Akin, and Tony Merida, this new commentary series, projected to be 48 volumes, takes a Christ-centered approach to expositing each book of the Bible. Rather than a verse-by-verse approach, the authors have crafted chapters that explain and apply key passages in their assigned Bible books. Readers will learn to see Christ in all aspects of Scripture, and they will be encouraged by the devotional nature of each exposition. Exalting Jesus in Ephesians is written by Tony Merida.

    Even those who do not follow him admit the vast influence of his life. For anyone interested in knowing more about Jesus, study of the four biblical Gospels is essential. Four Portraits, One Jesus is a thorough yet accessible introduction to these documents and their subject, the life and person of Jesus. Like different artists rendering the same subject using different styles and points of view, the Gospels paint four highly distinctive portraits of the same remarkable Jesus. With clarity and insight, Mark Strauss illuminates these four books, first addressing their nature, origin, methods for study, and historical, religious, and cultural backgrounds. He then moves on to closer study of each narrative and its contribution to our understanding of Jesus, investigating things such as plot, characters, and theme. Finally, he pulls it all together with a detailed examination of what the Gospels teach about Jesus’ ministry, message, death, and resurrection, with excursions into the quest for the historical Jesus and the historical reliability of the Gospels.

    Incredible events, amazing love stories, larger-than-life personalities, and deep theological themes are just some of the treasures found in Joshua, Judges, Ruth, 1 & 2 Samuel, 1 & 2 Kings, 1 & 2 Chronicles, Ezra, Nehemiah, Esther.These books tell the story of the nation of Israel and the God who loves her, punishes her, and always brings this recalcitrant people back to Himself. It is really the story of all of us.David M. Howard Jr. provides an in-depth introduction to the Old Testament historical books, focusing first on the overarching themes of historical narrative in general. He then turns his attention to each book, considering topics like:Authorship and datePlace in the canonHistorical and cultural contextTheology of the bookSpecial issues pertaining to the bookFrom the conquest of Canaan to the fall of Jerusalem, from war to peace and back to war, from kings and queens to farmers and housewives—David Howard covers it all in this invaluable introduction to the Old Testament historical books.

    Developed from Dr. Wiersbe’s popular “Be” series of Bible study books, this commentary carefully unpacks all of the New Testament.The Wiersbe Bible Commentary New Testament offers you:Dr. Wiersbe’s trustworthy insights on the entire New TestamentsNew Biblical images, maps, and chartsIntroductions and outlines for each book of the BibleClear, readable text that’s free of academic jargonLet one of the most beloved and respected Bible teachers of our time guide you verse-by-verse through the Scriptures. It’s the trusted reference you’ll love to read.

    Dr. Kline identifies the major symbolic models employed in Scripture to expound the nature of the divine image in humanity - the priestly and the prophetic.

    It is an invitation to the reader to put aside their traditional understanding of the Gospel of John and to replace it with another one more faithful to the original text perspective. The Jesus that will emerge will provoke to rethink most of what you knew about this gospel. The book is a well-rounded verse-by-verse illustrated rethinking of the fourth gospel. Here is the catch: instead of reading it, as if it was written for 21 century Gentile Christians, the book interprets it as if it was written for the first-century peoples of ancient Israel. The book proves what Krister Stendahl stated long time ago: “Our vision is often more abstracted by what we think we know than by our lack of knowledge.” Other than challenging the long-held interpretations of well-known stories, the author with the skill of an experienced tour guide, takes us to a seat within those who most probably heard this gospel read in the late first century. Such exploration of variety of important contexts allows us to recover for our generation the true riches of this marvelous Judean gospel. “A genuine apologetic is one that is true to the texts and the history, akin to the speeches of a defense attorney with integrity. Using the best of contemporary scholarship in first-century Judaic history and contributing much of his own, Dr. Eli Lizorkin-Eyzenberg has demonstrated that the Gospel of John is not an anti-Jewish, but a thoroughly Jewish book.” Daniel Boyarin, Hermann P. and Sophia Taubman Professor of Talmudic Culture, University of California, Berkeley “Dr. Lizorkin-Eyzenberg places the text of John’s Gospel in its authentic context by examining the Dead Sea Scrolls, Philo, rabbinic literature, and suggesting innovative explanations for the nomenclature, ‘the Jews.’ His fresh analysis is sure to stir meaningful debate. His creative approach will make an enduring contribution to the discipline of New Testament studies.” Brad Young, Professor of Biblical Literature in Judeao-Christian Studies, Oral Roberts University “For some time, research on the Gospels has suffered from stagnation, and there is a feeling that there is not much new that one can say. In light of this, Dr. Eli Lizorkin-Eyzenberg’s new commentary on the Gospel of John, with its original outlook on the identity of the original audience and the issues at stake, is extremely refreshing.” Ishay Rosen-Zvi, Head of the Talmud and Late Antiquity Department, Tel-Aviv University.

    In this profound and considered work, he offers a radical new way to look at the gospels today as he shows just how deeply Jewish the Christian Gospels are and how much they reflect the Jewish scriptures, history, and patterns of worship. Pulling back the layers of a long-standing Gentile ignorance, he reveals how the church’s literal reading of the Bible is so far removed from these original Jewish authors’ intent that it is an act of heresy.Using the Gospel of Matthew as a guide, Spong explores the Bible’s literary and liturgical roots—its grounding in Jewish culture, symbols, icons, and storytelling tradition—to explain how the events of Jesus’ life, including the virgin birth, the miracles, the details of the passion story, and the resurrection and ascension, would have been understood by both the Jewish authors of the various gospels and by the Jewish audiences for which they were originally written. Spong makes clear that it was only after the church became fully Gentile that readers of the Gospels took these stories to be factual, distorting their original meaning.In Biblical Literalism: A Gentile Heresy, Spong illuminates the gospels as never before and provides a better blueprint for the future than where the church’s leaden and heretical reading of the story of Jesus has led us—one that allows the faithful to live inside the Christian story in the modern world.

    This catechism is specifically designed for Catholic adults, for those who are new to the church, and especially for those who are journeying through the Rite of Chrisitian Initiation.

    Enns looks at three questions raised by biblical scholars that seem to threaten traditional views of Scripture. First, he considers ancient Near Eastern literature that is similar to the Bible. Second, he looks at the theological diversity of the Old Testament. Finally, he considers how New Testament writers used the Old Testament. Based on his reflections on these contemporary issues, Enns proposes an incarnational model of biblical authority that takes seriously both the divine and human aspects of Scripture. The book includes a useful glossary, which defines technical terms and an annotated bibliography for further reading.

    This meditation on the spiritual life has inspired readers from Thomas More and St. Ignatius Loyola to Thomas Merton and Pope John Paul I. Written by the Augustinian monk Thomas à Kempis between 1420 and 1427, it contains clear instructions for renouncing wordly vanities and locating eternal truths. No book has more explicitly and movingly described the Christian ideal:

    An investigation of the New Testament canon and how it fits into redemptive history.

    Written by a biblical scholar who has devoted thirty years to the study of the second Gospel, this commentary aims primarily to interpret the Gosepl of Mark according to its theological intentions and purposes, especially as they relate to the life and ministry of Jesus and the call to faith and discipleship. Unique features of James Edwards's approach include clear descriptions of key terms used by Mark and revealing discussion of the Gospel's literary features, including Mark's use of the "sandwich" technique and of imagistic motifs and irony. Edwards also proposes a new paradigm for interpreting the difficult "Little Apocalypse" of chapter 13, and he argues for a new understanding of Mark's controversial ending.

    John the Evangelist saw many strange monsters in his vision, he saw no creature so wild as one of his own commentators." ~ G.K. Chesterton The book of Revelation was written to do just that: reveal. But most commentaries nowadays either engage in bizarre speculations about the future, or they keep an embarrassed distance from all the apocalyptic events that the apostle John says will “shortly take place.” In this commentary, Douglas Wilson provides a passage-by-passage walkthrough of the entire book, showing how John’s most notorious prophecies concern the Fall of Jerusalem in A.D. 70. Explaining symbols and characters as he goes, Wilson shows from the text that not only is this book not an elaborate code, but that Revelation is not even ultimately concerned with the end of the world as we know it. Revelation is about the triumph of the Church, which always happens when the Man comes around.

    "The Drama of Scripture" is an introduction to the basic story line and theology of the Bible. In considering the biblical story, the authors emphasize the unity of the whole, viewing the Bible as a drama in six acts--creation, sin, Israel, Christ, church, and new creation. Two overarching themes tie the biblical story together--covenant in the Old Testament and kingdom in the New Testament. Throughout, the authors suggest, God is revealed through the story and calls us to participate in his drama.

    Barnhouse carefully traces this vast spiritual conflict back to the period before the beginning of recorded time. Step by step, he then follows its unfolding to the final battle at the end of time. Here are answers to questions that have long troubled thinking people--concerning the trials, sufferings, and difficulties of life--with added helpful suggestions for facing life's obstacles.Dr. Herbert Henry Ehrenstein says, "I am certain that this book will take its place as one of the greatest Dr. Barnhouse wrote during his lifetime, unfolding as it does an entirely new area of biblical truth for many readers who have never before contemplated this invisible battle involving God, Satan, angels, demons, and mankind. Indeed, I know of no other available book of so complex a subject."