Go, is an introduction to the ways in which a designer communicates his or her ideas to the world. It's written and designed just for those curious kids, not to mention their savvy parents, who want to learn the secret of how to make things dynamic and interesting.

    But the other colors are always leaving him out. So he decides to create his own project: an all-gray book. Once upon a time, there lived a wolf, a kitten, and a hippo…Gray just knows it’s going to be perfect. But as he adds page after page, the Primary and Secondary colors show up…and they aren’t quite so complimentary.A book within a book, this colorful tale explores the ideas of fitting in, appreciating others, and looking at things from another perspective and also uses personality and wit to introduce basic color concepts.

    The demand for vintage trailers-the smaller the better-has risen dramatically in recent years, with the most in-demand trailers being "teardrops," first manufactured in the 1930s and containing just indoor sleeping space and an outdoor exterior kitchen. Also profiled in the book are "canned ham" trailers, whose shape resembles the profile of a can of ham; small-size examples of America's most beloved vintage trailer, the Airstream; miniscule gypsy caravans in Europe; and fiberglass trailers made in Canada. Two hundred color photographs showcase these trailers' sleek exteriors, retro-styled interiors, and, in many cases, the restored classic cars that tow them. Teardrops and Tiny Trailers includes a resource section chock-full of places to locate vintage trailers, clubs to join, and rallies to attend.

    One day, he meets a girl named Luna who, rather than being afraid, is fascinated to meet Franklin, having recently read all about dragons in one of her books. They instantly become friends and talk nonstop about what they’ve read: books about roller-skating, King Arthur, spiders, and how to do kung fu. Together they hatch a plan to share their love of books with others by opening a bookshop―a flying bookshop, that is―right on Franklin’s back!Franklin, a well-read and peace-loving dragon, and Luna, a young girl with an independent spirit and an insatiable love of reading, make fantastic role models for young children. Franklin’s Flying Bookshop brings the magic of classic fairy tales into the twenty-first century through exquisite illustrations, and will enchant children as well as anyone who loves books.

    Today, his prodigious output of hundreds of dust jackets and paperback covers evidences his distinctive flair for design and his extraordinary ability to portray the essence of the books that came his way. Edward Gorey: His Book Cover Art & Design features a broad selection of his work, created from 1953 to 2000.In his essay, Steven Heller offers an insightful overview of Gorey's book cover art and design. He writes, "Successful cover design requires the expertise of an artist, typographer, poster designer, and logo maker. Many book design specialists were incapable of designing a cover or jacket with the same Gorey aplomb, even if they tried."

    . . and best of all, you can enjoy these riches every day of your life." No doubt Walt was referring to the intangible wealth of opportunities for learning and imagining inherent in the act of reading, but when one considers the vibrant art and gilded spines of the Disney Golden Books, Walt's pronouncement takes on a parallel meaning. For perhaps no other children's books are as cherished and collected-as though they were doubloons and jewels-than the Disney Golden Books. The history of these books began in 1933, when the president of Whitman Publishing wrote a letter to Walt Disney. Whitman had already published compilations of the "Dick Tracy" and "Little Orphan Annie" comic strips, and these Big Little Books had met with great success. The publisher proposed a similar collection of the "Mickey Mouse" comic strips, and offered a royalty of one-half percent per book. Walt agreed, and a new era in Disney publishing commenced. A remarkable lineup of talent, many of whom were Disney Studio artists- including Mary Blair, Alice and Martin Provensen, Gustaf Tenggren, Al Dempster, Retta Scott Worcester, and Bill Peet-created the illustrations for the early Disney Golden Books. The bold and incredibly detailed artwork was painstakingly executed in gouache and watercolor-media that required a steady hand and immense patience and precision. The resulting publications became favorite selections in the libraries of many children, among them, future generations of Disney and Pixar artists who were inspired to draw, dream, and later, create their own films and Golden Books. The Art of the Disney Golden Books celebrates a legacy that has now thrived for more than eighty years and continues to influence new generations of artists and filmmakers. Through interviews with contemporary animators who recall tracing the characters in their childhood Disney Golden Books, paintings by artists who influenced and inspired the Disney Golden Book illustrations, and a generous complement of Golden Book artwork-much of which was thought to have been lost until very recently-the rich tradition of the series is explored in this vibrant volume.From Peter Pan and Cinderella to Toy Story and Tangled, the Disney Golden Books are displayed in all their glory, evoking a poignant sense of wonder and nostalgia. For as long as parents and children partake in the ritual of reading together at bedtime, the Disney Golden Books will continue to be published, enjoyed, and treasured.

    

    But what's behind all that painting, drawing, and sculpting? What was Leonardo da Vinci's snack of choice while he painted Mona Lisa’s mysterious smile? Why did Georgia O'Keeffe find bones so appealing? Who called Diego Rivera "Frog-Face"? And what is it about artists that makes both their work and their lives so fascinating—to themselves, to their curious neighbors, and to all of us? This book presents the humor and the tragedy in twenty artists' lives as no biography has done before.

    It shows exciting ways of using different art materials. Simply follow the step-by-step instructions exactly or use the ideas to create pictures of your own.

    . . FLASH! CRASH! BOOM! BOOM! BOOM!What happens when too many friends start to squish in?That’s when the fun is sure to begin! Even the youngest of readers are invited to count along as each of the family pets seeks refuge from the thunder and lightning in this lively and adorable picture book about bedtime, fears, and friendship.

    When the enchanted words are spoken, he (or whoever is in the tree house) magically appears wherever he wishes them to be. Come with him and his friend as they have great adventures, until Aidan's mother finds out the magic words and starts using this tree house for her own fun-filled adventures.

    At The I Wonder Bookstore, customers come in and ask the owner countless variations on its namesake question ("I wonder if you have any books about...") and he is happy to fill their requests in enchanting ways. In these pages readers will discover books that grow on trees, books designed to be read by two (or more) people at once, books that can only be read by moonlight, bookstore weddings, an underwater library, a boot camp for charismatic bookstore attendants, and many more wonders that celebrate the transporting magic of reading in a timeless and irresistible way.

    Elizabeth Brown doesn't like to play with dolls and she doesn't like to skate. What she does like to do is read books. And now that she's grown up, her collection has gotten so big all the shelves are collapsing. Her front door has disappeared entirely. What in the world will she do? The reclusive Elizabeth Brown surprises everyone wit her splendid solution. In charming verse and elegant watercolors Sarah Stewart and David Small celebrate one of America's grandest institutions. The Library is a 1995 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year.

    Did Laura Ingalls cross paths with a band of mass murderers? Why was a Garth Williams bunny tale dubbed "integrationist propaganda"? For adults who are curious about children’s books and their creators, here are the little-known stories behind the stories. A treasure trove of information for a student, librarian, new parent, or anyone wondering about the post–Harry Potter book biz, Wild Things! draws on the combined knowledge and research of three respected and popular librarian-bloggers. Told in affectionate and lively prose, with numerous never-before-collected anecdotes, this book chronicles some of the feuds and fights, errors and secret messages found in children’s books and brings contemporary illumination to the warm-and-fuzzy bunny world we think we know.

    The strange imagination displayed in the pages, the impeccable technique and the very fine state of preservation make The Book of Kells an object of endless fascination.This edition reproduces the most important of the fully decorated pages plus a series of enlargements showing the almost unbelievable minuteness of the detail; spiral and interlaced patterns, human and animal ornament—a combination of high seriousness and humor. The text is by Bernard Meehan, the Keeper of Manuscripts at Trinity College, Dublin.