Her normally dispassionate father breaks down, her mother becomes distant and unavailable, and matters only get worse when her cousin and her best friend start doing things to each other that leave Maggie confused about sex and terrified of sin.With all of this upheaval, how can she be sure that what she wants is even worth having?

    The voice could only belong to one person, her brother Ethan, but his body, broken by drugs, lies cold in the morgue. An invisible hand has opened the door for Lucy and her sisters and though Lucy questions her parents they have receded into their private existence where nothing can touch them. Lucy is quickly losing touch with her reality of white fences and pristine lawns. She is drawn beyond that door into the dark abyss where her brother waits and evil is hiding in the shadows. Each day the voice grows stronger, demanding that she journey far away to the place that stole her brother's mind and body. As the secret unfolds, the Prodigal emerges.

    Experience the thrill of helpless horror again—or for the first time!

    Growing up in the 1950s, he was at the centre of series of killings of young girls in his small rural community. The girls were taken, assaulted and left horribly mutilated. Barely a teenager himself, Joseph becomes determined to try to protect his community and classmates from the predations of the killer. Despite banding together with his friends as ' The Guardians', he was powerless to prevent more murders - and no one was ever caught. Only after a full ten years did the nightmare end when the one of his neighbours is found hanging from a rope, with articles from the dead girls around him. Thankfully, the killings finally ceased. But the past won't stay buried - for it seems that the real murderer still lives and is killing again. And the secret of his identity lies in Joseph's own history...

    David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole.John Kennedy Toole, who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces, wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole's suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication.

    Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

    As they travel, they discover how cruel the world can be, but also how wondrous.

     T&S is a hot firm making a bid to be a major national player when Leo Slyde—the company’s chief rainmaker, its king of the “billable hour”—is found stabbed to death in his corner office. It falls to T&S’s brightest, most unjustifiably insecure young associate Howard Rickover to conduct a risky “inside job” for homicide detective Sarah Nelson. But can Howard flush out a wily murderer among lawyers who do not make it their practice to be caught unprepared—and still keep up with an associate’s impossible workload? "Susan Wolfe is at her best depicting—and spoofing—the glitzy law firm scene. A lawyer herself, she serves her damages with skill and obvious glee." —The New York Times Book Review "A world of captivating corruption...with a delicate blend of malice, suspense and sharp psychology, Wolfe winds up her story with a scene that explodes a number of myths." —San Francisco Chronicle

    The last don is Domenico Clericuzio, a wise and ruthless man who is determined to see his heirs established in legitimate society but whose vision is threatened when secrets from the family's past spark a vicious war between two blood cousins.This is a mesmerizing tale that takes us inside the equally corrupt worlds of the mob, the movie industry, and the casinos - where beautiful actresses and ruthless hit men are ruled by lust and violence, where sleazy producers and greedy studio heads are drunk with power, where crooked cops and desperate gamblers play dangerous games of betrayal, and where one man controls them all.

    Now, before she succumbs to forgetfulness, LuLing gives Ruth some of her writings, which reveal a side of LuLing that Ruth has never known. . . .In a remote mountain village where ghosts and tradition rule, LuLing grows up in the care of her mute Precious Auntie as the family endures a curse laid upon a relative known as the bonesetter. When headstrong LuLing rejects the marriage proposal of the coffinmaker, a shocking series of events are set in motion–all of which lead back to Ruth and LuLing in modern San Francisco. The truth that Ruth learns from her mother’s past will forever change her perception of family, love, and forgiveness.

    Half-Japanese, adopted by African American parents, she returns to Tokyo, ostensibly to research her thesis on Japan's "sad, brutal reign of conformity." When she vanishes, Tom Hurley, who is half-Korean and half-white, is assigned to her case at the American embassy, as is local cop Kenzo Ota, who is 100 percent Japanese but deemed an outsider.

    The novel follows a young man, living in Manhattan as if he owned it, through nightclubs, fashion shows, editorial offices, and loft parties as he attempts to outstrip mortality and the recurring approach of dawn. With nothing but goodwill, controlled substances, and wit to sustain him in this anti-quest, he runs until he reaches his reckoning point, where he is forced to acknowledge loss and, possibly, to rediscover his better instincts. This remarkable novel of youth and New York remains one of the most beloved, imitated, and iconic novels in America.

    From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, "Ham on Rye" offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

    George, the protagonist, is adjusting to life on his own after the sudden death of his partner, determined to persist in the routines of his daily life. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the true textures of life itself."--BOOK JACKET.

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