Sure she's been single for the last five years, and has to spend an uncomfortable amount of time around her ex-boyfriend, his perfect new girlfriend and all their mutual friends. And yes, her job as a PA to one of the most disgusting men in London is mind-numbingly tedious and her career is a constant disappointment to her mother. But it's really okay. She's happy (ish).But it's not surprising that when Sarah starts dreaming about a handsome stranger, she begins to look forward to falling asleep every night. Reality isn't nearly as exciting. That is until her dream-stranger makes an unexpected real-life appearance, leaving Sarah questioning everything she thought she wanted.Because no one ever really finds the person of their dreams... do they?

    Always have been. Since his brother's death, they've grown even closer, dealing with their grief together, as strong families do. These days though, Greg feels he's in an alternate universe, where Cara is the sun, and he's attracted to her in a gravitational pull he can't escape. And like the sun, she's become something he can't seem to do without. He's done denying he's attracted to Cara. There is no denying it. He doesn't understand how you can be a part of someone's life in one capacity for twenty years and suddenly find yourself looking at them differently one day. But there it is. Right in his face. He wants her. Since her husband died eighteen months ago, Cara's handsome brother-in-law, Greg has been her go-to-guy for advice, help with her teenagers, handyman repairs, and just about anything else she needs. His broad shoulders are more than able to carry the load. Lately, Cara's been feeling drawn to him in an altogether new way and she can't deny the sparks between them anymore. Greg Brooks is a dynamic and successful forty-year-old man who just happens to be really fit and damn good looking. No, there is nothing wrong with Greg Brooks. Except one thing. He's her brother-in-law, and that is a deal-breaker. *This book has strong adult themes and sexual content and is not appropriate for young readers.

    She soon escapes her fate for the loving arms of a wealthy young man, but misadventure and fate conspire to keep her from domestic bliss. Instead, Fanny discovers that sex need not be just for love; that it can be had for pleasure. She then sets out to explore those pleasures in as wide a variety as she can. With old men and young, and women as well; in positions of power, and situations where she has none; either watching or participating, Fanny's journey through the realms of sexual pleasure is a literary tour-de-force.

    Award-winning author James Scott Bell offers clear, concise information that will help you create a believable and memorable plot, including: Techniques for crafting strong beginnings, middles, and endsEasy-to-understand plotting diagrams and chartsBrainstorming techniques for original plot ideasThought-provoking exercises at the end of each chapterStory structure models and methods for all genresTips and tools for correcting common plot problemsFilled with plot examples from popular novels, comprehensive checklists, and practical hands-on guidance, "Write Great Fiction: Plot & Structure" gives you the skills you need to approach plot and structure like an experienced pro.

    In this "terminally irreverent" ( "Richmond News-Leader" ) novel, he finds himself taking on everyone from his editor and his girlfriend to the fundamentalists and vegetarians covered on his beat - and along the way, learns some surprising (and hilarious) lessons about life, love, and the press. • Welter's "I Want to Buy a Vowel," also a Berkley Signature Edition, was named one of "Booklist's" Best Books of 1996. • Great reviews in the Berkley Signature Edition tradition. • The author has been compared to everyone from John Irving to Jonathan Swift, Frank Capra to Carl Hiaasen, John Kennedy Toole to Dave Barry.

    I’m just his maid, he’ll never love me…Late at night he sits at his desk, necktie loosened, the sleeves of his crisp cotton shirt rolled up to his bulging biceps.How I wish I could run my fingers through his hair, graze my nose against his cheek and massage his tense, muscular shoulders.How I’ve tried to get his attention.Prancing around him in cute little dresses, my cheeks a rosy shade of pink.Dropping a crumpled tissue on the floor to give him a peek as I bend over to pick it up.Spending half my salary on expensive perfumes just to give him a whiff of me as he rushes past.Anything to make him grab me and kiss me as he does to Stacey!Instead, all I ever get is a polite smile when I pour his morning coffee.The only time he notices me is when I burn his toast.Then his eyes turn red, his fists clench, and his powerful voice rumbles from deep within his chest.It makes my heart race…Maybe I should burn his toast again this morning.Smolder it to ashes.Then he’ll really give it to me.

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    Each chapter is bursting with creative and classic ideas to make the day as meaningful as it is beautiful: Stationery: Save-the-date cards do double duty when printed on coasters or delicate handkerchiefs.Ceremonies: An auspicious bird’s nest adds a beautiful and rustic touch for carrying rings at a farm wedding.Dressing Up: A retro bride goes glam with a feathered veil and pearl button–accented gloves. A casual groom and his mates add a personality pop with chocolate-brown Keds to match their wedding chinos.Cocktail Hour: For a low-key affair, mini grilled cheeses dipped in shot glasses of tomato soup satisfy.Centerpieces: Fruit slices suspended in crystal vases overflowing with Crayola-bright poppies and orchids offer a cheery setting.Cakes: White lace frosting details that match the bride’s dress and the couple’s monogram turn a pale green cake into a chic masterpiece.From classic white-on-white palettes to floral themes to fun fantasy ideas, the choices are limitless. Purple, pink, red, robin’s egg blue—find inspiration at every turn in all the colors a bride can dream of! And The Knot Ultimate Wedding Lookbook is loaded with money-saving ideas that don’t sacrifice style. Expert advice and rich images add up to a delicious visual feast and essential resource to help you create an event as special as you are as a couple.

    One home? Ellie Laing has a very good reason to want to stay single: her last relationship put her in danger. And she’s worried that while the physical scars will heal, the emotional ones never can. So, travelling to Kansas for her best friend Sandy’s wedding, Ellie’s in need of some time alone. And Sandy’s brother Ben’s rural and idyllic ranch seems like the perfect place for it. Ben comes with his own baggage – a failed marriage in his past, and a big question mark over his future – and he knows the feelings he had for Ellie belong firmly in the history books. But, sitting on his porch with her, he’s never felt more at home. Both of them swore they were better off alone… yet is it possible that two broken hearts could come together to heal?Readers LOVE Maxine Morrey:‘'I’ve fallen head over heels for Maxine's writing style’‘I'm a big fan of Maxine's writing and I love how she is able to write lighthearted romantic comedies that have serious issues at their centre’‘I love Maxine Morrey's books’‘Hand on heart, I could read a Maxine Morrey novel every day of the week without getting bored.’‘I'm a big fan of Morrey's books’‘Maxine has this way of captivating her readers with charismatic and memorable characters’

    In his desperate search for a small town dying in America, intrepid journalist Russell Hokes stumbles upon a quarter-mile stretch of concrete and gravel dotted with strip clubs and used auto parts shops. Welcome to Wigfield. Population: vague. Upon his arrival, Russell Hokes wanders the streets searching for the salt of the earth. Instead he finds a town in crisis. Why State Representative Bill Farber wants to tear down the Bulkwaller Dam, thereby flooding the town. Will Russell Hokes save the town? Is Wigfield merely posing as a town to collect federal disaster relief? Won't you please buy this book?

    

    Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself.Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.

    This gorgeously photographed lifestyle guide gives readers an insider's tour of the City by the Bay through Victoria Smith's unique lens. Organized by neighborhood, each chapter features enchanting photos of hidden corners, local color, landmarks, and hotspots, revealing why so many people—Victoria included—are falling head over heels for this amazing city. Brimming with original, dreamy photography and packaged as a gorgeous jacketed hardcover, this lovely book makes a perfect gift for photography fans, San Francisco dwellers, visitors to the city, or anyone who has left their heart in San Francisco.

    

    The book includes 74 pages of paintings and designs devoted to Neon Genesis Evangelion, plus another 50 pages from The Wings of Honneamise, Nadia--The Secret of Blue Water, Blue Uru, and other works--including Sadamoto's cover to Eric Clapton's 1998 album, Pilgrim.