees humanity as a spacecraft that with the help of science and technology has cast off from familiar moorings. In place of the ties that modernity and analytic reason have severed, we find a network of relations both stranger and stronger than any we once knew, binding us to one another and to the world. The philosopher's harrowing and joyous task, Serres tells us, is that of comprehending and experiencing the bonds of violence and love that unite us in our spacewalk to the spaceship Mother Earth. "Wise, rich and poetic . . . not simply a philosophical study of the Environment, or an ecological questioning of Philosophy . . . Nature is acknowledged as an inside force which breaks [the philosopher's] discourse, and opens it up to a vigilant poetic meditation."--Substance: A Review of Theory and Literary Criticism

    So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet’s rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.

    

    The tales illuminate the mystical significance of knighthood and its ethos of self-purification and honour, decoding many allusions found in medieval art, literature and song.

    However, I love a man and many say this makes me an evil person.' On 24 March 1962, when Emile Griffith stepped into the ring in Madison Square Garden to defend his world title against Benny Paret, he was filled with rage. During their weigh-in, the Cuban challenger had denounced Griffith as a 'faggot' and minced towards him. In the macho world of boxing, where fighters know they are engaged in the hurt game, there could be no greater insult. At that time, it was illegal for people of the same gender to have sex, or even for a bar to knowingly serve a drink to a gay person. It was an insinuation that could have had dangerous consequences for Griffith - especially as it was true. In the fight that followed, Griffith pounded Paret into unconsciousness, and the Cuban would die soon after, leaving Griffith haunted by what he had done. Despite this, he went on to fight more world championship rounds than any other fighter in history in a career that lasted for almost 20 years. In Donald McRae's first sports book in more than a decade, he weaves a compelling tale of triumph over prejudice - Griffith was black, so doubly damned by contemporary society, but refused to cower away as society wished. A Man's World, longlisted for the William Hill Sports Book of the Year, is sure to become a classic piece of sports writing.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Reprint.

    Scott Fitzgerald's writing career, beginning with the autobiographical essay called "Who's Who - and Why," which he wrote for The Saturday Evening Post in 1920, and ending with "News of Paris - Fifteen Years Ago," a story found among Fitzgerald's papers, apparently written in 1940, and posthumously published in Furioso. Here, clearly, is a book to be read both for the enjoyment of good writing, and for its illumination of an important figure in American letters. To supplement the reader's own insight into Fitzgerald's art, Arthur Mizener, author of the highly successful biography of Fitzgerald, The Far Side of Paradise, provides a revealing introduction and pertinent notes heading each selection.

    In this beautifully illustrated work, William C. Chittick, a leading scholar of Sufism and Rumi, opens doors that give us access to the inner sanctum of Rummi's thought.

    Govinda's luminous and candid account is a spectacular and gloriously poetic story of exploration and discovery, and a sensitive and lucid interpretation of Tibetan traditions. Comprised of elements from several genres - spiritual journals, adventure narratives, anthropological field reports, and philosophical commentaries, The Way of the White Clouds is one of the twentieth century's classic spiritual autobiographies and an invaluable document about a place and a way of thinking that are virtually defined by their mysteries." Robert Thurman's perceptive new introduction to the volume places Govinda's writings in historical context and expands understanding of Tibet, Buddhism, and the life of a remarkable man.