"How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories. The Innocence of Father Brown was the first collection of them, and it's a great lot of fun.

    But between the social teas and silk dress fittings, she leads a forbidden secret life.Against her stern father's wishes and society's expectations, Audrey often slips away to her uncle's laboratory to study the gruesome practice of forensic medicine. When her work on a string of savagely killed corpses drags Audrey into the investigation of a serial murderer, her search for answers brings her close to her own sheltered world.The story's shocking twists and turns, augmented with real, sinister period photos, will make this dazzling, #1 New York Times bestselling debut from author Kerri Maniscalco impossible to forget.

    . . Murder at leisure?London, 1888: Susannah rushes into marriage to a young and wealthy surgeon. After a passionate honeymoon, she returns home with her new husband wrapped around her little finger. But then everything changes.Thomas's behavior becomes increasingly volatile and violent. He stays out all night, returning home bloodied and full of secrets. The gentle caresses she enjoyed on her wedding night are now just a honeyed memory.When the first woman is murdered in Whitechapel, Susannah's interest is piqued. But as she follows the reports of the ongoing hunt for the killer, her mind takes her down the darkest path imaginable. Every time Thomas stays out late, another victim is found dead.Is it coincidence? Or is her husband the man they call Jack the Ripper?

    Spanning from 1839 right through to 1894 the incorrigible Flashman fears all evil and when it comes to voluptuous queens and princesses he has be known to waver from his mission. Filled to the gunnels with escapades of unwavering excitement THE COMPLETE FLASHMAN PAPERS will quench even the most ravenous appetite for Flashman.

    I can never get used to this, Alexi. Having you, that is. How did I deserve you? Deserve me? You don't have to do anything to deserve me. I love you. It's as simple as that. I love you for what you are. All you need to do is love me back. You don't earn love, as a payment in return.Peter Kingsmill's life had run into the sands since the death of his wife. What was a glittering London career had lost its shine. Until, that is, his life is turned upside down by an unexpected collision of events. He inherits the family estate, meets a girl seventeen years his junior and receives an anonymous letter which casts doubt on all the certainties on which he has built his past life.What follows is a journey of discovery which takes him back in time to war-torn Europe. To a story of betrayal in the secret world of spies and double agents, and ultimately to redemption and a bright new life.The narrative moves at speed from the dusty plains of pre-war Poland to the frozen winter landscapes of German-occupied Norway and finally to the gentle pastoral of the north Yorkshire hills. It is a story of a search for the pieces that make up a human life; and of the love that binds those pieces together....Do you remember the Snow Queen story? I can complete the pattern now. I have everything I need.

    Lansdale - “Neighbors” by Megan Lindholm - “I Know How to Pick ’Em” by Lawrence Block - “Shadows For Silence in the Forests of Hell” by Brandon Sanderson - A Cosmere story - “A Queen in Exile” by Sharon Kay Penman - “The Girl in the Mirror” by Lev Grossman - A Magicians story - “Second Arabesque, Very Slowly” by Nancy Kress - “City Lazarus” by Diana Rowland - “Virgins” by Diana Gabaldon - An Outlander story - “Hell Hath No Fury” by Sherilynn Kenyon - “Pronouncing Doom” by S.M. Stirling - An Emberverse story - “Name the Beast” by Sam Sykes - “Caretakers” by Pat Cadigan - “Lies My Mother Told Me” by Caroline Spector - A Wild Cards story - “The Princess and the Queen” by George R.R. Martin - A Song of Ice and Fire story

    Jenny's pretty face and lively sense of humour make her everyone's favourite girl, whereas Laura is mean and moody and she's never out of trouble. Their mother, Mary, loves them both and frets about Laura's behaviour, but soon that's the least of her worries... Her father's new young wife, Celia, is about to bring shame on the family by leading Laura astray. Jenny attracts the attention of two young lads in her street who both want to court her. Mick and John have been mates since they were kids but now war is declared, and it's every man for himself! Meanwhile Laura's resentment begins to build and it's only a matter of time before things come to a head. Who will learn that a little tenderness goes a long way?

    Badly wounded, he found refuge in a ruined monastery and in the arms of Sofia Bartoli. But the love that kindled between them was shaken by an irreversible betrayal.Nearly thirty years later, Hugo’s estranged daughter, Joanna, has returned home to the English countryside to arrange her father’s funeral. Among his personal effects is an unopened letter addressed to Sofia. In it is a startling revelation.Still dealing with the emotional wounds of her own personal trauma, Joanna embarks on a healing journey to Tuscany to understand her father’s history—and maybe come to understand herself as well. Joanna soon discovers that some would prefer the past be left undisturbed, but she has come too far to let go of her father’s secrets now…

    And her father’s wisdom and empathy are as unusual as his despised profession. It is 1659, the Thirty Years’ War has finally ended, and there hasn’t been a witchcraft mania in decades. But now, a drowning and gruesomely injured boy, tattooed with the mark of a witch, is pulled from a river and the villagers suspect the local midwife, Martha Stechlin.Jakob Kuisl is charged with extracting a confession from her and torturing her until he gets one. Convinced she is innocent, he, Magdalena, and her would-be suitor race against the clock to find the true killer. Approaching Walpurgisnacht, when witches are believed to dance in the forest and mate with the devil, another tattooed orphan is found dead and the town becomes frenzied. More than one person has spotted what looks like the devil—a man with a hand made only of bones. The hangman, his daughter, and the doctor’s son face a terrifying and very real enemy.Page Numbers Source ISBN: 054774501X

    Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they’ve just moved from London to the country, hoping for a quiet life.But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There’s a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation…As Lady Hardcastle and Flo delve deeper into rural rivalries and resentment, they uncover a web of intrigue that extends far beyond the village. With almost no one free from suspicion, they can be certain of only one fact: there is no such thing as a quiet life in the country.

    Domestic service had never been an intended career for Dory, but a plea from family could never be ignored, even, as it turns out, when her predecessor had been murdered in the very house Dory now worked. A stranger was blamed for the death, and Lord and Lady Wallisford and their grown children were not giving Detective Inspector Ridley from the Met an easy time to investigate alternative theories. No strangers had been seen in the district and Dory, with her position in the house, is increasingly drawn in the help.

    American Doris Winter, running from a personal tragedy, yearns for a new start. Naturally shy Mary Whitworth-Baines struggles to fit in. Together though, they are a force to be reckoned with as they face the mystery that confronts them.Against the backdrop of war, when ties of friendship are exceptionally strong, they strive to unravel the puzzle's complex threads, risking their lives as they seek justice for Betty's sister.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    Just beyond the tents of the Russian refugee camp she calls home, a young woman speaks her wedding vows. It’s a decision that will alter her destiny…and it’s a lie that will remain buried until the next century.Since she was nine years old, Alina Dziak knew she would marry her best friend, Tomasz. Now fifteen and engaged, Alina is unconcerned by reports of Nazi soldiers at the Polish border, believing her neighbors that they pose no real threat, and dreams instead of the day Tomasz returns from college in Warsaw so they can be married. But little by little, injustice by brutal injustice, the Nazi occupation takes hold, and Alina’s tiny rural village, its families, are divided by fear and hate. Then, as the fabric of their lives is slowly picked apart, Tomasz disappears. Where Alina used to measure time between visits from her beloved, now she measures the spaces between hope and despair, waiting for word from Tomasz and avoiding the attentions of the soldiers who patrol her parents’ farm. But for now, even deafening silence is preferable to grief. Slipping between Nazi-occupied Poland and the frenetic pace of modern life, Kelly Rimmer creates an emotional and finely wrought narrative that weaves together two women’s stories into a tapestry of perseverance, loyalty, love and honor. The Things We Cannot Say is an unshakable reminder of the devastation when truth is silenced…and how it can take a lifetime to find our voice before we learn to trust it.

    Prohibition is the new law of the land, but murder, mayhem, lust, and greed are already institutions in the Moonshine Capitol of Texas.Thatcher Hutton, a war-weary soldier on the way back to his cowboy life, jumps from a moving freight train to avoid trouble . . . and lands in more than he bargained for. On the day he arrives in Foley, Texas, a local woman goes missing. Thatcher, the only stranger in town, is suspected of her abduction, and worse. Standing between him and exoneration are a corrupt mayor, a crooked sheriff, a notorious cathouse madam, a sly bootlegger, feuding moonshiners . . . and a young widow whose soft features conceal an iron will. What was supposed to be a fresh start for Laurel Plummer turns to tragedy. Left destitute but determined to dictate her own future, Laurel plunges into the lucrative regional industry, much to the dislike of the good ol’ boys, who have ruled supreme. Her success quickly makes her a target for cutthroat competitors, whose only code of law is reprisal. As violence erupts, Laurel and—now deputy—Thatcher find themselves on opposite sides of a moonshine war, where blood flows as freely as whiskey.