The semester has just begun, and the president of her sorority has already ousted her from the house. With nowhere else to turn, she ends up at her brother’s apartment—only to find it inhabited instead by a handsome stranger. On paper, Drew Nolan doesn’t have much going for him as an uneducated bartender from a sketchy family. But when a spoiled rich kid asks Drew to take over his life so he can travel around Europe instead of attend classes, Drew sees the opportunity to get the college education he’s always dreamed of. Forced into a cover-up under the same roof, Sophia and Drew forge an unlikely friendship. As the two grow closer, lines blur and boundaries stretch, and they find comfort in living the lie they’ve adopted. But reality comes knocking all too soon, and Sophia and Drew will have to weigh what’s worth fighting for and what should never ever have been.

    Magazine Reads for the Rest of Us | Bustle Most Anticipated Books | PopSugar Best Books | BiblioLifestyle Most Anticipated Historical Fiction Books | Book Riot Book Recommendations | Finer Things Book Lover Gifts They’ll Actually LoveAs a child in Spain, Puri always knew her passion for chocolate was inherited from her father. But it’s not until his death that she learns of something else she’s inherited—a cocoa estate in Vinces, Ecuador, a town nicknamed “París Chiquito.” Eager to claim her birthright and filled with hope for a new life after the devastation of World War I, she and her husband Cristóbal set out across the Atlantic Ocean. But it soon becomes clear someone is angered by Puri’s claim to the estate… When a mercenary sent to murder her aboard the ship accidentally kills Cristóbal instead, Puri dons her husband’s clothes and assumes his identity, hoping to stay safe while she searches for the truth of her father’s legacy in Ecuador. Though freed from the rules that women are expected to follow, Puri confronts other challenges at the estate—newfound siblings, hidden affairs, and her father’s dark secrets. Then there are the dangers awakened by her attraction to an enigmatic man as she tries to learn the identity of an enemy who is still at large, threatening the future she is determined to claim…Perfect for fans of Julia Alvarez and Silvia Moreno-Garcia, this exhilarating novel transports you to the lush tropical landscape of 1920s Ecuador, blending family drama, dangerous mystery, and the real-life history of the coastal town known as the “birthplace of cacao.”

    Thankfully Lily has a devoted father, Ben, who loves and adores her up until his sudden death, leaving Lily the sole caregiver for her ill mother, Daisy.The latest family tragedies have forced Lily to question the history her parents claimed to be true. With the discovery of disturbing diaries kept by her mother, Lily will uncover dark twists that her curiosity will not let stay buried in the past. Lily has always struggled to understand what made her mother so callous and unloving. Within the contents of the secret diaries, the sinister truth will finally come to light.

    With his heart turned black, he rekindles the savagery of his race. In sacking Nantes, his bravery and luck earn him a place in the skalds' songs. Word of his deeds reaches his kin in the North, and more and more sea captains sail to Francia to join him, hoping his luck might help theirs.Thor of Dublin, Hasting's old rival, will seek him out and ask him to join his new alliance of sea kings. Together, they will launch the most ambitious raids their people have ever attempted. They will sail south to the land of the Moors to test their alliance's strength and, if successful, turn their sights to an even more daring prize: Paris.The Norns make nothing easy. A secret affair will risk unraveling the alliance and bring the sea kings to the brink of civil war.

    Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other—for no one but Saunders could conceive it.February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy’s body.From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

    Leave them alone long enough, and it gets real hard to tell them apart.”Elena Alvarez is living a cursed life. From the deadly fire she accidentally set as a child, to her mother’s abandonment, and now to an unwanted pregnancy, she knows better than most that small actions can have terrible consequences. Driven to the high mountains surrounding Leadville, Colorado by her latest bad decision, she’s intent on putting off the future. Perhaps there she can just hide in her grandmother’s isolated cabin and wait for something—anything—to make her next choice for her.Instead, she is confronted by reflections of her own troubles wherever she turns—the recent widower and his two children adrift in a changed world, Elena’s own mysterious family history, and the interwoven lives within the town itself. Bit by bit, Elena begins to question her understanding of cause and effect, reexamining the tragedies she’s held on to and the wounds she’s refused to let heal.But when the children go missing, Elena’s fragile new peace is shattered. It’s only at the prospect of fresh loss and blame that she will discover the truth of the terrible burdens we take upon ourselves, the way tragedy and redemption are inevitably intertwined—and how curses can sometimes lead to blessings, however disguised.

    

    Every night, before she puts them to bed, she whispers to them: “You are good, you are kind, you are clever, you are funny.” She’s determined that they never doubt for a minute that their mother loves them unconditionally. After all, her own mother Jeanie had died when she was only seven years old and Faye has never gotten over that intense pain of losing her.But one day, her life is turned upside down when she finds herself in 1977, the year before her mother died. Suddenly, she has the chance to reconnect with her long-lost mother, and even meets her own younger self, a little girl she can barely remember. Jeanie doesn’t recognize Faye as her daughter, of course, even though there is something eerily familiar about her...As the two women become close friends, they share many secrets—but Faye is terrified of revealing the truth about her identity. Will it prevent her from returning to her own time and her beloved husband and daughters? What if she’s doomed to remain in the past forever? Faye knows that eventually she will have to choose between those she loves in the past and those she loves in the here and now, and that knowledge presents her with an impossible choice.Emotionally gripping and ineffably sweet Faye, Faraway is a brilliant exploration of the grief associated with unimaginable loss and the magic of being healed by love.

    The story begins on a rainy morning as Father Declan de Loughry stands fishing in an Irish salmon stream, pondering the recent deathbed confession of one of his parishioners. Kevin Dennehy and his wife, Enda, have been sweetly living a lie for some 50 years, a lie the full extent of which Father Declan learns only when Enda finally confides "the all of it." Her tale of suffering mesmerizes the priest, who recognizes that it is also a tale of sin and scandal, a transgression he cannot ignore. The resolution of his dilemma is a triumph of strength and empathy that, as Benedict Kiely has said, makes The All of It "a book to remember."

    who becomes the sole survivor of a family tragedy. With her strict African American grandmother as her new guardian, Rachel moves to a mostly black community, where her light brown skin, blue eyes, and beauty bring mixed attention her way. Growing up in the 1980s, she learns to swallow her overwhelming grief and confronts her identity as a biracial young woman in a world that wants to see her as either black or white. In the tradition of Jamaica Kincaid's Annie John and Toni Morrison's The Bluest Eye, here is a portrait of a young girl - and society's ideas of race, class, and beauty.

    It is the price of concealing their strange and dangerous family secret.But two events threaten to upend their lives forever. The first is the arrival of a mysterious abandoned baby with a hint of power like their own. The second is the sudden reappearance of Barrie Anne's long-lost husband -- who is not quite the man she thought she married.Together, Barrie Anne and Charlotte must decide how far they are willing to go to protect themselves -- and the child they think of as their own -- from suspicious neighbors, the government, and even their own family...

    None of her previous pregnancies have borne fruit, and her husband, Richard, is anxious for an heir. Then Fleetwood discovers a hidden doctor’s letter that carries a dire prediction: she will not survive another birth. By chance she meets a midwife named Alice Grey, who promises to help her deliver a healthy baby. But Alice soon stands accused of witchcraft.Is there more to Alice than meets the eye? Fleetwood must risk everything to prove her innocence. As the two women’s lives become intertwined, the Witch Trials of 1612 loom. Time is running out; both their lives are at stake. Only they know the truth. Only they can save each other.Rich and compelling, set against the frenzy of the real Pendle Hill Witch Trials, this novel explores the rights of 17th-century women and raises the question: Was witch-hunting really women-hunting? Fleetwood Shuttleworth, Alice Grey and the other characters are actual historical figures. King James I was obsessed with asserting power over the lawless countryside (even woodland creatures, or “familiars,” were suspected of dark magic) by capturing “witches”—in reality mostly poor and illiterate women.

    "The Holy Grail of P&P sequels." (Austenblog)Originally published in the U.K., Mary Street's ingenious retelling of Jane Austen's classic story now makes its U.S. debut-to the delight of the fans of Austen's comic masterpiece of divine romance. In Fitzwilliam Darcy, Austen created the ultimate romantic hero. Yet Pride and Prejudice reveals little of Darcy's innermost thoughts. Here, Street unveils the true motives and mysteries of Elizabeth Bennet's enigmatic suitor. Through Darcy's eyes we discover the reality of his relationships with his sister Georgiana, his cousin Colonel Fitzwilliam, the dastardly Wickham, his friend Bingley, and his formidable aunt, Lady Catherine. And of course, all his memorable encounters with Elizabeth, from that first view of her fine eyes to his disastrous proposal, and then to a pride and arrogance tempered by an unquenchable love.

    When Caroline Sears receives the news that her unborn baby girl has a heart defect, she is devastated. It is 1970 and there seems to be little that can be done. But her brother-in-law, a physicist, tells her that perhaps there is. Hunter appeared in their lives just a few years before—and his appearance was as mysterious as his past. With no family, no friends, and a background shrouded in secrets, Hunter embraced the Sears family and never looked back. Now, Hunter is telling her that something can be done about her baby's heart. Something that will shatter every preconceived notion that Caroline has. Something that will require a kind of strength and courage that Caroline never knew existed. Something that will mean a mind-bending leap of faith on Caroline's part.And all for the love of her unborn child.A rich, genre-spanning, breathtaking novel about one mother's quest to save her child, unite her family, and believe in the unbelievable. Diane Chamberlain pushes the boundaries of faith and science to deliver a novel that you will never forget.

    People depend on her to slaughter the hogs and nurse the dying. People are weak, and there is so much to do. At just seventeen she marries and moves down into the valley of Gap Creek, where perhaps life will be better.But Julie and Hank's new life in the valley, in the last years of the nineteenth century, is more complicated than the couple ever imagined. Sometimes it's hard to tell what to fear most—the fires and floods or the flesh-and-blood grifters, drunks, and busybodies who insinuate themselves into their new life. To survive, they must find out whether love can keep chaos and madness at bay. Their struggles with nature, with work, with the changing century, and with the disappointments and triumphs of their union make Gap Creek a timeless story of a marriage.A native of the North Carolina mountains, Robert Morgan was raised on land settled by his Welsh ancestors. An accomplished novelist and poet, he has won the James B. Hanes Poetry Prize, the North Carolina Award in Literature, and the Jacaranda Review Fiction Prize. His short stories have appeared in Prize Stories: The O. Henry Awards and New Stories from the South, and his novel The Truest Pleasure was a finalist for the Southern Book Critics Circle Award for Fiction.