DVDs available of selected Cavett shows from the late '60s and early '70s are time capsules of the arts, entertainment and politics of the era. Before that, Cavett was a writer for The Tonight Show and a stand-up comic. This 1974 book of self-reflections takes both the form of an interview (conducted by long-time friend and colleague, Christoper Porterfield) and biographical narratives written by Porterfield with Cavett's input. Nothing is sacred in Cavett; the talk ranges boldly and freely, as talk between friends often does, from the silly to the satirical and from the serious to the scatological.

    This social experiment encourages premarital living arrangements and is totally committed - not mere lip-service or public-relations hype - to getting young men and women to think and act for themselves.What do they think about? Everything that interests the author, Bob Rimmer: human relations, sex, history, philosophy, anatomy, existentialism, art, music, Zen, politics - and, once more, sex.Four Harrad students record their thoughts regularly for four years. Their diaries include large chunks of college "action," conversation, and portraits of fellow students, so the reader is swept into the lives of these young adults trying to sort out the jumbled mores of America's Sixties.Stanley Kolasukas, a bright, good-looking youth from a poor Polish family finds himself a roommate of Sheila Grove, the introspective daughter of an oil millionaire. Harry Schacht, a brilliant but ungainly medical student from an Orthodox Jewish background, lives with Beth Hillyer, a girl with enough drive to be a better doctor and enough sensuality to need many men in her life. Jack Dawes, imaginative and enthusiastic, lives with Valerie Latrobe, a dominant girl who believes she can better any man at anything.The original Harrad Experiment sold more than three million copies. This 25th anniversary edition includes a new epilogue describing the startling "Harrad/Premar Solution," a fully up-to-date and annotated bibliography of books that support the daring, joyfully subversive premises outlined in Harrad, and Robert Rimmer's candid, controversial autobiography. When you have read this book, you will find yourself entertaining the question of whether a real-life Harrad Experiment could - or should - be going on somewhere today, turning out a very special group of young men and women with the potential to utterly change America's ways of living, thinking, and loving in the 21st century.

    Tim and the gang are up to their elbows in dinos, drugs, and dwarves.

    He was called White Buffalo, and he would be the greatest medicine man the People had ever known.  The spirit of the ancient gods beat in him like a savage drum--a mystical power as old as the land, as primeval as primitive man himself.  But even as he fought to lead his people out of the darkness of the Stone Age, his world trembled on the brink of a great and terrible transformation.  It would be a century swept by the inevitable winds of change; a time when ignorant, evil men like the warrior Gray Wolf of the Head-Splitters would seek bloody vengeance, and when once man would fight against all odds to save his tribe and his heritage from brutal destruction.

    But on July 23, 1982, a spectacular explosion on the set of Twilight Zone: The Movie knocked a helicopter out of the sky and into the path of two small children and veteran actor Vic Morrow, crushing one child and decapitating Morrow and the other youngster.How could this tragedy occur? Was anyone to blame? Outrageous Conduct reveals the facts behind the accident, when skilled movie-makers exceeded the bounds of safety; the anxiety, when Hollywood closed ranks to protect its own; and the raucous and very public trial, when countercharges of "outrageous conduct" flew between the attorney and the furious film director, John Landis.Here are the intimate stories of the people behind the headlines: Landis, the driven young director of Animal House and other hits; Steven Spielberg, the superstar co-producer; Deputy District Attorney Lea D'Agostino, who accused Landis of manslaughter, but would have preferred a charge of murder; Vic Morrow, the fading star who would risk everything to salvage his career; and Renee Chen, six, and Myca Lee [sic], seven, whose parents had emigrated to the United States in search of a better life only to lose their children in a "make-believe" war. Here too are the opinions of top Hollywood professionals, forced to choose sides in a legal battle that tore the movie world apart.Outrageous Conduct probes the boundaries between art and safety, daring and responsibility. Like Indecent Exposure and Final Cut, it exposes the excesses and hubris of the world's most glamorous and seductive profession.STEPHEN FARBER was the film critic for New West magazine. He has also written for The New York Times, Esquire, and Film Comment.MARC GREEN was the film critic for Books and Arts and has written for California Magazine. He and Stephen Farber have reported on the Hollywood scene for almost twenty years and are the authors of Hollywood Dynasties.

    The risk is that men on Shore Patrol might bring their humanity to the task. This accounts for the underlying tension in "The Last Detail", which takes place during the height of the Vietnam War. Billy Bad-Ass and Mule Mulhall, two career sailors in transit in Norfolk, awaiting permanent orders, are given a detail: "chaser" duty. Their assignment is to escort and deliver Larry Meadows, an 18-year-old sailor, from Norfolk to Portsmouth, N.H., where he is to serve an eight year sentence in the brig. It's good duty, on the face of it, until the two old salts realize the injustice of the sentence and are oddly affected by the true innocence of their prisoner, even though he is guilty as charged. Failure, or refusal, to carry out their duty is never a question, no matter how much they hate the detail or how wrong it seems, and yet something must be done, some gesture made in order to help their hapless prisoner survive the long ordeal he faces, and to purge their own sense of shame. "The Last Detail" was Darryl Ponicsan's first book and it catapulted him into the front rank of American novelists. It was made into the 1973 film starring Jack Nicholson, and has become a classic of the Golden Age of American cinema. This new edition of "The Last Detail" coincides with the publication of its long-awaited sequel, "Last Flag Flying", also available from The Wright Press.

    He begins working as a washer of robes at a hotel for itinerant judges. There he meets and falls in love with Prudence, a forensic photographer whose pictures reveal the secrets of the dead.When Prudence disappears, Frank sets out in search of her, a quest that leads him into the shadowy world of a revolutionary salon, then to prison, and finally to discover the city's strange secrets and the secrets of his own heart.A haunting novel that recalls the early work of Paul Auster and Steven Millhauser, The Artist of the Missing is a stunning debut, both a richly imagined evocation of another world and a piercing examination of the mystery of love, and beautifully illustrated by the acclaimed artist Stephen Alcorn.A visionary novel about love, loss, imagination, and despair.

     Boston 1868...At the insistence of her parents, sixteen-year-old Katie O'Neil reluctantly left her beloved Galway. She joined her cousin, Moira Murphy to work as a nanny and domestic. In mid-nineteenth century Boston, Irish domestics were often referred to as Kitchen Canaries and considered property of their employers. The young women are violated by their employer, Charles Brennan. Their shame and guilt is so great, they keep the abuse a secret even from each. When Katie becomes pregnant, Charles Brennan's victims, Moira, his wife Rose, and the negro household help, bond together to hide the newborn. In this post-Civil War era, Boston is bustling with change as wealthy Englishmen and Boston Brahmins expand world trade routes, build railroads and develop land. Immigrants from Ireland, Italy and Poland establish neighborhoods, existing in overcrowded, disease-ridden shacks and tenements. They, and negroes flocking North, suffer hate, humiliation and rejection from the establishment. The only value they have to the rich Bostonians is their willingness to work for little money performing menial or back-breaking, dangerous jobs on the docks, and building railroads. This story is about the goodness of others, black, white, Irish and English whose strength prevails to overcome evil and guide Katie and Moira to true redemption. The sequel, Through the Open Door is now available.

    . . It was only cheap glass, a fraud, a come-on for the suckers who paid Doc Magus to gaze into its depths and tell them tomorrow would be better. And Doc--a decent man, a smart man--pitied them. Yet tonight, even Doc had to believe the Madball. There was nothing left to lead him to the money--enough money to spring him free of the raucous, sordid world of the pitchmen and the pickled punks, the cotton candy and the kewpie dolls--and the belly dancers who needed him for all-night alibis.Doc was shrewd, but not quite shrewd enough. Someone else knew about the $42,000--a specialist in death, who was only yards away. . .MADBALL is a novel of one traveling show, and of the lives of its carneys, who live to close to the edge of frenzy.

    When Dick commits one crime and plans another, the police arrest him for a crime he actually did not commit. Dick attempts to reconcile with his family and find his way out of LA’s seedy underworld. You Play the Black and the Red Comes Up was a bestseller when originally published in 1938 and is a noir classic.

    The poet Donald Davie writes: 'Vikram Seth's poems should have an impact far beyond much noisier pieces; for when did we last see a volume in which the poet's eye is on what is objectively before him, rather than on the intricacies of his own sensibility?'

    Clare Prentiss thinks her new home is paradise, and her brand-new job as security chief at the clinic almost seems too good to be true. It is. But the truth is worse than she could ever imagine.Lurid dreams, erotic obsessions, and twisted fantasies aren't the only things that abruptly invade Clare's life. Is someone really peeping into her windows at night? Yes. Could those grotesque things in the woods possibly be real? Yes. Is Clare being stalked? Yes. But not by anything human. By a monstrosity.

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.

    Beaumont's talents also helped bring to life such cinematic terrors as 'The Premature Burial' and 'The Masque of the Red Death'. As a writer of short stories, his contribution to the landscape of our nightmares is unequalled. The Howling Man is the definitive collection of Beaumont's most haunting work. Here are the classics - "The Hunger," "Miss Gentilbelle," "Free Dirt," along with five never-before-published stories. The Howling Man features introductions by Robert Bloch, Dennis Etchison, Ray Bradbury, Harlan Ellison, Roger Corman, Richard Matheson and many other masters of horror and dark fantasy. They offer illuminating tributes to Beaumont - as a friend, a colleague, and a man whose dark magic left an indelible stamp on modern horror fiction, and on their own imaginations.

    Yet many may be surprised to learn that the true story behind the making of the film is as captivating as the film itself. In The Making of Slap Shot, veteran sports writer Jonathon Jackson lets fans not only relive just how the film was made, but brings to light surprising facts (i.e., Al Pacino was the first choice for the role of Reggie Dunlop; almost every scene-even the absurd and unbelievable ones-depicts a real life event). With access to those involved in the making of the film, he brings to life some of the magic behind the creation of memorable scenes and characters, especially the Charleston Chiefs, one of the most popular fictional sports teams in history. Based on interviews with over 50 cast members, production staff, and anyone of note involved in the film's creation Destined to be a collectible and keepsake (along with the jerseys, bobbleheads, and other paraphernalia associated with the film), The Making of Slapshot is a must for fans eager to learn even more about their favorite film.