The Most Dangerous Game features a big-game hunter from New York who becomes shipwrecked on an isolated island in the Caribbean and is hunted by a Russian aristocrat.

    Ranging from the prophetic to the surreal, these stories demonstrate Stanislaw Lem's vast talent and remarkable ability to blend meaning and magic into a wholly entertaining and captivating work.

    Have you read 'A Clean Well-Lighted Place'?... It is masterly. Indeed, it is one of the best short stories ever written..."

    First published in 1759, it was an instant bestseller and has come to be regarded as one of the key texts of the Enlightenment. What Candide does for chivalric romance, the other tales in this selection--Micromegas, Zadig, The Ingenu, and The White Bull--do for science fiction, the Oriental tale, the sentimental novel, and the Old Testament. The most extensive one-volume selection currently available, this new edition includes a new verse translation of the story Voltaire based on Chaucer's The Wife of Bath's Tale: What Pleases the Ladies and opens with a revised introduction that reflects recent critical debates, including a new section on Candide.

    "A & P" is a comic short story written by John Updike in 1961 in which the hero and first person narrator takes a stand for what is right and therefore has hope for a better future

    Revised reissue.

    Little is known of her but she was probably the Abbess of the abbey at Shaftesbury in the late 12th century, illegitimate daughter of Geoffrey Plantagenet and hence the half-sister of Henry II of England. It was to a king, and probably Henry II, that she dedicated these poems of adventure and love which were retellings of stories which she had heard from Breton minstrels. She is regarded as the most talented French poet of the medieval period.

    In this story of a water-spirit who married a mortal and gained a human soul there is a delicate fineness of craftsmanship which makes it notable in any department of literature and an easy naturalness which places it close to the genuine folk-myth." -- H.P. Lovecraft, "Supernatural Horror In Literature"

    Here, a universal ranking system determines the social advantages and career opportunities of every member of society. An automated matchmaking service knows the best partners for everyone and helps with the break up when your ideal match (frequently) changes. And the foolproof algorithms of the biggest, most successful company in the world, TheShop, know what you want before you do and conveniently deliver to your doorstep before you even order it.In QualityCity, Peter Jobless is a machine scrapper who can't quite bring himself to destroy the imperfect machines sent his way, and has become the unwitting leader of a band of robotic misfits hidden in his home and workplace. One day, Peter receives a product from TheShop he absolutely, positively knows he does not want, and which he decides, at great personal cost, to return. The only problem: doing so means proving the perfect algorithm of TheShop wrong, calling into question the very foundations of QualityLand itself.

    A banker and a young lawyer make a bet with each other about whether the death penalty is better or worse than life in prison.

    The audience was scandalized by this revolutionary satire, developed from a schoolboy farce, which began with a four-letter word, defied all the traditions of the stage, and ridiculed the established values of bourgeois society.Barbara Wright’s witty translation of this riotous work is accompanied with drawings by Franciszka Themerson. Two previously untranslated essays in which Jarry explains his theories of the drama have also been included.

    In Saul Bellow’s masterly translation, the title story follows the exploits of Gimpel, an ingenuous baker who is universally deceived but who declines to retaliate against his tormentors. Gimpel and the protagonists of the other stories in this volume all inhabit the distinctive pre–World War II ghettos of Poland and, beyond that, the larger world created by Singer’s unforgettable prose.

    Adolf Hitler wakes up from a 66-year sleep in his subterranean Berlin bunker to find the Germany he knew entirely changed: Internet-driven media spreads ideas in minutes and fumes celebrity obsession; immigration has produced multicultural neighborhoods bringing together people of varying race, ethnicity, and religion; and the most powerful person in government is a woman. Hitler is immediately recognized . . . as an impersonator of uncommon skill. The public assumes the fulminating leader of the Nazi party is a performer who is always in character, and soon his inevitable viral appeal begets YouTube stardom, begets television celebrity on a Turkish-born comedian's show. His bigoted rants are mistaken for a theatrical satire--exposing prejudice and misrepresentation--and his media success emboldens Hitler to start his own political party and set the country he finds a shambles back to rights. With daring and dark humor, Look Who's Back skewers the absurdity and depravity of the cult of personality in modern media culture.

    These tales are characterized by ironic humor with an underlying note of melancholy.Among the delightful idiots collected here, the author offers a domineering mother whose rock star son fails to appreciate her efforts on his behalf; a hopeful young movie director with a bad case of writer's block; and an aging author of pulp fiction trying to write one good, serious book before he dies. They are all visited by a fairy who offers to grant one wish, with the exceptions of immortality, health, money, and love. Their wishes, once granted, have stinging consequences--the resolutions of which read like an updated version of the Brothers Grimm. A would-be novelist, whose marriage is on the rocks, longs for excitement and soon finds himself taken hostage by a girl bank robber; and a mysterious old man who comes to a village to end his days in peace winds up the close acquaintance of the local drunk.

    Martin's innovative Case Studies in Contemporary Criticism series has introduced more than a quarter of a million students to literary theory and earned enthusiastic praise nationwide. Along with an authoritative text of a major literary work, each volume presents critical essays, selected or prepared especially for students, that approach the work from several contemporary critical perspectives, such as gender criticism and cultural studies. Each essay is accompanied by an introduction (with bibliography) to the history, principles, and practice of its critical perspective. Every volume also surveys the biographical, historical, and critical contexts of the literary work and concludes with a glossary of critical terms. New editions reprint cultural documents that contextualize the literary works and feature essays that show how critical perspectives can be combined.