This novel adds a human dimension to the familiar story of Chernobyl, site of the world's worst nuclear accident that sent a wave of fear through Europe, forced the evacuation of 135,000 Soviet citizens and left an undetermined number with potentially life-shortening doses of radiation.The story is told through fictitious characters—primarily officials and workers at the ill-fated plant—but closely traces events as documented in the Soviet press and Moscow's unusually candid report to the International Atomic Energy Agency in September, 1986.

    Not a good home, but at least there she can find food and shelter for her sisters, Lily and Tory.To the powerful Making Perfect corporation, however, the Slump is a gold mine, a source of unending test subjects. Once a month, squads of company officials invade the ruins to capture orphans for their facilities. What happens to the kids they take is unclear—none of them ever return.Then Summer herself is taken.Forced into a series of grueling experiments, she soon discovers that Making Perfect’s ultimate goal is far darker than anything she imagined. As she fights to get back to the Slump and her now-defenseless sisters, she begins to understand why once you enter Making Perfect, you never get out.

    Librarian's note: An alternate cover edition can be found hereThis novel tells the story of America's race to Mars and the web of passionate conflict it weaves among the astronauts and their wives -- and between Russia and the United States, the contestants in this deadly race.

    I’ll never forget that day. The Vietnam War had ended with the fall of Saigon that April, and the world was mired in one of its worst recessions ever. Unemployment in the United States was nearly nine percent, inflation even higher, and leadership lacking. The Watergate scandal had cast a smear across American politics, resulting in Richard Nixon’s resignation in August 1974 to avoid impeachment, and his successor’s immediately pardoning him to close the book on an unhappy chapter in U.S. history.It was not a good time for anyone and a particularly hard time for the old Victorian town of Cape May. The crown jewel of the New Jersey shore had fallen into neglect and disrepair and was dying a slow death. Once the elegant summer home to presidents and kings, it had become the last refuge of the deposed.That’s where I met Tom Ryan. Tom was a king, or so he would have you believe, but unlike Richard Nixon, when Tom was dethroned, he wasn’t sent home with a slap on the wrist. He was sent to prison. He was a convicted draft dodger, but one of the lucky ones released early by President Ford as part of his mass clemency after Nixon’s pardon. The problem was, Tom had nowhere to go when he got out, so he took the money his dad mailed to him and spent it on a bus ticket to get as far away as possible to a place where nobody cared who he was or what he had done, a place where nobody cared about anything. That place was Cape May.As hard a time as it was for everyone, it was harder for me because that was the day I met Tom Ryan. I should have turned and walked away. I knew it when he first looked at me, but I didn’t, not my first mistake, but one that would make Monday, May 19th, 1975 the hardest day of my life. This is the story of how Tom Ryan and I met and how things never quite work out the way you think. You might find a love story in here somewhere. You might not. You might find a message hidden in one of the nickel pop bottles collected by the beachcombers from some of the most beautiful white sand beaches in the world. You might even find a little mystery, but life is a mystery, isn’t it?

    Then his roommate’s missing brother turns up in a local hospital having sliced open his own chest and legs for some sick, inexplicable reason. In Oakland, the Reverend Garner, a recovering addict, leaves his ministry in search of his teenage daughter, who was last seen in the company of her ghoulish kidnapper. And the Los Angeles police are meanwhile baffled in their hunt for the elusive “Wetbones” serial killer who leaves nothing of his victims behind except a damp, grisly pile of bones. Though Tom, the reverend, and the LAPD are on separate quests for answers, they are all being led into the darkest shadows of Hollywood, where the debauchery never ceases and pleasure is a drug that devours human flesh, blood, and sanity. But the true source of the all-consuming addiction is the most horrifying revelation of all, for it is not of this rational Earth. From International Horror Guild Award–winning author John Shirley, the acclaimed “splatterpunk” classic Wetbones combines the monstrous inventiveness of H. P. Lovecraft with the exquisite excess of Clive Barker. A true masterwork of modern terror, it’s decidedly not for the faint of heart.

    Kristen, his beloved daughter, dying, pounded bloody and broken by feet and fists. Kristen, dead-as dead as Lucas' most hidden desires.In Lucas Ellington's eyes, the mindless crowd of rock n' rollers is blameless. His child was murdered by Whip Hand, the Ultimate Party Band. The main event.Whip Hand dissolved soon after the arena disaster but the musicians are still alive out there, still alive and kicking.Not for long. Lucas has sacrified one set of dreams; he will not surrender another. Instead of Kristen, he cradles revenge to his breast.His ultimate target: Gabriel Stannard. Whip Hand's lead singer.

    An upright, unmarried spinster, Louisa has spent her life looking after others. In the aftermath of a hurricane that turns her life upside down, she finds a battered diary kept by one of her ancestors. The journal recounts the story of Diana, a 19th-century slave who worked for the Hilliards, but sought to improve her life and her means, and was severely punished. Diana's fate is gradually revealed, even as Louisa discovers objects in her house missing, moved, dented, and seemingly handled by an unappeasable presence. In some small way trying to set right age-old wrongs, Louisa discovers how her own life is entangled in her family's haunted history. So Far Back is a nuanced and resonant portrait of two families sharing an enduring past and an uneasy present.

    For the better part of three decades, the enormously popular host of "The Tonight Show" was welcomed into millions of American homes -- as a friend, an entertainer, and an inexhaustibly sage and witty commentator on our lives and times. But there was a dark side to this charming and inscrutable enigma that only those closest to Carson ever saw -- a sadness, mistrust, and cruelty behind the glitter and glamour, intensified by a lifelong pursuit of power, wealth, and fame.Based on more than two years of intensive research including more than 700 personal interviews with ex-wives, ex-friends, colleagues, and celebrities -- with all-new, never-before-published material on Johnny's post-"Tonight Show" life, from his retirement through his final days -- Laurence Learner's King of the Night is an intimate and powerful portrait of an unforgettable personality, at once a tribute and a revelation.

    What happens after the murder is the story of what Johnny Shinn -- late of Army Intelligence and veteran of two wars, in spite of himself, does about it. The tense lynch trial that is the focus of the action is really the trial of Johnny Shinn as an American.

    Essef - Fictional story about a rock superstar who has discovered his own astonishing Psychic powers, his out of body mind voyages have revealed rival Russian and American instalations for developing psychic weaponry.

    Raised on an isolated West Texas ranch that he was forced to flee at age eighteen following the violent breakup of his foster family, Jimmy has found a home and a profession in Galveston -- and a mentor in Rose Maceo.Looming over Jimmy's story like an ancient curse is the specter of his fearsome father. Their ties of blood, evident since Jimmy's boyhood, have been drawn tighter over time. Then a strange and beautiful girl enters his life and a swift and terrifying sequence of events is set in motion. Jimmy must cross the border and go deep into the brutal and merciless country of his ancestors -- where the story's harrowing climax closes a circle of destiny many years in the making.

    Narrator Buster Fogg's family is wiped out by a twister in an early sequence described with surreal verve. Buster hitches on with Billy Bob Daniels, a patent-medicine pusher and trick shooter who claims to be the illegitimate son of Wild Bill Hickock, joining an entourage consisting of a kindly ex-slave named Albert, and Rot Toe, the wrestling ape. Adventures on the road, which include swiping the mummified remains of Billy Bob's "pa" and swindling settlers with their concoction of watered-down whiskey, stoke personal tensions that only aggravate troubles when their wagon rolls into Mud Creek and Billy Bob is called out by Texas Jack, a dime-novel desperado who, legend says, intimidated even Wild Bill.Lansdale's affection for the classic western is never in doubt, although he spends much of the novel skillfully deflating the romance of heroic reputations made as much by luck and exaggeration as by skill with a gun. The true charm of the story, though, is in its telling, which melds laconic humor, colorful colloquialisms and outrageous figures of speech into a Twainesque tall tale. This novel endures as a modern western classic. Published in a small print run with limited distribution.- From Publisher's Weekely

    It is a kaleidoscopic collage that whirls about an indelible array of images and characters: perverted Winky, who opted for the army to stay off of welfare; eccentric Payne, who’s obsessed with the film he’s making of the war; bucolic Claypool, who’s irrevocably doomed to a fate worse than death. Just to mention a few. And floating at the center of this psychedelic spin is Spec. 4 James Griffin. In country, Griffin studies the jungle of carpet bomb photos as he fights desperately to keep his grip on reality. And battling addiction stateside after his tour, he studies the green of household plants as he struggles mightily to get his sanity back. With mesmerizing action and Joycean interior monologues, Stephen Wright has created a book that is as much an homage to the darkness of war as it is a testament to the transcendence of art.

    "Gotta get moving," Rock said. A couple of hundred million years went by. A rock is always slow to take action. A rock watches an oak grow from a sapling to a towering tree, and it's a flash and a dazzle in the mind of a rock. What was that? Rock thinks. Or maybe, Huh?That's how Zod Wallop starts. Harry Gainesborough wrote and drew the story three years ago, before his daughter drowned. Now he writes nothing. Raymond Story read Zod Wallop while he was a patient at Harwood Psychiatric. Now the book means everything to him - so much so that he'd like to meet its author and live out its events. In fact, Zod Wallop means so much to Raymond that he has taken great pains to escape the institution and is now journeying to Harry Gainesborough's house with his young wife, Emily, in tow.These odd doings alone would be enough to unsettle Harry, but they're compounded by other coincidences. Bizarre coincidences. Occurrences that lead Harry to believe that Zod Wallop is actually happening.

    It is a profound and utterly convincing portrait of a man whose career and life has been devoted to the manipulation of imagesand the story of how, at the age of 71, he tries to divest himself of illusions and make peace with his demons and his past.