She won’t be the last.A tense, unpredictable crime debut that will not only have you gripped, but will chill you to the bone. Perfect for fans of Stuart MacBride and Mark Billingham.A serial killer is stalking the streets of Liverpool, gruesomely murdering victims as part of a series of infamous, unethical and deadly psychological experiments.When it becomes apparent that each victim has ties to the City of Liverpool University, DI David Murphy and DS Laura Rossi realise they're chasing a killer unlike any they've hunted before – one who doesn’t just want his victims’ bodies, but wants their minds too.With a series of psychological twists Dead Gone will keep you guessing until the very end.

    Three hundred years ago, as legend goes, the frightened Yorkshire villagers smothered a crying babe in Keldale Abbey, where they'd hidden to escape the ravages of Cromwell's raiders.Now into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an axe in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry."Yet as Lynley and Havers wind their way through Keldale's dark labyrinth of secret scandals and appalling crimes, they uncover a shattering series of revelations that will reverberate through this tranquil English valley—and in their own lives as well.

    A young woman is found naked and strangled in an alley in well-to-do St John’s Wood.The African. The neighbours would love to pin it on the enigmatic black stranger who has just moved in.The Pariah. Detective Sergeant Cathal Breen is convinced there’s more to the case than anyone wants to admit; no-one’s listening.The Outsider. In walks WPC Helen Tozer – awkward chatterbox, farmgirl, and the first woman to enter the murder unit – and gives Breen a breakthrough.A Song from Dead Lips is a crime thriller that shows the glorified sixties close-up, as it really was – comfortably sexist, racially prejudiced, class-bound and crawling with corruption.

    No ID on her, just hard-earned cash. But there is no doubting the ferocity of the attack.DI Simon Fenchurch takes charge but, as his team tries to identify her and piece together her murder, they’re faced with cruel indifference at every turn - nobody cares about yet another dead prostitute. To Fenchurch, however, she could just as easily be Chloe, his daughter still missing after ten years, whose memory still haunts his days and nights, his burning obsession having killed his marriage.When a second body is discovered, Fenchurch must peel back the grimy layers shrouding the London sex trade, confronting his own traumatic past while racing to undo a scheme larger, more complex and more evil than anything he could possibly have imagined.

    If you like crime-novels by Ian Rankin and Peter James, you will love this.Twenty years ago seven rich, privileged students became friends at their exclusive private school, Potter's Field. Now they have started dying in the most violent way imaginable.Detective Max Wolfe has recently arrived in the Homicide division of London's West End Central, 27 Savile Row.Soon he is following the bloody trail from the backstreets and bright lights of the city, to the darkest corners of the internet and all the way to the corridors of power.As the bodies pile up, Max finds the killer's reach getting closer to everything - and everyone - he loves. Soon he is fighting not only for justice, but for his own life ...

    Razor-sharp dialogue. Plots that catch and hold like a noose. These are the hallmarks of crime legend Ruth Rendell. From Doon with Death, now in a striking new paperback edition, is her classic debut novel -- and the book that introduced one of the most popular sleuths of the twentieth century.There is nothing extraordinary about Margaret Parsons, a timid housewife in the quiet town of Kingsmarkham, a woman devoted to her garden, her kitchen, her husband. Except that Margaret Parsons is dead, brutally strangled, her body abandoned in the nearby woods. Who would kill someone with nothing to hide? Inspector Wexford, the formidable chief of police, feels baffled -- until he discovers Margaret's dark secret: a trove of rare books, each volume breathlessly inscribed by a passionate lover identified only as Doon. As Wexford delves deeper into both Mrs. Parsons’ past and the wary community circling round her memory like wolves, the case builds with relentless momentum to a surprise finale as clever as it is blindsiding. In From Doon with Death, Ruth Rendell instantly mastered the form that would become synonymous with her name. Chilling, richly characterized, and ingeniously constructed, this is psychological suspense at its very finest.

    A child is found wandering in an ancient woodland, her hands covered in blood. But it is not her own.Unwilling, or unable, to speak, the only person she seems to trust is the young officer who rescued her, Detective Sergeant Lucy Black. Soon afterwards, DS Black is baffled to find herself suddenly moved from a high-profile case involving the kidnapping of another girl, a prominent businessman's teenage daughter. Black's problems are not only professional: she's caring for her increasingly unstable father, and trying to avoid conflict with her frosty mother - who also happens to be the Assistant Chief Constable. As she struggles to identify the unclaimed child, Black begins to realise that her case and the kidnapping may be linked by events that occurred during the grimmest days of the country's recent history - events that also defined her own troubled childhood.Little Girl Lost is a devastating crime thriller about corruption, greed and vengeance, and a father's love for his daughter.

    Five victims; four of them killed with military efficiency and, judging from the wounds, a military bayonet. The fifth victim, the lady of the house, is found nearly naked, sprawled on a bed, her throat slashed with a razor. Even more startling than the actual carnage are two subsequent findings: the lack of any sort of sexual assault and the discovery of a child - a young girl hiding beneath a bed.Scotland Yard sends out Inspector John Madden to investigate the murders. Madden, with some heavy psychological baggage of his own courtesy of the war, recognizes the mark of madness in the killer's work and has a unique understanding of the killer's methods, habits, and rituals. While the local constabulary figures the murders for a robbery gone horribly wrong, Madden is quick to recognize the presence of a more sinister motive. He seeks the help of Dr. Helen Blackwell, a local physician who lost both her brothers and her husband to the war. Dr. Blackwell's professional connections include a Viennese psychiatrist who is well versed in the relatively new field of forensic psychology, and together they try to develop a psychological profile for the killer.The deeper Madden digs into the case, the harder it is for him to maintain the fragile wall he has built around his own painful memories. A spark between him and Helen Blackwell quickly becomes an all-consuming fire, and in the tender exploratory phase of their relationship, Helen gently urges him to face his personal demons head-on. Meanwhile, Madden discovers the killer has struck once before, a murder that was left unsolved. When Madden gets the idea to look for similar crimes that may have occurred during the war, he finds one, and a clearer and even more frightening picture of the killer begins to evolve. As the police investigation proceeds, plodding at times and getting fortuitous breaks at others, the killer plans his next attack. Together, killer and cops move along parallel timelines, a loose scrabble of concurrent events held together by a taut string of tension. When the string finally breaks, it culminates in a vivid and terrifying climax that demonstrates how fine a line often exists between sanity and utter madness. River of Darkness is the first book in a promised series. Inspector John Madden is precisely the type of multifaceted and complex character readers will enjoy meeting time and again. And the supporting cast of characters is the perfect complement, the sum total being a rich and full-bodied story. What's more, if Airth shows the same flair for finely etched prose and brilliantly manipulated tension as he does here, this series promises to be the start of a powerful new niche in psychological suspense, a uniquely fresh voice that will stand out among the crowd.

    It's the name the media has given a brutal murderer who has beaten four young women to death before setting their bodies ablaze in secluded areas of London's parks. And now there's a fifth. Maeve Kerrigan is an ambitious detective constable, keen to make her mark on the murder task force. Her male colleagues believe Maeve's empathy makes her weak, but the more she learns about the latest victim, Rebecca Haworth, from her grieving friends and family, the more determined Maeve becomes to bring her murderer to justice. But how do you catch a killer no one has seen when so much of the evidence has gone up in smoke? Maeve's frenetic hunt for a killer in Jane Casey's gripping series debut will entrance even the most jaded suspense readers.

    Among the witnesses are the only two cops in the city not on the take, but within moments one is murdered and his partner, Sonchai Jitpleecheep—a devout Buddhist and the son of a Thai bar girl and a long-gone Vietnam War G.I.—is hell-bent on wreaking revenge. On a vigilante mission to capture his partner’s murderer, Sonchai is begrudgingly paired with a beautiful FBI agent named Jones and captures her heart in the process. In a city fueled by illicit drugs and infinite corruption, prostitution and priceless art, Sonchai’s quest for vengeance takes him into a world much more sinister than he could have ever imagined.

    Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.

    While out celebrating with a group of friends a few nights before the wedding, Michael suddenly and unexpectedly finds himself enclosed in a coffin equipped only with a flashlight, a dirty magazine, a walkie-talkie, and a tiny breathing tube. It's all in good fun — payback for the grief his mates suffered due to his own penchant for tomfoolery — that is until the four are killed in a drunk driving accident just moments after leaving Michael completely alone and buried alive.Detective Superintendent Grace—himself dealing with the pain of losing his wife—is brought on to the case when Ashley reports Michael missing. Suspicions are raised when Michael's only friend not at the bachelor party refuses to cooperate, and Ashley's faithfulness—not to mention her increasingly mysterious past—are suddenly thrown in to question. As Superintendent Grace soon discovers, one man's disaster is another man's fortune.

    A once up-and-coming detective, she's been given this beat as punishment after filing a sexual harassment complaint against a supervisor.But one night she catches two cases she doesn't want to part with: the brutal beating of a prostitute left for dead in a parking lot and the killing of a young woman in a nightclub shooting. Ballard is determined not to give up at dawn. Against orders and her own partner's wishes, she works both cases by day while maintaining her shift by night. As the cases entwine they pull her closer to her own demons and the reason she won't give up her job no matter what the department throws at her.

    For life is anything but easy in the male-dominated world of the Atlanta Police Department.Kate isn't the only woman on the force who is finding things tough. Maggie Lawson followed her uncle and brother into the ranks to prove her worth in their cynical eyes.When Maggie and Kate become partners, and are sidelined in the search for the city's cop killer, they decide to pursue their own line of investigation. But are they prepared to risk everything as they venture into the city's darkest heart?

    His career, the only thing he ever knew how to do well, is over. The single solace each day brings is the ever-growing contemplation of suicide. But when his estranged brother and sister-in-law are brutally murdered in their bucolic town set on the banks of the Mississippi River, he is drawn into an investigation surrounding a string of killings unlike anything he has ever seen before. The murderer is ruthless, cunning, and without conscience. Soon Liam learns that the river is dark. And so are its secrets.Contains explicit language and violence.