Oliver is an elegant black tomcat, who is full of himself. As a matter of fact he says: “I love myself!” quite often. Naughty, isn’t he? But his best friend Jumpy, a kangaroo lady, is aware that it is only a front! Oliver has a soft heart and will always want to help others. The great thing is Jumpy’s pouch, which Oliver loves to ride in! He calls her his kangaroo taxi! These little bedtime stories with their lovely illustrations are great for small kids. A parent can read the text and tell the child in his own words. These animal stories have sufficient text to keep early readers happy and provide some educational value. Depending on your device, there is pop-up text (at Amazon) or audio available. Several talented illustrators are essential to bring these children's stories to you in quick succession. Love you all! Meow!

    Mysterious photographs, ghostly old houses, and all things supernatural await readers in these three frightful tales.

    But perhaps a good fairy can save her, even if it means that Rosebud will sleep for 100 years?

    On his deathbed, the aging monarch surprises all of Christendom by dividing his patrimony, leaving his eldest son, Robert Curthose, only the Duchy of Normandy, and bequeathing his hard-won throne of England to his second son, William Rufus. Curthose, enraged that his father has deprived him of the better part of his inheritance, plunges the island kingdom into war as he and his uncle, the Earl of Kent, attempt to wrest the crown from Rufus’ head.Robert fitzHaimo, faithful companion to Rufus since the days of their childhood, is at his lord’s side as the conflict rages across the south of England. His tale is told through the eyes of a Saxon monk, the story of a turbulent era when betrayal was far more common than honour and, so it was said, the devil stole the soul of a king.

    Eustace is the bastard son of an earl, Giselle the sheltered daughter of a dotting gentry father, and Robert the son of an impoverished village carpenter. In ordinary times, their lives would not intersect. But when Robert breaks his uncle out of Earl Roger FitzWalter’s gaol, he sets in motion a series of events that sends their lives colliding in a maelstrom of murder and revenge that drives them all outside the laws and customs of England. Step into the tumultuous years of the Twelfth Century, and stand alongside Eustace as he schemes to inherit his father’s title, lands, and power, using every means within his grasp; Giselle as she fights to free herself from a forced marriage and to save her inheritance; and Robert as he struggles to rise above the limitations of his birth in the face of Eustace’s quest for vengeance. A saga to rival Ken Follett’s Pillars of the Earth, The Outlaws sweeps from serene English villages and quiet forest glens, to French battlefields, remote Welsh fortresses, and even the court of King Henry II, where nobles and clergy vie for power and wealth, and disputes are often decided with steel and blood. The Outlaws is sure to please fans of the Stephen Attebrook mysteries, for it reveals the truth about the founding of the powerful Attebrook family — a secret that family would sooner forget.

    Nine stories of blood, magic, and fabulous creatures, set in the framing device of dreams coming to the enchanted wizard Merlin as he lies imprisoned under a great stone.

    Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.

    Guinevere and Arthur. Lancelot and Merlin and Morgan Le Fay -- all the names of myth are given flesh and blood in this Del Rey Discovery of the Year book!

    Where do the king's beautiful daughter disappear to night after night?  And who can solve the mystery of the twelve pairs of dancing slippers, worn to shreds by the morning?Internationally acclained illustrator Jane Ray brings to vivid life the fun-loving princesses of the classic Grimm fairy tale, as they boldly escape the confines of their father's castle.  Each one is a character in her own right--a loving sister and a not-so-dutiful daughter--enjoying their moments of freedom as well as their beautiful brocade ballgowns.With its sumptuous detailed illustrations and gold and silver highlights, The Twelve Dancing Princesses is the latest jewel in the crown of Jane Ray's retellings of classic stories, which are themselves rapidly becoming modern classics.

    a form of children’s literature; they are, like fables, legends, and ballads, among the many forms of adult literature that children have adopted...The apparent artlessness of these simple stories is not easily achieved. It is, in fact, the product of an art perhaps older than the art of writing.”Thus write Alfred David and Mary Elizabeth Meek in their thoughtful introduction to a collection that ranges from the Grimm brothers' inimitable recreations of archetypal folktales to the modern prose charm of James Thurber's Many Moons. The appeal of the stories is wide and varied: the refined intelligence of Perrault, the wondrous imagination of Andersen, the descriptive power of Ruskin, the bittersweet melancholy of Wilde. These are but a few of the artists represented in this remarkably inclusive selection of works from Germany, Russia, France, Scandinavia, England, and America. Many are in new translations in the modern idiom and all testify eloquently to the unceasing vitality of this literary genre.

    The mayor's pact with the devil results in the overnight construction of a much-needed bridge for the town of Beaugency

    But when the queen dies, the land becomes quiet and barren, and everyone is filled with sadness. What will make the kingdom bloom again? Can Serenity, the youngest of three princesses, bring hope and life back to her kingdom with a single apple pip — a precious seed left to her by her mother? This original fairy tale is brought to life and exquisitely illustrated by the internationally renowned Jane Ray.

    They were called the Mites because they were very tiny...

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    A pair of pet cats, a blue fairy godmother, and an endearing, if somewhat overweight, Prince Charming are just a few of the delightful details that dance across these pages—right into readers’ hearts—in this thoroughly charming, sometimes surprising, and always original version of the classic fairy tale.