Given full access to the Agency’s archives, he produced a vivid insider’s account, intended as a training manual for covert operators, detailing how the C.I.A. chose targets, planned strategies, and organized the mechanics of waging a secret war. In 1997, during a brief period of open disclosure, the C.I.A. declassified the history with remarkably few substantive deletions. The New York Times called it “an astonishingly frank account . . . which may be a high-water mark in the agency’s openness.” Here is that account, with new notes by the author which clarify points in the history and add newly available information.In the Cold War atmosphere of 1954, the U.S. State Department (under John Foster Dulles) and the C.I.A. (under his brother Allen Dulles) regarded Guatemala’s democratically elected leftist government as a Soviet beachhead in the Western Hemisphere. At the C.I.A.’s direction, the government was overthrown and replaced by a military dictatorship installed by the Agency. This book tells, for the first time, how a disaster-prone operation—marked by bad planning, poor security, and incompetent execution—was raised to legendary status by its almost accidental triumph.This early C.I.A. covert operation delighted both President Dwight D. Eisenhower and the Dulles brothers, and Allen Dulles concluded that the apparent success in Guatemala, despite a long series of blunders, made the venture a sound model for future operations. This book reveals how the legend of PBSUCCESS grew, and why attempts to imitate it failed so disastrously at the Bay of Pigs in 1961 and in the Contra war in the 1980’s. The Afterword traces the effects of the coup of 1954 on the subsequent unstable politics and often violent history of Guatemala.

    Arranged chronologically, it contains almost 200 documents written between 1772, the year after Madison's graduation from Princeton, and his death in 1836. Included are all 29 of Madison's contributions to The Federalist as well as speeches and letters that illuminate his role in framing and ratifying the Constitution. Also represented are early writings on religious freedom; correspondence with figures such as Washington, Jefferson, Hamilton, and Monroe; writings from his terms as secretary of state and president; and letters and essays written during retirement.

    As a critic, she became the most provocative and influential voice of her time. More than a commentator on her era, she helped shape it. This volume brings together four essential works of the 1960s and 70s, books whose intelligence and brilliant style confirm her credo that “the highest duty of a writer is to write well—to leave the language in better rather than worse shape after one’s passage…Language is the body, and also the soul, of consciousness.”With the publication of her first collection of critical essays, Against Interpretation (1966), Sontag took her place at the forefront of a period of cultural and political transformation. “What is important now,” she wrote, “is to recover our senses…In place of a hermeneutics we need an erotics of art.” Against Interpretation’s treatment of an astonishing range of subjects—camp sensibility, the films of Robert Bresson and Alain Resnais, the aesthetics of science-fiction and “happenings,” the work of such modern thinkers as Simone Weil and Antonin Artaud, Michel Leiris and Claude Lévi-Strauss—reveals Sontag as a catalyzing figure who opened provocative perspectives on every subject she addressed.In Styles of Radical Will (1969), Sontag collected two of her longest and most ambitious essays, “The Aesthetics of Silence” and “The Pornographic Imagination,” along with penetrating studies of Ingmar Bergman, Jean-Luc Godard, and the Romanian philosopher E. M. Cioran (one of many important modern writers Sontag introduced to American readers), and “Trip to Hanoi,” the record of a journey made at the height of the Vietnam War, reflecting both her deepening political involvement and the relentless analysis of her own motives that accompanied it.On Photography (1977) began as a review of an exhibit of Diane Arbus photographs and quickly evolved into an extended meditation on the premises and implications of photography as an art. Dazzlingly suggestive on every page, restlessly refusing to fall back on easy resolutions, it shows Sontag at the peak of her ability to connect disparate fields of thought and action, bringing aesthetics, history, politics, and philosophy into a common vision.Sontag’s own medical crisis led her to write Illness as Metaphor (1978), undoubtedly the most influential of her writings. Her precise delineation of the stereotypes and fantasies attached to illnesses—here, tuberculosis and cancer—played a major part in realizing her stated goal: “an elucidation of those metaphors, and a liberation from them.” The courage and clarity of her writing, her impatience with lazy assumptions and inherited biases, are evident on every page.This volume also includes six previously uncollected essays—studies of William S. Burroughs and the painter Francis Bacon, and a series of reflections on beauty, aging, and the emerging feminist movement—along with a chronology of Sontag’s life and explanatory notes.

    McCammon, Graham Masterton, Harlan Ellison, Ramsey Campbell and other masters of the macabre take readers into their private world of fear, fantasy, and fatal attraction--in 24 tales of dread and debauchery, riveting stories of sex and terror . . . the fresh fusion that is fast becoming America's obsession.

    Compiled by multi-award winning editor, Ellen Datlow, it presents some of the foremost talents of the genre, who have come together to reimagine tales inspired by Poe. Sharyn McCrumb, Lucius Shepard, Pat Cadigan, M. Rickert, and more, have lent their craft to this anthology, retelling such classics as "The Fall of the House of Usher," "The Tell-Tale Heart" and "The Masque of the Red Death," exploring the very fringes of the genre.

    America's most popular pulps--Dime Detective, Black Mask, and Detective Fiction Weekly--published hundreds of his stories. Classic films like Hitchcock's Rear Window, Truffaut's The Bride Wore Black and Mississippi Mermaid, Tournier's Black Alibi, and Siodmak's Phantom Lady, as well as dozens of other movies, were based on his work. Novels like Deadline at Dawn, Rendezvous in Black, and Night Has a Thousand Eyes have won him the epithet "father of noir." Every one of the countless many who have read and loved the work of Cornell Woolrich will welcome and applaud this publication of a new collection of tales--the first in nearly two decades--by the greatest writer of suspense fiction in the twentieth century. Woolrich lived a life of such deep despair and utter terror that he could do little except put those fears onto the printed page. In the masterfully wrought suspense of this volume's twenty stories, readers can enjoy works written at the height of Woolrich's powers, as well as many never before published in book form before now.

    Anyone who wishes to introduce students to post-1945 American culture should assign this wonderful book."--John Dower, MIT, author of "War Without Mercy" "Absorbing and provocative." "--New York Times""Full of brilliancies, this "tour de force" is one of those rare books that can change the way we see."--Todd Gitlin, author of "The Sixties""A perfect book to use in twentieth-century history courses."--Elaine Tyler May, author of "Homeward Bound"

    Cohn, Senator Joe McCarthy's special assistant on the House on American Activities Committee. He was also friend of famous people such as J. Edgar Hoover & Ronald Reagan, scourge of liberals & socialists, tax-dodger extraordinaire, homosexual & ultimately AIDs victim.AcknowledgmentsI Can Fix Anything, but...Mama's BoyCome Cohn or Come SchineIf You're Indicted, You're InvitedA Late Hit...Source NotesIndexAbout the Author

    No matter how gruesome the memories are, relatively few of the interviewees said they would have been better off without the experience. It was a central and formative experience in their lives. Although 400,000 Americans perished, the United States itself was not attacked again after Pearl Harbor, the economy grew, and there was a new sense of world power that invigorated the country. Some women and African Americans experienced new freedoms in the post war society, but good life after World War II was tarnished by the threat of nuclear war.

    It explores how it overtook the conservative movement after Obama became president. The book helps readers make sense of the chaos in the media and offers ideas for bringing a stop to it and help make America sane again Compiling example after example, the editors of Crooks and Liars, a popular blog, examine the torrent of right-wing kookery--the eager willingness of conservatives to fervently believe things that are provably false--and its ramifications both for our national discourse and our national well-being. The authors show how this outlandish, overheated rhetoric--generated by mainstream-media figures like Glenn Beck, Rush Limbaugh, and Lou Dobbs--is accompanied by a wave of lethal right-wing threats and violence. They carefully expose the bias of Fox News contributors Neil Cavuto, Greta, Van Susteren, et al, and political opportunists like Sarah Palin and Newt Gingrich. The book explores the main drivers of this descent into madness: the extremist Radical Right and the longtime Republican willingness--dating back to Nixon, but refined in more recent years by Lee Atwater and his acolytes--to engage in a divisive politics of resentment, both racial and cultural. It takes a critical look at how Tea Party provocateurs like Dick Armey and his Freedom Works organization that take huge contributions from big money interests like former presidential candidate Steve Forbes that are willing to turn a blind eye to bigots, birthers and neo-John Birchers. The book demonstrates how the Tea Party is the true face of the Republican Party. The authors propose simple ways ordinary Americans can help stop the descent into blind opposition for it own sake. They suggest that news audiences demand accountability by from their sources by critically commenting on their Web site and to their editors or producers. They write "confronting the media malfeasance that makes rightwing populism possible is only an important first step in meeting the challenges posed by the rise of this political pathology in American life. Ultimately, it means confronting the movement and its leaders, particularly in their embrace of conspiracy theories, falsehoods, scapegoating, and vicious eliminationist rhetoric."

    Until now, however, it is a story that has never been fully told, as the Bin Ladens have successfully fended off attempts to understand the family circles from which Osama sprang. In this the family has been abetted by the kingdom it calls home, Saudi Arabia, one of the most closed societies on earth.Steve Coll’s The Bin Ladens: An Arabian Family in the American Century is the groundbreaking history of a family and its fortune. It chronicles a young illiterate Yemeni bricklayer, Mohamed Bin Laden, who went to the new, oil-rich country of Saudi Arabia and quickly became a vital figure in its development, building great mosques and highways and making himself and many of his children millionaires. It is also a story of the Saudi royal family, whom the Bin Ladens served loyally and without whose capricious favor they would have been nothing. And it is a story of tensions and contradictions in a country founded on extreme religious purity, which then became awash in oil money and dazzled by the temptations of the West. In only two generations the Bin Ladens moved from a famine-stricken desert canyon to luxury jets, yachts, and private compounds around the world, even going into business with Hollywood celebrities. These religious and cultural gyrations resulted in everything from enthusiasm for America—exemplified by Osama’s free-living pilot brother Salem—to an overwhelming determination to destroy it.The Bin Ladens is a meticulously researched, colorful, shocking, entertaining, and disturbing narrative of global integration and its limitations. It encapsulates the unsettling contradictions of globalization in the story of a single family who has used money, mobility, and technology to dramatically varied ends.

    Forty years after his Hitler: A Study in Tyranny set a standard for scholarship of the Nazi era, Lord Alan Bullock gives readers a breathtakingly accomplished dual biography that places Adolf Hitler's origins, personality, career, and legacy alongside those of Joseph Stalin--his implacable antagonist and moral mirror image.

    This work fills that order admirably ... [Thomas] sensibly and deftly integrates the course of Southern military fortunes with the concerns that shaped them and were shaped by them. In doing so he also manages to convey a sense of how the war itself deteriorated from something spirited and gallant to something base and mean and modern on both sides.

    Yet there are those who insist that the death of six million Jews in Nazi concentration camps is nothing but a hoax perpetrated by a powerful Zionist conspiracy. Forty years ago, such notions were the province of pseudohistorians who argued that Hitler never meant to kill the Jews, and that only a few hundred thousand died in the camps from disease; they also argued that the Allied bombings of Dresden and other cities were worse than any Nazi offense, and that the Germans were the "true victims" of World War II. For years, those who made such claims were dismissed as harmless cranks operating on the lunatic fringe. But over the past decade they have begun to gain a hearing in respectable arenas, and now, in the first full-scale history of Holocaust denial, Deborah Lipstadt shows how - despite tens of thousands of living witnesses and vast amounts of documentary evidence - this irrational idea not only has continued to gain adherents but has become an international movement, with organized chapters, "independent" research centers, and official publications that promote a "revisionist" view of recent history. One sign of the movement's disturbing resonance is the rise of such figures as the Holocaust denier David Duke to national prominence. Holocaust deniers have also begun to make common cause with radical Afrocentrists such as Leonard Jeffries of New York's City University, who retells racist myths about the Jews; and a recent campaign of ads in college newspapers calling for "open debate" on "so-called facts" about the Holocaust suggests a bold new bid for mainstream intellectual legitimacy. Lipstadt shows how Holocaust denial thrives in the current atmosphere of value relativism, and argues that this chilling attack on the factual record not only threatens Jews but undermines the very tenets of objective scholarship that support our faith in historical knowledge.

    This revised edition includes material that came to light after the trial, as well as Arendt’s postscript directly addressing the controversy that arose over her account. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative—an unflinching look at one of the most unsettling and unsettled issues of the twentieth century that remains hotly debated to this day.