A novel of family, love, and learning to be kind to yourself by award-winning, bestselling Irish author, Aimee Alexander. Grace Sullivan flees Dublin with her two teenage children, Jack and Holly, returning to the sleepy West Cork village where she grew up. No one in Killrowan knows what Grace is running from - or that she's even running. She'd like to keep it that way. Taking over from her father, Des, as the village doctor offers a real chance for Grace to begin again. But will she and the family adapt to life in a small rural community? Will the villagers accept an outsider as their GP? Will Grace live up to the doctor that her father was? And will she find the inner strength to face the past when it comes calling? Season of Second Chances is a heart-warming story of friendship, love and finding the inner strength to face a future that may bring back the past. Perfect for fans of Call The Midwives, The Durrells, Doc Martin and All Creatures Great and Small. The villagers of Killrowan will steal into your heart and make you want to stay with them forever.

    My twelve-year-old daughter frequently moans that Ballycarrick is the most boring town in Ireland.Nothing ever happens here.She’s right.And as the local police sergeant, this is something I’m delighted about.I’ve enough to worry about - the polar ice-caps, the evil monster that’s shrinking my trousers, not to mention the hot flushes - without having to be like one of those gritty Netflix cops, chasing criminals down alleyways and busting drug deals.So, life is calm and fairly predictable.Until something unthinkable happens in our sleepy backwater.A crime, but not like anything I've ever seen before.It's a complete mystery.And it's up to me to solve it.

    Author of the New York Times bestsellers “Let the Great World Spin” and “Transatlantic,” McCann has been called “a giant among us” (Peter Carey), “dazzlingly talented” (O: The Oprah Magazine), and “that rare species in contemporary fiction: a literary writer who is an exceptional storyteller” (The Independent). He’s received a National Book Award, an Oscar nomination, and a slew of international prizes. His talents are on full display in his new short story, “Gone,” a deeply affecting literary thriller about a mother and son, alone in a cottage on the west coast of Ireland, and the search that ensues when the boy—whom she adopted years before, deaf and with “already a whole history written in him”—goes missing. He slips away in early morning, down to the cold sea with his new Christmas wetsuit, and as the hours and days drag on, the coast guard, police, dogs, fishermen, farmers, and schoolchildren holding hands search the sea and walk the fields while the television crews and detectives come and go, the police at the cottage seeming to “ghost into one another: almost as if they could slip into one another’s faces.” The mother, Rebecca, now under suspicion, is racked with guilt over the decisions that led to her son’s disappearance, and tormented by the judgment of others: "You bought what? A wetsuit? Why in the world? What sort of mother? How much wine did you drink?" For Rebecca, “every outcome was unwhisperable.” “Gone” is a charged narrative that propels you forward, heart in your throat, and a moving, intimate look at life’s struggles toward grace and a kind of redemption.

    Entwhistle may look like your sweet, old granny...but things happen to her: she's caught up in the witness protection program, stuck in an elevator with an assortment of strangers, her house is burglarized and her dog is kidnapped. But Mrs. Entwhistle is dauntless; she didn't get to be a fesity seventy-eight by wimping out. Come join her on her porch swing, meet her best friend, Maxine, and her dog, Roger. Maxine will probably offer you a bowl of her homemade soup. Sit a while. Come back when you can.

    By the end of the night, the parish priest, Father Leo Galvin, is dead.The lives of four teenagers - Tom, Conor, Tess and Nina - who had been drinking beer and smoking in a shed at the back of the house, will never be the same. But one of them carries a secret from that night that he has never shared. The friends go on to lead very different, separate lives - some quiet, others in the media spotlight - but the four remain connected by what happened during the time of the big snow.As the thirty-fifth anniversary of Father Galvin's murder approaches, Conor, now a senior police officer, becomes obsessed with the crime his father failed to solve. He believes that Tom can help identify Father Galvin's killer. But does Tom wish to break his silence? His dilemma draws the four friends back together, forcing them to question their lives and to confront their differences. But only Tom can decide whether Kilmitten's secret will finally be revealed.

    But when her sister Claire inherits the family home she discovers her sister's secret diary, which tells a very different story.

    It’s the only place left to goWhen Marianne’s carefully constructed life and marriage fall apart, she is forced to return to Ancaire, the ramshackle seaside house perched high on a cliff by the Irish Sea. There she must rebuild her relationship with her mother, Rita, a flamboyant artist and recovering alcoholic who lives by her own rules.Marianne left home when she was fifteen following a traumatic and tragic incident. She never planned to return, and now she has to face the fact that some plans don’t work out the way you wanted them to. But she might just discover that, sometimes, you have to come to terms with the story of your past before you can work out the shape of the future…Set on the wild Irish coast, with an unforgettable cast of characters, this deeply emotional novel is full of Ciara Geraghty’s trademark heart and poignancy.

    It’s the bloodiest year of the Northern Irish ‘Troubles’ and sixteen-year-old Eimear O’Callaghan, a Catholic schoolgirl in Andersonstown, West Belfast, bears witness in her new diary. What follows is a unique and touching perspective into the daily life of an ordinary teenager coming of age in extraordinary times. The immediacy of the diary entries are complemented with the author’s mature reflections written forty years later. The result is poignant, shocking, wryly funny and above all, explicitly honest.This unique publication comes at a time when Northern Ireland is desperately struggling to come to terms with the legacy of its turbulent past. It provides a powerful juxtaposition of the ordinary, everyday concerns of a sixteen-year-old girl – who could be any girl in any British or Irish city at this time, worrying about her hair, exams, clothes, discos – with the unimaginable horror of a society slowly disintegrating before her eyes, a seemingly inevitable descent into a bloody civil war, fuelled by sectarianism, hatred and fear.Written by an experienced broadcaster and journalist, Belfast Days demonstrates how one person’s examination of her own ‘story’, upon rediscovering her 1972 diary on the eve of the publication of the Saville Report, provided her with a new perspective on one of the darkest periods in twentieth century British and Irish history.

    Emily Hourican has always been an insightful, astute writer but this may be her best novel yet.' Louise O'NeillTwo very different families ... One is loud, eccentric, rich and confident. The other is less sure of their place in life. On holidays in Portugal, a near-drowning brings the ten-year-old daughters, Jamie and Sarah, together and a friendship is formed. As the bond between the girls grows deeper, so too do the ties between their families and an unsettling closeness develops between two of the adults. Then, as Jamie begins to feel suffocated by the intensity of Sarah's friendship, cracks begin to show. What will it take to shatter the façade of friendship? The affair? The obsessive crush? And which family will be left whole? The Outsider is the compelling and unforgettable story of the complexity of friendship, marriage, hidden passions and teenage desire.

    But a chance meeting at Logan Airport introduces them to Aoife, an elderly Irish widow who is returning home to the joys and stresses of her tight-knit family. Encouraged by their conversation with Aoife, the sisters are determined to see more than the usual tourist attractions. By veering off the beaten paths, they find holy wells and unexpectedly encounter ghosts and fairies. They sing in pubs and have fun meeting interesting people. Their new experiences ignite passions both spiritually and physically. Through rich descriptions of Ireland’s beautiful scenery and the stories told by its people, this tale brings readers along on a colorful and engaging journey.

    There he is stunned to discover that his father’s will disinherits his family and leaves everything – including the family home – to a secret son, Andrew Shaw.The news fills the Shaw family with hope. Twenty-year-old Andrew is in desperate need of a kidney transplant, and for him the inheritance may mean the difference between life and death. However, the lives of Andrew, his devoted older sister Tors and young brother Jack are disrupted when their mother insists they move from their home in Kerry to Wicklow to stake their claim under the will. There they live in a tiny bungalow on the sea front, while the Murtaghs take steps to contest the will.Gradually, both Seán Murtagh and Tors Shaw recognise the need to seek some middle ground but that seems impossible, such is the hostility between the families and the burning resentment that exists between the mothers.Andrew Shaw’s focus, however, is not on the question of the inheritance. There is something else he needs from the Murtaghs . . . something only they can give him . . .The Secret Son is a poignant and thought-provoking story that will stay with you long after you turn the last page.

    A couple drive out to the hills in a last-ditch effort to save their marriage. A horse crashes a house party. Set on an imagined island off the west coast of Ireland, John Patrick McHugh’s debut collection of stories draw a complete community of characters – misdirected, posturing and self-deceiving. But in his fidelity to and compassion for their faults, McHugh embeds us in the moments on which these lives twist and turn, probing unflinchingly what most of us would rather ignore. Pure Gold heralds the arrival of a vibrant new literary voice.

    When their mother dies in childbirth, Moira and Julia O'Leary are left to rear their infant sister, Ann, while their father, a sheep farmer, despairs. After Ann dies, Moira and Julia depart Cork for Boston, but the painful secret behind Ann's death haunts their new lives and presages the confusion that will come to trouble the next generation. Moira and Julia have always been strikingly different, but theirs is a mercilessly dependable relationship -- Moira's boldness is fortified by Julia's quiet inner purpose, and Julia lives vicariously through her sister's impulsive actions. Moira's Crossing charts their shared journey through marriage, children, and life on the coast of Maine. At once an examination of the troubled intimacy of sisterhood and an inquiry into the meaning of faith, Moira's Crossing is also a story of what we leave behind and who we become because of it.

    Ali” to friends and family. Janelle Jennings: a forty-nine-year-old bestselling romance author, Botox-stuffed narcissist, four-time ex-wife (but who’s counting?), and all-around spoiled brat. What could these two possibly have in common? Uncork the wine. Bring out the calming chocolate. Ali Lawrence’s diva sister, Janelle Jennings, is making an unexpected visit to their hometown of Willoughby, Georgia, and Ali needs help. Since they were schoolgirls, Ali has suffered ridicule and criticism from her prom queen, beauty pageant older sister, whom their mother still coddles at Ali’s expense. Ali is suspicious of her sister’s motives for visiting Willoughby, and especially her odd behavior and uncharacteristically long stay. Something’s not quite right, and Ali is both curious and concerned. During this visit, Ali vows to stop being a bitter doormat and stand up to Janelle. But when Ali discovers a secret that has the potential to destroy Janelle’s career and tarnish her reputation, will she expose her sister, or, for the sake of family unity, will she protect her? Can the sisters finally come to terms with each other, admire their achievements, and ignore their faults, or will their relationship continue to disintegrate, bringing bedlam to Willoughby in the process? Someone has to take the first step: Will it be Janelle in her stepladder stilettos or Ali in her ratty, old running shoes?

    It's a thrilling story of adventure and rescue, of escape and revenge, set in New England in the early days of Prohibition. Written in the great storytelling tradition, 'Warm Moonlight' has all the intensity of a got-to-hear-how-it-ends campfire yarn, but with a decidedly adult sophistication and sensibility. The ending is unique and satisfying, but leaves the audience, like one of the characters in the story, wondering - how much of it was true? How much invented? Can such things be? Maybe it's a ghost story or . . . . maybe it isn't.