Examining visual art from 1980 to the present, it takes an intriguing and accessible approach that motivates students and other readers to think actively about and discuss contemporary art--what it means and how it means what it does. The opening chapter provides a concise overview of the period, analyzing how four key changes (the rise of new media, a growing awareness of diversity, the influence of theory, and interactions with everyday visual culture) have resulted in an art world with dramatically expanded boundaries. Reflecting the paradigm shift from a formalist way of teaching studio art to more varied and open-ended concepts, the remaining six chapters each deal with a key theme--time, place, the body, language, identity, and spirituality. Each chapter features an introduction to the thematic topic; a brief look at historical precedents and influences; a detailed analysis of how contemporary artists have responded to and embodied aspects of the theme in specific works; and an in-depth and fascinating profile of an artist who has extensively explored aspects of the theme in his or her work. Themes of Contemporary Art: Visual Art after 1980 shows how art can be interpreted from several different angles: techniques and materials, historical circumstances, aesthetic qualities, theoretical issues, and an artist's ideas and intentions. Writing in a lucid and engaging style, the authors skillfully reveal the multiple levels of meaning in artworks, drawing connections between contemporary art, art of the past, and everyday existence. The volume is enhanced by 87 illustrations--19 in full color--that demonstrate an immense variety of materials, subjects, and styles. These well-chosen examples will help readers learn to critically describe, interpret, and evaluate contemporary visual art. A bibliography and a timeline that situates contemporary art in the context of major events in world history, art, and popular culture are also included. An ideal core text for courses in contemporary art history, Themes of Contemporary Art: Visual Art after 1980 can also be used as a supplement in modern art, art appreciation, art criticism/theory, and studio art courses.

    Scott Fitzgerald, Thomas Wolfe, Teddy Roosevelt, John Singer Sargent, James Whistler, Henry James, and Edith Wharton.Orphaned at a young age, Edith Stuyvesant Dresser claimed lineage from one of New York’s best-known families. She grew up in Newport and Paris, and her engagement and marriage to George Vanderbilt was one of the most watched events of Gilded Age society. But none of this prepared her to be mistress of Biltmore House.Before their marriage, the wealthy and bookish Vanderbilt had dedicated his life to creating a spectacular European-style estate on 125,000 acres of North Carolina wilderness. He summoned the famous landscape architect Frederick Law Olmsted to tame the grounds, collaborated with celebrated architect Richard Morris Hunt to build a 175,000-square-foot chateau, filled it with priceless art and antiques, and erected a charming village beyond the gates. Newlywed Edith was now mistress of an estate nearly three times the size of Washington, DC and benefactress of the village and surrounding rural area. When fortunes shifted and changing times threatened her family, her home, and her community, it was up to Edith to save Biltmore—and secure the future of the region and her husband’s legacy.The Last Castle is the uniquely American story of how the largest house in America flourished, faltered, and ultimately endured to this day.

    Here are four of the most notable narratives: The Life of Olaudah Equiano; The History of Mary Prince; Narrative of the Life of Frederick Douglass; and Incidents in the Life of Slave Girl.

    A bookseller whose customers included both British officers and American colonists, he married into a Loyalist family. He always wore a silk handkerchief around his hand to conceal an old injury.An unlikely Revolutionary War hero? Perhaps. But Henry Knox was an ardent patriot. He devoted himself to the service of his country and of General George Washington. And it was Henry Knox who devised a plan to bring heavy artillery from Fort Ticonderoga to relieve the siege of Boston—and managed, despite all obstacles, to make it work.Described here in brief chapters and beautifully detailed paintings, Henry Knox's heroic undertaking is a little known but thrilling chapter in the story of American independence.

    When all was said and done, Gilbert Joseph Bland, Jr., had become the Al Capone of cartography. 20 illustrations throughout.

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    Watson's Liberty and Power remains a landmark achievement. Now updated to address twenty-five years of new scholarship, the book brilliantly interprets the exciting political landscape that was the age of Jackson-a time that saw the rise of strong political parties and an increased popular involvement in national politics. In this enduring and impressive work, Watson examines the tension between liberty and power that both characterized the period and formed part of its historical legacy.

    

    Lies My Teacher Told Me won the American Book Award and the Oliver Cromwell Cox Award for Distinguished Anti-Racist Scholarship.James W. Loewen, a sociology professor and distinguished critic of history education, puts 12 popular textbooks under the microscope-and what he discovers will surprise you. In his opinion, every one of these texts fails to make its subject interesting or memorable. Worse still is the proliferation of blind patriotism, mindless optimism and misinformation filling the pages.From the truth about Christopher Columbus to the harsh reality of the Vietnam War, Loewen picks apart the lies we've been told. This audiobook, narrated by Brian Keeler (The Hurricane, "All My Children") will forever change your view of the past.

    Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend:'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

    In American Exceptionalism: An Experiment in History, Charles Murray describes how America's geography, ideology, politics, and daily life set the new nation apart from Europe in the 18th and 19th centuries. He then discusses the ways that exceptionalism changed during America's evolution over the course of the 20th century. Which changes are gains to be applauded? Which are losses to be mourned? Answering these questions is the essential first step in discovering what you want for America's future.

    From unexpected verdicts, like the acquittal won by John Adams when he defended British soldiers charged with the Boston Massacre in 1770 to stirred passions when abolitionist John Brown was convicted of murder - a precedent to the Civil War - to the breakthrough in racial relations when Clarence Darrow won a stunning "not guilty" verdict for black physician Ossian Sweet - at a time when black Americans could hardly expect a fair trial. Fleming also includes the trials of Aaron Burr for treason and a well-known congressman for murder. In courtrooms throughout the nation's history, vivid emotion and heated rhetoric have established consequential precedents and enlarged average men and women to historical dimensions.

    W. Schultz (1859–1947) was an author, explorer, and historian known for his historical writings of the Blackfoot Indians in the late 1800s, when he lived among them as a fur trader. In 1907, Schultz published My Life as an Indian, the first of many future writings about the Blackfeet that he would produce over the next thirty years. Schultz lived in Browning, Montana. "With the Indians in the Rockies" is by a Rocky Mountain veteran, J. W. Shultz, and is “real stuff,” vivid and exciting, with the value that comes from firsthand knowledge. It is the story of Thomas Fox, a trapper, whose life was spent among the Indians——friendly and hostile,—in the pursuit of his calling, and who told the story to Mr. Schultz around the camp-fire. Buffalo-hunting, rowing up the Missouri, fights with Indians, the discovery that his Uncle Wesley was married to a squaw, to whom he became very much attached, exploring the Rocky Mountains, adventures in the snow, bear hunting and the like make up the story.It is a story of out-door adventure, Indians, wild animals, and the perils of a mountain winter that has seldom been equalled in absorbing vividness and power. Mr. Schultz's work bids fair to become a classic for old and young alike. Few men are now left who can write with such knowledge and charm about the scenes and people of the old buffalo days. Every boy, as well as every man and woman who retains an interest in the realities of life in the open, will read the book with delight.Schultz writes:"WHEN in the eighteen seventies I turned my back on civilization and joined the trappers and traders of the Northwest, Thomas Fox became my friend. We were together in the Indian camps and trading posts often for months at a time ; he loved to recount his adventures in still earlier days, and thus it was that I learned the facts of his life. The stories that he told by the evening camp-fire and before the comfortable fireplaces of our various posts, on long winter days, were impressed upon my memory, but to make sure of them I frequently took notes of the more important points. "As time passed, I realized more and more how unusual and interesting his adventures were, and I urged him to write an account of them. He began with enthusiasm, but soon tired of the unaccustomed work. Later, however, after the buffalo had been exterminated and we were settled on a cattle-ranch, where the life was of a deadly monotony compared with that which we had led, I induced him to take up the narrative once more."

    Unique among textbooks on this topic, our book approaches the study of myth through complete works of Greco-Roman literature, including six complete Greek dramas and generous excerpts from the narratives of Homer, Hesiod, Virgil, and Ovid, and through carefully-chosen examples of Classical works of art, both painting and sculpture. Combining literary masterpieces with the visual arts, this integrative approach offers readers a comprehensive experience with both cognitive and aesthetic appeal.

    Here is America in all its stunning variety, from the dramatic seacoast of the Northeast and the rippling cornfields of the Plains States to the shimmering deserts of the Southwest and the majestic redwood forests of the Pacific Coast. But here, too, are the ties that bind this nation together -- the hopes and dreams of those who live in our cities and towns and on farms. The voices of beloved poets like Langston Hughes, Carl Sandburg, Nikki Giovanni, and Lilian Moore blend with new voices to sing not just of landmarks like the Mississippi River, the Grand Canyon, and the Everglades, but of daily life across the land. Complementing these personal, moving visions of America are maps of the regions and fascinating facts for each state. Stephen Alcorn's brilliant, textured artwork makes this book a feast for the eyes as well as for the imagination. Impressive for its breadth, depth, and beauty, My America is a volume readers will savor as they read it time and time again. It is fitting homage to our wideranging, ever-changing land.