There is a kind of religion that is lifeless and is the bitter enemy of true faith. Think of Dietrich Bonhoeffer’s prophetic attempts to waken the sleeping German church, often unwitting allies of Hitler and the Third Reich. Or of William Wilberforce’s heroic efforts to rouse his complacent “Christian” countrymen to stand against the monstrous evil of the slave trade. Bonhoeffer and Wilberforce stood against the evil of their times—an evil often repackaged in religious-sounding language.Eric Metaxas’s electrifying message—delivered before the president and dozens of national leaders at the Sixtieth Annual National Prayer Breakfast—calls readers to follow in the steps of Wilberforce and Bonhoeffer, men who lived their faith and swam against the mainstream, instead of drifting along with it. Metaxas makes it clear that phony religiosity offends God himself—and that real prayer is only possible with a living faith in a living God. And that kind of faith can transform the world. No pressure.

    The book takes the reader on a fascinating journey around the Tube network to reveal the history behind the names of all 268 stations. Packed full of lively stories about the colourful characters and remarkable events connected to the places that bear these names, the book delves deep into London’s rich history to recall tales of terrible fires, profligate playboys, ancient relics, devious criminals, squalid slums, lost rivers, grisly executions and unsolved mysteries. This is a book for anyone who has ever taken a trip on the Tube – the perfect gift for visitors, commuters and Londoners alike. It is a Tube guide to the city’s past. So sit back and enjoy the ride and discover something new about London and its historic Underground.

    Written by two well-known scholars in the field of literary study, this well-respected text puts an emphasis on the individual contributors to the development of literary criticism, from Plato and Aristotle to the present.

    There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them.Our age is a triumph of codification. We own devices that bring the world to the command of our fingertips. We have access to boundless information and prodigious quantities of stuff. We decide to like or not, to believe or not, to buy or not. We pick and choose. We think we are free. Yet all around us, in pop culture, politics, mainstream media, and advertising, there are codes and symbols that govern our choices. They are the fabrications of consumer society. They express myths of success, well-being, and happiness. As Barthes sees it, these myths must be carefully deciphered, and debunked.What Barthes discerned in mass media, the fashion of plastic, and the politics of postcolonial France applies with equal force to today's social networks, the iPhone, and the images of 9/11. This new edition of Mythologies, complete and beautifully rendered by the Pulitzer Prize–winning poet, critic, and translator Richard Howard, is a consecration of Barthes's classic—a lesson in clairvoyance that is more relevant now than ever.

    Perfect for parents who wish to teach their children and for those who would like to learn or relearn the facts themselves, A Classical Education is informative and educational, but in a completely accessible way, including:• Latin and Greek• Logic and philosophy• Natural sciences• Art and architecture• Poetry and drama• History and Classical literatureAlso including suggestions for further reading and entertaining tit-bits of information on the classics, A Classical Education is a must for anyone feeling let down by modern schooling.

    This book examines oddities and raises questions about facts always taken for granted.

    Dealing with writers such as Nabokov, Barth, Coover, Pynchon, Borges, García Márquez, Beckett, and Calvino, Annie Dillard shows why fiction matters and how it can reveal more of the modern world and modern thinking than all the academic sciences combined. Like Joyce Cary's Art and Reality, this is a book by a writer on the issues raised by the art of literature. Readers of Pilgrim at Tinker Creek and Holy the Firm will recognize Dillard's vivid writing, her humor, and the lively way in which she tackles the urgent questions of meaning in experience itself.

    This account begins with the creation legends of Heliopolis, Memphis, and Hermopolis and illustrates the intellectual struggles of the Egyptians to explain the beginning of the world. The myths that follow range from stories about the gods--the murder of Osiris and vengeance of Horus, Isis and the seven scorpions, Sakhmet and the virtual slaughter of mankind--to fables such as the Shipwrecked Sailor and the Enchanted Island. Through these delightful and often amusing tales, we can appreciate more fully the beliefs and imagination of the ancient Egyptians.

    Each episode of the spectacular three series is remembered by those who made it, from the show's dazzling debut in A Study in Pink to this year's breathtaking finale, His Last Vow.Featuring over 500 images of concept artwork, photographs, costume and set designs, and more, Chronicles is the ultimate celebration for Sherlock fans everywhere.

    Simpson to get away with murder, an innocent cop - a brilliant detective - had to he destroyed. That was the cynical strategy of the Simpson "Dream Team, " and it worked. But as certainty about Simpson's guilt grows, so does outrage about the scapegoating of Mark Fuhrman. Now the former LAPD detective tells his side of the story in a damning expose. The veteran detective gives the inside story of why and how Simpson's interrogation was bungled; how police criminalists made previously unrevealed errors that torpedoed the prosecution's case; why Marcia Clark foolishly suppressed evidence of an affair between Ron and Nicole; and why Clark refused to call a key police witness who could have corroborated Fuhrman's testimony and blown away the defense team's claim of planted evidence. Fuhrman's own hand-drawn maps of the crime scene and his reconstruction of the murders leave no doubt about what really happened on June 12, 1994. New revelations about the incompetence and corruption that pervaded the "Trial of the Century" will exonerate this decent, loyal detective, the innocent cop who was sacrificed so a rich, guilty celebrity could go free.

    

    In this unique work, he gives an utterly candid and self-revealing account of the reading he did during his formative years. In  The Books in My Life  he shares the thrills of discovery that many kinds of books have brought to a keenly curious and questioning mind. Some of Miller's favorite writers are the giants whom most of us revere––authors such as Dostoievsky, Boccaccio, Walt Whitman, James Joyce, Thomas Mann, Lao-Tse. To them he brings fresh and penetrating insights. But many are lesser-known figures: Krishnamurti, the prophet-sage; the French contemporaries Blaise Cendrars and Jean Giono; Richard Jeffries, who wrote  The Story of My Heart ; the Welshman John Cowper Powys; and scores of others.  The Books in My Life contains some fine autobiographical chapters, too. Miller describes his boyhood in Brooklyn, when he devoured the historical stories of G. A. Henty and the romances of Rider Haggard. He tells of the men and women whom he regards as "living books": Lou Jacobs, W. E. B. DuBois, Elizabeth Gurley Flynn, and others. He offers his reminiscences of the New York Theatre in the early 1900's––including plays such as  Alias Jimmy Valentine  and  Nellie, the Beautiful Cloak Model . And finally, in Miller's best vein of humor, he provides a satiric chapter on bathroom reading. In an appendix, Miller lists the hundred books that have influenced him most.

    Readers will learn how crimes are plotted, committed, investigated and solved.

    It is language made special so that it will be remembered and valued. It does not always work—over the centuries countless thousands of poems have been forgotten. This little history is about some that have not. John Carey tells the stories behind the world’s greatest poems, from the oldest surviving one written nearly four thousand years ago to those being written today. Carey looks at poets whose works shape our views of the world, such as Dante, Chaucer, Shakespeare, Whitman, and Yeats. He also looks at more recent poets, like Derek Walcott, Marianne Moore, and Maya Angelou, who have started to question what makes a poem "great" in the first place. This little history shines a light on the richness and variation of the world’s poems—and the elusive quality that makes them all the more enticing.

    Is writing a children's book as simple as it looks? Do you want to write for children or about them? Do you want to write a picture book for young children, a book for new readers, or a chapter book for preteens? Why is Beatrix Potter so beloved? E. Nesbit? A. A. Milne? Maurice Sendak?After more than fifteen years as a writing shelf classic, The Way to Write for Children has been completely revised and updated. From analysis of what makes the best-loved children's books so successful, to where to look for inspiration, to practical advice on how to structure a plot, Aiken delivers an extremely useful book for anyone who's ever considered writing a children's book.