Marie Vandelly For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.

    The three played there as girls until the day that their games uncovered something dark and twisted in the motel's past, something that ruined their friendship forever.Now adult, Piper and Margot have tried to forget what they found that fateful summer, but their lives are upended when Piper receives a panicked midnight call from Margot, with news of a horrific crime for which Amy stands accused. Suddenly, Margot and Piper are forced to relive the time that they found the suitcase that once belonged to Silvie Slater, the aunt that Amy claimed had run away to Hollywood to live out her dream of becoming Hitchcock's next blonde bombshell leading lady. As Margot and Piper investigate, a cleverly woven plot unfolds—revealing the story of Sylvie and Rose, two other sisters who lived at the motel during its 1950s heyday. Each believed the other to be something truly monstrous, but only one carries the secret that would haunt the generations to come.

    Brar enhances her taut murder mystery with an engaging setting that effectively incorporates the local culture. The smart, believable denouement will have readers looking forward to Brar's next endeavor."-Kirkus Reviews"A literary mystery saga that includes far more depth and psychological and cultural insights than your typical murder mystery's scenario."-Midwest Book Review"Tied to Deceit definitely is a book to recommend to crime fiction fans, especially if you love ‘’who dunnit’’ mysteries! "-San Francisco Book Review

    She loves Jack and she's pregnant with their child. She trusts him.But now she's seen it, she can't undo that moment. Or the chain of events it has set in motion.Why has Jack been lying about his past? Just what exactly is he hiding? And doesn't Rachel have a right to know the truth at any cost?

    But as she digs into the night that Elora went missing, she begins to realize that everybody in town is hiding something - her grandmother Honey; her childhood crush Hart; and even her late mother, whose secrets continue to call to Grey from beyond the grave.When a mysterious stranger emerges from the bayou - a stormy-eyed boy with links to Elora and the town's bloody history - Grey realizes that La Cachette's past is far more present and dangerous than she'd ever understood. Suddenly, she doesn't know who she can trust. In a town where secrets lurk just below the surface, and where a murderer is on the loose, nobody can be presumed innocent--and La Cachette's dark and shallow lies may just rip the town apart.

    Her most chilling feature—her face is frozen in a ghastly smile.At first it seems as though a deranged psychopath is reenacting the gruesome murders from The Witch Hunter, the bestseller written by the victim’s husband. But investigator Jessica Niemi soon realizes she’s not looking for a single killer but rather for dozens of believers in a sinister form of witchcraft.They know her every move and are always one step ahead. As the bodies start piling up, Jessica knows they won’t stop until they get what they want. And when her dark past comes to light, Jessica finds herself battling her own demons while desperately trying to catch a coven of killers before they claim their next victim.

    She’s finally landed her own apartment, she waitresses to pay the bills, and she wishes she wasn’t so nervous around new people. She thinks of herself as agile, not skittish. As serious, not grim. But Reeve is anything but normal. Ten years ago, she was kidnapped and held captive. After a lucky escape, she’s spent the last six years trying to rebuild her life, a recovery thanks in large part to her indispensable therapist Dr. Ezra Lerner. But when he asks her to help another girl rescued from a similar situation, Reeve realizes she may not simply need to mentor this young victim—she may be the only one who can protect her from a cunning predator who is still out there, watching every move.From the author of the #1 non-fiction bestseller Perfect Victim: The True Story of the Girl in the Box comes a novel that draws you into a chilling and engrossing world. With masterful plot twists and shifting points of view that make it as irresistible as Gone Girl, Carla Norton's The Edge of Normal is a stunning debut thriller.

    The publicity surrounding the case laid the foundation for his reputation as a modern-day Sherlock Holmes. He parlayed that fame into a gig as TV’s “resident detective,” solving the more typical tawdry daytime talk show mysteries like “Who is the father?” and “Is he cheating?”Until, that is, Sheppard wakes up handcuffed to a bed in an unfamiliar hotel room. Around him, five strangers are slowly waking up, as well. Soon they discover a corpse in the bathtub and Sheppard is challenged to put his deductive skills to the test. One of the people in the room is the killer. He has three hours to solve the murder. If he doesn’t find the killer, they all will die.An ingenious, page-turning debut, Chris McGeorge’s Guess Who matches the high-wire plotting of classic “locked room” mysteries into the unstoppable pacing of the modern-day thriller.

    There she will become nursery maid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy - an acerbic, bright young woman in love with stories.But then a nurse - Florence Nightingale Shore, goddaughter of her famous namesake - is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret . . .'A glorious indulgence. Dazzling' - Daisy Goodwin'Inventive, glittering, clever, ingenious' - Susan Hill'Fascinating, I loved it' - Julian Fellowes'An enthralling mystery' - Juliet Nicolson'Audacious, breathtaking' - Alex Gray

    Heming. He was the estate agent who showed you around your comfortable home, suggested a financial package, negotiated a price with the owner, and called you with the good news. The less good news is that, all these years later, he still has the key. That's absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine? The answer is; he has the keys to them all. William Heming's most at home in a stranger's private things. He makes it his business to know all their secrets, and how they arrange their lives. His every pleasure is in his leafy community. He loves and knows every inch of it, feels nurtured by it, and would defend it - perhaps not with his life but if it came to it, with yours. Things begin to change when Mr. Hemings' obsession shifts from many people to one, and then a dead body winds up in someone's garden. For a man who is used to going unremarked, Mr. Heming's finds his natural routine becomes uncomfortably interrupted.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    A debut novel of domestic suspense in the vein of Liane Moriarty, Shari Lapena and Claire Douglas about two sisters bound together by a murderPenny and Hattie have always only had each other—their father left long ago and their mother died in a sudden tragic accident. Penny has always watched out for Hattie, even when she felt usurped by her younger, more vivacious sibling. When Penny’s marriage turns sour and her once-charming husband becomes controlling and abusive, who does she turn to for help but Hattie? An unguarded cigarette, helped along by a few conveniently lit matches and some sleeping pills, creates a deadly fire that frees Penny from an unimaginable life, but not without a cost. The weight of their secret binds the two sisters together, for better or worse. When a new man enters their lives, the twists deepen and the secrets compound. Meanwhile, incidents of arson begin to break out locally and the detective who investigated the death of Penny’s husband develops renewed interest in the case, threatening to unravel all their secrets.

    But one night, against their best instincts, they accept a cab ride with grave, everlasting consequences. For the next three years, they are held captive with two other girls in a dungeon-like cellar by a connoisseur of sadism.Ten years later, at thirty-one, Sarah is still struggling to resume a normal life, living as a virtual recluse under a new name, unable to come to grips with the fact that Jennifer didn’t make it out of that cellar. Now, her abductor is up for parole and Sarah can no longer ignore the twisted letters he sends from jail.Finally, Sarah decides to confront her phobias and the other survivors—who hold their own deep grudges against her. When she goes on a cross-country chase that takes her into the perverse world of BDSM, secret cults, and the arcane study of torture, she begins unraveling a mystery more horrifying than even she could have imagined.A shocking, blazingly fast read, Koethi Zan’s debut is a must for fans of Karin Slaughter, Laura Lippman, and S.J. Watson.

    Today, he's teaching in a third-rate MFA program and struggling to maintain what's left of his self-respect; he hasn't written--let alone published--anything decent in years. When Evan Parker, his most arrogant student, announces he doesn't need Jake's help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then... he hears the plot.Jake returns to the downward trajectory of his own career and braces himself for the supernova publication of Evan Parker's first novel: but it never comes. When he discovers that his former student has died, presumably without ever completing his book, Jake does what any self-respecting writer would do with a story like that--a story that absolutely needs to be told.In a few short years, all of Evan Parker's predictions have come true, but Jake is the author enjoying the wave. He is wealthy, famous, praised and read all over the world. But at the height of his glorious new life, an e-mail arrives, the first salvo in a terrifying, anonymous campaign: You are a thief, it says.As Jake struggles to understand his antagonist and hide the truth from his readers and his publishers, he begins to learn more about his late student, and what he discovers both amazes and terrifies him. Who was Evan Parker, and how did he get the idea for his "sure thing" of a novel? What is the real story behind the plot, and who stole it from whom?Hailed as breathtakingly suspenseful, Jean Hanff Korelitz's The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.

    Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that, until her best friend Becca began insisting the Red Lady was real--and she could prove it.That belief got Becca killed.It's been nearly thirty years, but Heather has never told anyone what really happened that night--that Becca was right and the Red Lady was real. She's done her best to put that fateful summer, Becca, and the Red Lady, behind her. Until a familiar necklace arrives in the mail, a necklace Heather hasn't seen since the night Becca died.The night Heather killed her.Now, someone else knows what she did...and they're determined to make Heather pay.