With a cast of characters that includes Diana Ross, Berry Gordy, Smokey Robinson, and Stevie Wonder, this intimate biography is a definitive and enduring look at the man who embodied the very essence of the word soul.

    Far from idyllic, she describes her parents' home as "dirty and broken" with "very little going on inside except sex, drugs, and rock and roll.."But in spite of the turmoil at home, Mackenzie found success onscreen, becoming famous at age fourteen for her role in the iconic film American Graffiti, which landed her a starring role as Julie Cooper on the hit sitcom One Day at a Time alongside America's sweetheart Valerie Bertinelli. Even though she seemed to have it all, Mackenzie couldn't escape the dark secrets and constant drug use at home and began to use herself. Her professional life suffered and she was written out of the show. For the next two decades she battled her drug addiction, going through rehab several times, and managing to stay clean for ten years, until Labor Day 2008, when she landed back in the tabloids for possession of cocaine and heroin at LAX. What led to her relapse is a shocking, life-long secret that she'll reveal in-depth for the first time here, in High on Arrival ..Riveting, heart-wrenching, yet ultimately uplifting, Mackenzie's story is an all-too-real testament to the power of drugs--but it's also a story of courage, forgiveness, and true redemption. .

    RIP IT UP AND START AGAIN is a celebration of what happened next.Post-punk bands like PiL, Joy Division, Talking Heads, The Fall and The Human League dedicated themselves to fulfilling punk's unfinished musical revolution. The post-punk groups were fervent modernists; whether experimenting with electronics and machine rhythm or adapting ideas from dub reggae and disco, they were totally confident they could invent a whole new future for music.

    As the band enters its fourth decade, Fleetwood and Davis ( Hammer of the Gods ) recount the fun, turmoil and triumphs that shaped and, at times, threatened to destroy the group. Despite numerous personnel changes over the years, involvement with drugs, grueling road trips, divorces and reconciliations, the core members of the group--Fleetwood, John McVie and Christine McVie--seem to have the same enthusiasm for music they displayed together as a raunchy blues band playing in London pubs. Anecdotes about the group and its sometimes outrageous performances (on and off the stage) abound, as does commentary about rock stars who pop in and out of the text at unexpected places. Fleetwood emerges as hip and flip and the book is written in an assured, essentially happy tone.

    Now reformed, they are launching their Best Of... album in 2002. The book features exclusive interviews and photos and is written by personal friend and journalist Paul Mather, from London.

    Here he recounts in his inimitable voice his experience trading ideas on atomic physics with Einstein and Bohr and ideas on gambling with Nick the Greek; cracking the uncrackable safes guarding the most deeply held nuclear secrets; accompanying a ballet on his bongo drums; painting a naked female toreador. In short, here is Feynman's life in all its eccentric—a combustible mixture of high intelligence, unlimited curiosity, and raging chutzpah.

    Having blasted onto the small screens with his now legendary sitcom Spaced, his rise to nation's favourite son status has been mercurial, meteoric, megatronnic, but mostly just plain great.From his childhood (and subsequently adult) obsession with Star Wars, his often passionate friendship with Nick Frost, and his forays into stand-up which began with his regular Monday morning slot in front of his 12-year-old classmates, this is a joyous tale of a homegrown superstar and a local boy made good.

    This is a book that became an instant cult classic.

    What's not to love?"-Nick Cave, author of The Sick Bag Song and The Death of Bunny MunroWhen Mark Lanegan first arrived in Seattle in the mid-1980s, he was just "an arrogant, self-loathing redneck waster seeking transformation through rock 'n' roll." Little did he know that within less than a decade, he would rise to fame as the front man of the Screaming Trees, then fall from grace as a low-level crack dealer and a homeless heroin addict, all the while watching some of his closest friends rocket to the forefront of popular music.In Sing Backwards and Weep, Lanegan takes readers back to the sinister, needle-ridden streets of Seattle, to an alternative music scene that was simultaneously bursting with creativity and dripping with drugs. He tracks the tumultuous rise and fall of the Screaming Trees, from a brawling, acid-rock bar band to world-famous festival favorites that scored a hit #5 single on Billboard's Alternative charts and landed a notorious performance on David Letterman, where Lanegan appeared sporting a fresh black eye from a brawl the night before. This book also dives into Lanegan's personal struggles with addiction, culminating in homelessness, petty crime, and the tragic deaths of his closest friends. From the back of the van to the front of the bar, from the hotel room to the emergency room, onstage, backstage, and everywhere in between, Sing Backwards and Weep reveals the abrasive underlining beneath one of the most romanticized decades in rock history-from a survivor who lived to tell the tale. Gritty, gripping, and unflinchingly raw, Sing Backwards and Weep is a book about more than just an extraordinary singer who watched his dreams catch fire and incinerate the ground beneath his feet. Instead, it's about a man who learned how to drag himself from the wreckage, dust off the ashes, and keep living and creating.

    It is a stunning panorama of the turbulent decade when Joplin's was the rallying voice of a generation that lost itself in her music and found itself in her words.From her small hometown of Port Arthur, Texas, to San Francisco's Haight-Ashbury, from the intimate coffeehouses to the supercharged concert halls, from the glitter of worldwide fame to her tragic end in a Hollywood hotel, here is all the fire and anguish of an immortal, immensely talented, and troubled performer who devoured everything the rock scene had to offer in a fatal attempt to make peace with herself and her era. Yet, in an eloquent introduction recently written by the author, Joplin emerges from her "ugly duckling" childhood as a woman truly ahead of her time, an outrageous rebel, a defiant outcast and artist of incomparable authenticity who, almost in spite of herself, became to so many a symbol of triumph over adversity.This edition also contains an afterword detailing the whereabouts of a large and colorful cast of characters who were part of Joplin's life, as well as "We Remember Janis," a new chapter of poignant and affectionate anecdotes told by friends.

    The missing link between free jazz and punk rock, they were raw, primal, and, when things were clicking, absolutely unstoppable. Led by legendary guitarist Wayne Kramer, The MC5 was a reflection of the times: exciting, sexy, violent, chaotic, and out of control, all but assuring their time in the spotlight would be short-lived. They toured the country, played with music legends, and had a rabid following, their music acting as the soundtrack to the blue collar youth movement springing up across the nation. Kramer wanted to redefine what a rock 'n' roll group was capable of, and there was power in reaching for that, but it was also a recipe for disaster, both personally and professionally. The band recorded three major label albums but, by 1972, it was all over. Kramer's story is (literally) a revolutionary one, but it's also the deeply personal struggle of an addict and an artist, a rebel with a great tale to tell. The '60s were not all peace and love, but Kramer shows that peace and love can be born out of turbulence and unrest. From the glory days of Detroit to the junk-sick streets of the East Village, from Key West to Nashville and sunny L.A., in and out of prison and on and off of drugs, his is the classic journeyman narrative, but with a twist: he's here to remind us that revolution is always an option.

    Tales of their indulgence in sex, drugs, and excess have swirled for decades. In this definitive oral history of the band, Barney Hoskyns finally reveals the truth about Led Zeppelin, paring away the myths and describing what life was really like for four young men on top of the world, enjoying fame on a scale that not even the Beatles experienced as a touring live act. Through fresh new interviews with the surviving band members, close friends, their tour manager, and scores of other fascinating characters, Hoskyns provides deep insights into the personalities of the band members and chronicles the group's dramatic rise, fall, and legacy.Based on more than 200 interviews with everyone from Robert Plant, Jimmy Page, and John Paul Jones to road manager Richard Cole, their late manager Peter Grant, and many others central to the Zeppelin storyFeatures striking photos of the band both on and offstage, many published here for the first timeTakes a fresh look at Led Zeppelin's music, cultural significance, and legend, as well as the highs and lows of the sex, drugs, and rock and roll lifestyle on the roadAnalyzes the way the band wrote, arranged, and recorded, from how they created the stupendous sound and dynamics on "Dazed and Confused" and "Whole Lotta Love" to the group's folk-suffused acoustic side embodied in songs like "Friends" and "That's the Way"Written by Barney Hoskyns, contributing editor at British "Vogue" who is the author of the bestselling book "Hotel California" and the co-founder of online music-journalism library Rock's Backpages

    This was the New York of Palladium; of Mars, Limelight, and Twilo; of unchecked, drug-fueled hedonism in pumping clubs where dance music was still largely underground, popular chiefly among working-class African Americans and Latinos. And then there was Moby--not just a poor, skinny white kid from Connecticut, but a devout Christian, a vegan, and a teetotaler. He would learn what it was to be spat on, to live on almost nothing. But it was perhaps the last good time for an artist to live on nothing in New York City: the age of AIDS and crack but also of a defiantly festive cultural underworld. Not without drama, he found his way. But success was not uncomplicated; it led to wretched, if in hindsight sometimes hilarious, excess and proved all too fleeting. And so by the end of the decade, Moby contemplated an end in his career and elsewhere in his life, and put that emotion into what he assumed would be his swan song, his good-bye to all that, the album that would in fact be the beginning of an astonishing new phase: the multimillion-selling Play.At once bighearted and remorseless in its excavation of a lost world, Porcelain is both a chronicle of a city and a time and a deeply intimate exploration of finding one's place during the most gloriously anxious period in life, when you're on your own, betting on yourself, but have no idea how the story ends, and so you live with the honest dread that you're one false step from being thrown out on your face. Moby's voice resonates with honesty, wit, and, above all, an unshakable passion for his music that steered him through some very rough seas.Porcelain is about making it, losing it, loving it, and hating it. It's about finding your people, your place, thinking you've lost them both, and then, somehow, when you think it's over, from a place of well-earned despair, creating a masterpiece. As a portrait of the young artist, Porcelain is a masterpiece in its own right, fit for the short shelf of musicians' memoirs that capture not just a scene but an age, and something timeless about the human condition. Push play.

    It is filled with shocking revelations about his abuse as a child by his violent father, the bitter infighting among the Beach Boys, the death of his brother Dennis, and the controversy surrounding the therapist he credits with literally saving his life. 50 photographs.

    Now License to Pawn takes readers behind the scenes of the hit History show Pawn Stars and shares the fascinating life story of its star, Rick Harrison, and the equally intriguing story behind the shop, the customers, and the items for sale. Rick hasn't had it easy. He was a math whiz at an early age, but developed a similarly uncanny ability to find ever-deepening trouble that nearly ruined his life. With the birth of his son, he sobered up, reconnected with his dad, and they started their booming business together.License to Pawn also offers an entertaining walk through the pawn shop's history. It's a captivating look into how the Gold & Silver works, with incredible stories about the crazy customers and the one-of-a-kind items that the shop sells. Rick isn't only a businessman; he's also a historian and keen observer of human nature. For instance, did you know that pimps wear lots of jewelry for a reason? It's because if they're arrested, jewelry doesn't get confiscated like cash does, and ready money will be available for bail. Or that WWII bomber jackets and Zippo lighters can sell for a freakishly high price in Japan? Have you ever heard that the makers of Ormolu clocks, which Rick sells for as much as $15,000 apiece, frequently died before forty thanks to the mercury in the paint? Rick also reveals the items he loves so much he'll never sell. The shop has three Olympic bronze medals, a Patriots Super Bowl ring, a Samurai sword from 1490, and an original Iwo Jima battle plan. Each object has an incredible story behind it, of course. Rick shares them all, and so much more -- there's an irresistible treasure trove of history behind both the Gold & Silver Pawn Shop and the life of Rick Harrison.