He took her back to his mother's home, and from that first moment, their times together were filled with delight and discovery. Anna had an astonishing ability to ask--and to answer--life's largest questions. Her total openness and honesty amazed all who knew her. She seemed to understand with uncanny certainty the purpose of being, the essence of feeling, the beauty of love. You see, Anna had a very special friendship with Mister God. . . .

    Outside her window, two nuns were discussing what they could write in her obituary that could possibly be of any interest, since the twenty-four-year-old nun had never done anything worth noting. Therese was pleased, for she had always kept a low profile. With the posthumous publication of her spiritual autobiography in 1898, however, that low profile would vanish instantly. She became one of the most beloved saints of all time, and her influence will expand dramatically because of Pope John Paul II's declaration that she is a Doctor of the Church. Amid growing interest in her writings comes the collected correspondence between her and a humble young seminarian, Maurice Belliere. Though they never met in person, they exchanged twenty-one letters that opened a window on the heart of Saint Therese that would have remained forever closed had Maurice not written to the Mother Superior at the convent asking for a nun to pray for him. The Mother Superior chose Therese, and in these conversational letters the Little Flower reveals herself in a way that we would never have known from her autobiography. In his accompanying text, Bishop Patrick Ahern expertly leads the reader into the worlds of Maurice and Therese and reveals the full beauty of this saint's spirituality.

    Grappling with grief at the death of the love of her life and partner of over forty years, the remarkable photographer Molly Malone Cook, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the first time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades. In three stunning long poems, Oliver explores the dimensions and tests the parameters of religious doctrine, asking of being good, for example, "To what purpose? / Hope of Heaven? Not that. But to enter / the other kingdom: grace, and imagination, / and the multiple sympathies: to be as a leaf, a rose,/ a dolphin."

    In thirty-one meditations, he implores his  readers with his usual pithiness to break through  illusion, the great obstacle to love. "Love  springs from awareness," de Mello insists, saying  that it is only when we see others as they are  that we can begin to really love. But not only must  we seek to see others with clarity, we must examine  ourselves without misconception. The task,  however, is not easy. "The most painful act,"  de Mello says, "is the act of seeing. But in  that act of seeing that love is born." Anthony  De Mello was the director of the Sadhana Institute  of Pastoral Counseling in Poona, India, and  authored several books. The Way To Love  is his last.

    This meditation on the spiritual life has inspired readers from Thomas More and St. Ignatius Loyola to Thomas Merton and Pope John Paul I. Written by the Augustinian monk Thomas à Kempis between 1420 and 1427, it contains clear instructions for renouncing wordly vanities and locating eternal truths. No book has more explicitly and movingly described the Christian ideal:

    He finished his schooling determined to participate in the world around him. In 1941, when he was seventeen, that world was Nazi-occupied France. Lusseyran formed a resistance group with fifty-two boys and used his heightened senses to recruit the best. Eventually, Lusseyran was arrested and sent to the Buchenwald concentration camp in a transport of two thousand resistance fighters. He was one of only thirty from the transport to survive. His gripping story is one of the most powerful and insightful descriptions of living and thriving with blindness, or indeed any challenge, ever published.* Chosen as one of the 100 Best Spiritual Books of the Twentieth Century by a jury of writers including Harold Kushner, Thomas Moore, Huston Smith, and Natalie Goldberg* This fourth edition includes a new insert of photographs“One of the most powerful memoirs I’ve ever encountered...[Lusseyran’s] experience is thrilling, horrible, honest, spiritually profound, and utterly full of joy.”— Ethan Hawke, in the Village Voice

    What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality? This introduction to the classics begins with a visit to the British Museum to view the frieze which once decorated the Apollo Temple a Bassae. Through these sculptures John Henderson and Mary Beard prompt us to consider the significance of the study of Classics as a means of discovery and enquiry, its value in terms of literature, philosophy, and culture, its source of imagery, and the reasons for the continuation of these images into and beyond the twentieth century. Designed for the general reader and student alike, A Very Short Introduction to Classics challenges readers to adopt a fresh approach to the Classics as a major cultural influence, both in the ancient world and twentieth-century--emphasizing the continuing need to understand and investigate this enduring subject.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

    Street life, drugs, art and nature, family, AIDS, politics, friendship and acceptance: Wojnarowicz challenges us to examine our lives -- politically, socially, emotionally, and aesthetically.

    In Francis Schaeffer's remarkable analysis, we learn where the clashing ideas about God, science, history and art came from and where they are going. Now this completely retypeset edition includes a new introduction by James W. Sire that places Schaeffer's seminal work in the context of the intellectual turbulence of the early twenty-first century. More than ever, The God Who Is There demonstrates how historic Christianity can fearlessly confront the competing philosophies of the world. The God who has always been there continues to provide the anchor of truth and the power of love to meet the world's deepest problems.

    Alfred R. Ferguson was founding editor of the edition, followed by Joseph Slater (until 1996).

    Weaver unsparingly diagnoses the ills of our age and offers a realistic remedy. He asserts that the world is intelligible and that man is free. The catastrophes of our age are the product of unintelligent choice and the cure lies in man's recognition that ideas--like actions--have consequences. A cure, he submits, is possible. It lies in the right use of man's reason, in the renewed acceptance of an absolute reality, and in the recognition that ideas like actions have consequences.

    The remarkable best-seller -- a long-lost, 300-year-old book of wisdom on how to live successfully yet responsibly in a society governed by self-interest -- as acute as Machiavelli yet as humanistic and scrupulously moral as Marcus Aurelius.

    Colson pleaded guilty to Watergate-related offenses and, after a tumultuous investigation, served seven months in prison. In his search for meaning and purpose in the face of the Watergate scandal, Colson penned "Born Again." This unforgettable memoir shows a man who, seeking fulfillment in success and power, found it, paradoxically, in national disgrace and prison. In the decades since its initial publication, "Born Again" has brought hope and encouragement to millions. This remarkable story of new life continues to influence lives around the world through a dozen foreign editions.

    Whom the gods wish to destroy they first call promising.--Cyril Connolly Cyril Connolly (1903-1974) was one of the most influential book reviewers and critics in England, contributing regularly to The New Statesman, The Observer, and The Sunday Times, His many books and essays have been published to great acclaim on both sides of the Atlantic. First published in 1938 and long unavailable, Enemies of Promise is considered his major work. An inquiry into the problem of how to write a masterpiece, Connolly identifies the forces that work against the fulfillment of artistic promise--among them, politics, domesticity, advertising, and journalism. His concluding recollection of his education at Eton examines the factors which interfered with his own promise. Seventy years after it was written, Enemies of Promise remains powerful and true. It is a brilliant work by one of the most important critics of the period.

    Only now are we coming to a fuller appreciation of the nature and role of myth in human history. In these five lectures originally prepared for Canadian radio, Claude Lévi-Strauss offers, in brief summations, the insights of a lifetime spent interpreting myths and trying to discover their significance for human understanding. The lectures begin with a discussion of the historical split between mythology and science and the evidence that mythic levels of understanding are being reintegrated in our approach to knowledge. In an extension of this theme, Professor Lévi-Strauss analyzes what we have called “primitive thinking” and discusses some universal features of human mythology. The final two lectures outline the functional relationship between mythology and history and the structural relationship between mythology and music.