Gradually the mystery of her family unravels.

    Ever since his father left their family three years ago, he has become distant from his friends, constantly annoyed by his little sister, Jess, and completely fed up with the pale, creepy rich girl who moved in next door, who won’t stop staring at him.So when Cooper learns of an unsolved mystery his sister has discovered online, he welcomes the distraction. It’s the tale of a deadly train crash that occurred a hundred years ago in which one young boy among the dead was never identified. The only distinguishing mark on him was a strange insignia on his suit coat, a symbol no one had seen before or since. Jess is fascinated by the mystery of the unknown child—because she’s seen the insignia. And, she tells Cooper, he has too.It’s the symbol on the jacket of the girl next door.As they uncover more information—and mounting evidence of the girl’s seemingly impossible connection to the tragedy—Cooper and Jess begin to wonder if a similar disaster could be heading to their hometown. Thus begins an unforgettable adventure about the forgotten among us and what it means to be seen.

    They sleep in the house Dad built for them and eat the food they grow in the vegetable patches. They know the trees and the rocks and the lake and stars like best friends. They read the books they buy in town again and again until the pages are soft and yellow - until next year's town visit. They live in the woods and they are wild. And that's the way it is.Until the year October turns eleven. That's the year October rescues a baby owl. It's the year Dad falls out of the biggest tree in their woods. The year the woman who calls herself October's mother comes back. The year everything changes.Written in Katya Balen's heart-stoppingly beautiful style, this book is a feast for the senses, filled with the woodsmoke smell of crisp autumn mornings and the sound of wellies squelching in river mud. And, as October fights to find the space to be wild in the whirling chaos of the world beyond the woods, it is also a feast for the soul

    Despite opposition from parents and friends, they finally overcome all obstacles and win a drama competition. It is a tale of triumph over adversity.

    Generally, very little changes in the Briardale Valley, but this year things are different. His grandfather - known to everyone as the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time.Every year, the Gaffer would redraw the boundary lines of the village, with pen and paper but also through the remembrance of folk tales, family stories and timeless communal rituals which keep the sheep safe from the Devil. This year, though, the determination of some members of the community to defend those boundary lines has strengthened, and John and Katherine must decide where their loyalties lie, and whether they are prepared to make the sacrifices necessary to join the tribe...Gripping, unsettling and beautifully written, Andrew Michael Hurley's new novel asks how much we owe to tradition, and how far we will go to belong.

    As he makes his way to London, he meets Kit, another runaway, and the two decide to stick together. With luck on their side, they find jobs as apprentices to William Shakespeare, but a chance discovery endangers their lives once more. Soon Peter finds himself on an adventure that takes in murderous plots, secrets and even treason, and will test his bravery to its very limits. Set in the turbulent days of Elizabeth I, this classic story of danger and intrigue conjures up a magical world of mystery, twists and turns and thrilling action.

    A riveting ghost story and captivating adventure, this tale will have you guessing at every turn!Harper doesn’t trust her new home from the moment she steps inside, and the rumors are that the Raine family’s new house is haunted. Harper isn’t sure she believes those rumors, until her younger brother, Michael, starts acting strangely. The whole atmosphere gives Harper a sense of déjà vu, but she can’t remember why. She knows that the memories she’s blocking will help make sense of her brother’s behavior and the strange and threatening sensations she feels in this house, but will she be able to put the pieces together in time?

    For Moira, this means figuring out the right clothes to wear, learning how to put on makeup, and deciding which boys are cuter in their yearbook photos than in real life. But none of this is all that appealing to Bug, who doesn't particularly want to spend more time trying to understand how to be a girl. Besides, there's something more important to worry about: A ghost is haunting Bug's eerie old house in rural Vermont...and maybe haunting Bug in particular. As Bug begins to untangle the mystery of who this ghost is and what they're trying to say, an altogether different truth comes to light--Bug is transgender.

    But when the clock’s gears cease to turn, an evil presence lurking among the trees begins to come out of the shadows.When Lucy and Oliver Tinker arrive in Watch Hollow, they have no idea that anything is wrong. A mysterious stranger has made their father an offer that’s too good for him to refuse. All Mr. Tinker needs to do is fix the clock at Blackford House and fistfuls of gold coins are his to keep.It doesn’t take long, however, for the children to realize that there is more to Blackford House than meets the eye. And before they can entirely understand the strange world they’ve stumbled into, Lucy and Oliver must join forces with a host of magical clock animals to defeat the Garr—a vicious monster that not only wants Blackford House for itself, but also seeks to destroy everything the Tinkers hold dear.

    The way the sisters fight and love in equal measure, as well as their basic need for one another, rings poignantly true in this touching and heartwarming story, which contains a ‘tiny bit of magic, right here in the real world.’” —Booklist (starred review) In the tradition of Sharon Creech and Wendy Mass, Corey Ann Haydu's sparkling middle grade debut is a sister story with a twist of magic, a swirl of darkness, and a whole lot of hope.Silly is used to feeling left out. Her three older sisters think she's too little for most things—especially when it comes to dealing with their mother's unpredictable moods and outbursts. This summer, Silly feels more alone than ever when her sisters keep whispering and sneaking away to their rooms together, returning with signs that something mysterious is afoot: sporting sunburned cheeks smudged with glitter and gold hair that looks like tinsel.When Silly is brought into her sisters' world, the truth is more exciting than she ever imagined. The sisters have discovered a magical place that gives them what they truly need: an escape from the complications of their home life. But there are dark truths there, too. Silly hopes the magic will be the secret to saving their family, but she's soon forced to wonder if it could tear them apart.

    None of the things which Kenny called his own remained. Even the painted walls and skylight were gone. Baffled, he wondered if other things — even outside — had changed. Kenny went to one of the windows and looked down. On a stoop across the dark street a man was standing, gazing straight at Kenny's window. He was wearing what appeared to be a long black cape which reached his knees, and a hat, triangular in shape. Its brim obscured his face. As if suddenly realizing he was being observed, the man moved quickly into the shadows. Keeping his face averted, he fled up the street.

    Six dead children. A garden of statues.With every step he takes around the carefully manicured grounds of Minerva Hall, Jim is haunted by the ghosts of children, long dead, whom no one else can see. Urging him to "find the Seventh," the children leave him cryptic clues pointing to a devastating ancient prophecy that only he can stop from being fulfilled.Jim befriends another boy--Einstein, who lives at the Hall. Einstein is autistic and very, very smart. If anyone can help Jim find the Seventh, perhaps he can--Einstein clearly knows more than he is saying. At the same time, the dead children seem to be leaving Jim some sort of macabre treasure trail.If Jim doesn't figure out the clues, innocent people will die. But how can Jim find the answers while the dangers of the Hall grow ever more threatening? And even if he can, the real question is--is Jim already too late?Linking ancient rites with modern mystery, Christine Morton-Shaw has crafted an eerie thriller that will keep readers guessing until its startling conclusion.

    She's also pretty lonely, until she meets Jennifer. Jennifer is...well, different. She's read Macbeth. She never wears jeans or shorts. She never says please or thank you. And she says she is a witch. It's not always easy being friends with a witch, but it's never boring. At first an apprentice and then a journeyman witch, Elizabeth learns to eat raw ends and how to cast small spells. And she and Jennifer collaborate on cooking up an ointment that will enable them to fly. That's when a marvelous toad, Hilary Ezra, enters their lives. And that's when trouble starts to brew.

    He hasn’t grown or had any exciting summer adventures like his best friends have. He even has the same crush he’s harbored for years. So AJ decides to take matters into his own hands. But how could a girl like Nia Winters ever like plain vanilla AJ when she only has eyes for vampires?When AJ and Nia are paired up for a group project on Transylvania, it may be AJ’s chance to win over Nia’s affection by dressing up like the vamp of her dreams. And soon enough he’s got more of Nia’s attention than he bargained for when he learns she’s a slayer.Now AJ has to worry about self-preservation while also trying to save everyone he cares about from a real-life threat lurking in the shadows of Spoons Middle School.

    In the seaside village of Frip live three families: the Romos, the Ronsens, and a little girl named Capable and her father. The economy of Frip is based solely on goat’s milk, and this is a problem because the village is plagued by gappers: bright orange, many-eyed creatures the size of softballs that love to attach themselves to goats. When a gapper gets near a goat, it lets out a high-pitched shriek of joy that puts the goats off giving milk, which means that every few hours the children of Frip have to go outside, brush the gappers off their goats, and toss them into the sea. The gappers have always been everyone’s problem, until one day they get a little smarter, and instead of spreading out, they gang up: on Capable’s goats. Free at last of the tyranny of the gappers, will her neighbors rally to help her? Or will they turn their backs, forcing Capable to bear the misfortune alone? Featuring fifty-two haunting and hilarious illustrations by Lane Smith and a brilliant story by George Saunders that explores universal themes of community and kindness, The Very Persistent Gappers of Frip is a rich and resonant story for those that have all and those that have not.