. . with tact, diligence, and subtlety" (Boston Globe). Drawing on recently discovered letters, she addresses in full the issue of Eliot's anti-Semitism as well as the less-noted issue of his misogyny. Her account "rescues both the poet and the man from the simplifying abstractions that have always been applied to him" (The New York Times), and is "definitive but not dogmatic, sympathetic without taking sides. . . . Its voice rings with authority" (Baltimore Sun). Praised by Cynthia Ozick as "daring, strong, psychologically brilliant," Gordon's study remains true to the mysteries of art as she chronicles the poet's "insistent search for salvation."

    Memories of his own life and of his friends, colleagues and enemies - from Roald Dahl and philosopher A.J. Ayer to Margaret Thatcher.

    It replaced reverence with skepticism and Strachey's wit, iconoclasm, and narrative skill liberated the biographical enterprise. His portraits of Cardinal Manning, Florence Nightingale, Thomas Arnold, and General Gordon changed perceptions of the Victorians for a generation. Lytton Strachey's biographical essays on four "eminent Victorians" dropped an explosive charge on Victorian England when the book was published in 1918. This edition is unique in being fully annotated and in drawing on the full range of Strachey's manuscript materials and literary remains.

    A fun read for any Heyer fan.

    This Elibron Classics book is a facsimile reprint of a 1898 edition by George Bell & Sons, London.

    The assembled group included the poet Percy Bysshe Shelley; his lover (and future wife) Mary Wollstonecraft Godwin; Mary's stepsister Claire Claremont; and Byron's physician, John William Polidori. The famous result was Mary Shelley's Frankenstein, a work that has retained its hold on the popular imagination for almost two centuries. Less well-known was the curious Polidori's contribution: the first vampire novel. And the evening begat a curse, too: Within a few years of Frankenstein's publication, nearly all of those involved met untimely deaths. Drawing upon letters, rarely tapped archives, and their own magisterial rereading of Frankenstein itself, Dorothy and Thomas Hoobler have crafted a rip-roaring tale of obsession and creation.

    Subjected to bodily and sexual abuse by subsequent masters, she was bought and sold several times before she was ultimately freed.The first black woman to break the bonds of slavery in the British colonies and publish a record of her experiences, Prince vividly recalls her life in the West Indies, her rebellion against physical and psychological degradation, and her eventual escape in 1828 in England. Her straightforward, often poetic account of immense anguish, separation from her husband, and struggle for freedom inflamed public opinion during a period when stormy debates on abolition were common in both the United States and England.This edition also includes a substantial supplement by Thomas Pringle, the original editor, as well as another brief slave account: “The Narrative of Asa-Asa, a Captured African.”Essential reading for students of African-American studies, Mary Prince’s classic account of determination and endurance aids in filling the many gaps in black women’s history.

    But who was this woman whose peccadilloes led to relationships of bigamy and incest, who freely offered her body and her husband's money to some of the most brilliant men of her era - including Henry Miller and Edmund Wilson and Otto Rank - whose desperate cravings for love, recognition, and approval from the intellectual elite remained unsatisfied until the end of her life?Deirdre Bair, who had exclusive access to Nin's complete, original diary and the full cooperation of her surviving husband, family, and friends, offers an enthralling portrait of a complex, perplexing writer whose most compelling subject was, unfailingly, herself.

    It was the first time Rushdie heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet, and the Quran.” So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. Rushdie was asked to choose an alias that the police could call him by. He thought of writers he loved and various combinations of their names. Then it came to him: Conrad and Chekhov—Joseph Anton. How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, and how does he learn to fight back? In this remarkable memoir, Rushdie tells that story for the first time; the story of the crucial battle for freedom of speech. He shares the sometimes grim, sometimes comic realities of living with armed policemen, and the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. Compelling, provocative, and moving, Joseph Anton is a book of exceptional frankness, honesty, and vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day.

    Now, in an equally groundbreaking work, Benson takes on the late Wallace Stegner--conservationist, teacher, and author of more than two dozen works of history, biography, essays, and fiction, including the Pulitzer Prize-winning Angle of Repose (1971), the National Book Award-winning Spectator Bird (1976), and the bestselling Crossing to Safety (1987). Drawing on nearly ten years of research and hundreds of hours of interviews, this authorized biography traces the trajectory of Stegner's life from his prairie childhood in Saskatchewan and teenage years in Salt Lake City to his prominence in the environmental movement and the impact of his Stanford University creative writing program--whose students included Larry McMurtry, Robert Stone, Ken Kesey, and Ivan Doig. Wallace Stegner is a close encounter with one of the greatest American writers of our time.

    Jacobs's Incidents in the Life of a Slave Girl , one of the most widely read slave narratives of all time, recounts through the pseudonymous character named "Linda" the adventures of a young female slave who spent seven years in her grandmother's attic hiding from her sexually abusive and cruel master. Jean Yellin takes us inside that attic with Harriet Jacobs and then follows her on her escape to the North, where she found safe haven with Quaker abolitionists. Drawing upon decades of original research with never-before-seen archival sources, Yellin creates a complete picture of the events that inspired Incidents and offers the first rounded picture of Jacobs's life in the thirty-six years after the book's publication. Harassed by her former owner, living under threat of recapture until the end of the Civil War, Jacobs survived poverty, ran a boarding house, and built a career as a political writer and speaker, struggling all the while to provide for her family. Jean Yellin brings to life the struggles and triumphs of this extraordinary woman whose life reflected all the major changes of the nineteenth century, from slavery to the Civil War to Reconstruction to the origins of the modern Civil Rights movement.

    He lives in Canberra. In 1858, fourteen-year-old French cabin boy Narcisse Pelletier was aboard the trader Saint-Paul when it was wrecked off the eastern tip of New Guinea. Scrambling into a longboat, Narcisse and the other survivors crossed almost 1000 kilometres of the Coral Sea before reaching the shores of Far North Queensland. If not for the local Aboriginal people, Narcisse would have perished. For seventeen years he lived with them, growing to manhood and participating fully in their Uutaalnganu world. Then, in 1875, his life was again turned upside down.Drawing from firsthand interviews with Narcisse after his return to France and other contemporary accounts of exploration and survival, and documenting the spread of European settlement in Queensland and the brutal frontier wars that followed, Robert Macklin weaves an unforgettable tale of a young man caught between two cultures in a time of transformation and upheaval.

    As editor Charlotte Mosley notes, not since the Brontës have the members of a single family written so much about themselves, or have been so written about. The Mitfords offers an unparalleled look at these privileged sisters: Nancy, the scalding wit who transformed her family life into bestselling novels; Pamela, who craved nothing more than a quiet country life; Diana, the fascist jailed with her husband, Oswald Mosley, during World War II; Unity, a suicide, torn by her worship of Hitler and her loyalty to home; Jessica, the runaway Communist and fighter for social change; and Deborah, the genial socialite who found herself Duchess of Devonshire. Spanning the twentieth century, the magically vivid letters of the legendary Mitford sisters constitute not just a superb social and historical chronicle; they also provide an intimate portrait of the stormy but enduring relationships between six beautiful, gifted and radically different women who wrote to one another to confide, commiserate, tease, rage and gossip -- and above all, to amuse.

    The couples are John Ruskin and Effie Gray; Thomas Carlyle and Jane Welsh; John Stuart Mill and Harriet Taylor; George Eliot and G. H. Lewes; Charles Dickens and Catherine Hogarth.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.