Until one day a letter appears, summoning him to the frozen woods of Vermont. There, Ricky is inducted into a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard The Voice: a mysterious murmur on the wind, a disembodied shout, or a whisper in an empty room that may or may not be from God.Evoking the disorienting wonder of writers like Haruki Murakami and Kevin Brockmeier, but driven by Victor LaValle’s perfectly pitched comic sensibility, Big Machine is a mind-rattling literary adventure about sex, race, and the eternal struggle between faith and doubt.

    Trout Fishing in America is by turns a hilarious, playful, and melancholy novel that wanders from San Francisco through America's rural waterways; In Watermelon Sugar expresses the mood of a new generation, revealing death as a place where people travel the length of their dreams, rejecting violence and hate; and The Pill Versus the Springhill Mine Disaster is a collection of nearly 100 poems, first published in 1968.

    No reference to the present day is intended or should be inferred.The sizable cast of characters includes anarchists, balloonists, gamblers, corporate tycoons, drug enthusiasts, innocents and decadents, mathematicians, mad scientists, shamans, psychics, and stage magicians, spies, detectives, adventuresses, and hired guns. There are cameo appearances by Nikola Tesla, Bela Lugosi, and Groucho Marx.As an era of certainty comes crashing down around their ears and an unpredictable future commences, these folks are mostly just trying to pursue their lives. Sometimes they manage to catch up; sometimes it's their lives that pursue them.Meanwhile, the author is up to his usual business. Characters stop what they're doing to sing what are for the most part stupid songs. Strange sexual practices take place. Obscure languages are spoken, not always idiomatically. Contrary-to-the-fact occurrences occur. If it is not the world, it is what the world might be with a minor adjustment or two. According to some, this is one of the main purposes of fiction.Let the reader decide, let the reader beware. Good luck.--Thomas PynchonAbout the Author:Thomas Pynchon is the author of V., The Crying of Lot 49, Gravity's Rainbow, Slow Learner, a collection of short stories, Vineland and, most recently, Mason and Dixon. He received the National Book Award for Gravity's Rainbow in 1974.

    To the hundreds, then thousands, then tens of thousands drawn to the American Stonehenge including Parker and Zema, siblings on their way from L.A. to visit their mother in Michigan the Towers seem to sing, even as everybody hears a different song. A rumor overtakes the throng that someone can be seen in the high windows of the southern structure. On the ninety-third floor, Jesse Presley the stillborn twin of the most famous singer who ever lived suddenly awakes, driven mad over the hours and days to come by a voice in his head that sounds like his but isn't, and by the memory of a country where he survived in his brother's place. Meanwhile, Parker and Zema cross a possessed landscape by a mysterious detour no one knows, charted on a map that no one has seen. Haunting, audacious, and undaunted, Shadowbahn is a winding and reckless ride through intersections of danger, destiny, and the conjoined halves of a ruptured nation.

    Arthur is raised in an enchanted world of smoke and mirrors where the only unshifting truth is his father’s and his beloved twin sister’s deep and abiding love for the works of William Shakespeare—a love so pervasive that Arthur becomes a writer in a misguided bid for their approval and affection.Years later, Arthur’s father, imprisoned for decades and nearing the end of his life, shares with Arthur a treasure he’s kept secret for half a century: a previously unknown play by Shakespeare, titled The Tragedy of Arthur. But Arthur and his sister also inherit their father’s mission: to see the play published and acknowledged as the Bard’s last great gift to humanity. . . .Unless it’s their father’s last great con.By turns hilarious and haunting, this virtuosic novel—which includes Shakespeare’s (?) lost King Arthur play in its five-act entirety—captures the very essence of romantic and familial love and betrayal. The Tragedy of Arthur explores the tension between storytelling and truth-telling, the thirst for originality in all our lives, and the act of literary mythmaking, both now and four centuries ago, as the two Arthurs—Arthur the novelist and Arthur the ancient king—play out their individual but strangely intertwined fates.A New York Times Notable Book • A New Yorker Reviewers’ Favorite of the Year • A Wall Street Journal Best Novel of the Year • A San Francisco Chronicle Best Book of the Year • A Chicago Tribune Favorite Book of the Year • A Library Journal Top Ten Book of the Year • A Kirkus Reviews Best Book of the Year • One of Salon’s five best novels of the year

    The story is simple. An e-writer called Ali or Alix will write to order anything you like, provided that you are prepared to enter the story as yourself and take the risk of leaving it as someone else. You can be the hero of your own life. You can have freedom just for one night. But there is a price to pay.

    In a profoundly strange country called Inner Horner, large enough for only one resident at a time, citizens waiting to enter the country fall under the rule of the power-hungry and tyrannical Phil, setting off a chain of injustice and mass hysteria.An Animal Farm for the 21st century, this is an incendiary political satire of unprecedented imagination, spiky humor, and cautionary appreciation for the hysteric in everyone.

    Desperate, at times almost mad, but also keenly empathic, Korim has discovered in a small Hungarian town’s archives an antique manuscript of startling beauty: it narrates the epic tale of brothers-in-arms struggling to return home from a disastrous war. Korim is determined to do away with himself, but before he can commit suicide, he strongly feels he must escape to New York with the precious manuscript and commit it to eternity by typing it all up on the world-wide web. Following Korim with obsessive realism through the streets of New York (from his landing in a Bowery flophouse to his moving far uptown with a mad interpreter), War & War relates his encounters with a fascinating range of humanity, a world torn between viciousness and mysterious beauty. Following the eight chapters of War & War is a short "prequel acting as a sequel," "Isaiah," which brings us to a dark bar, years before in Hungary, where Korim rants against the world and threatens suicide. Simply written like nothing else (turning single sentences into chapters), War & War affirms W. G. Sebald’s comment that Krasznahorkai’s prose "far surpasses all the lesser concerns of contemporary writing."

    But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has.The Pale King remained unfinished at the time of David Foster Wallace's death, but it is a deeply compelling and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions--questions of life's meaning and of the value of work and society--through characters imagined with the interior force and generosity that were Wallace's unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for one of the most daring writers of our time.

    Find yourself working at a department store where everyone must wear red and khaki clothing. Find yourself throwing out garbage for fifty cents more than minimum wage. Find yourself worried about getting your arm ripped off by the box compactor. Find yourself talking about licking assholes with your co-worker. Find yourself driving away into a video game sunset with an Amish man.The No Hellos Diet reminds you of the time you burnt down your future ex-girlfriend's trampoline. It reminds you of the couple of times you smoked crack. And the time you meditated on the most important question of all: Can a cat be killed with a single punch? Find yourself stunned by the prose of a modern novel-master as he follows the course of your life for an entire year.

    In his earlier novels, he has written about conspiracy theory, the Cold War and global terrorism. Now, in Point Omega, he looks into the mind and heart of a "defense intellectual", one of the men involved in the management of the country's war machine. Richard Elster was a scholar—an outsider—when he was called to a meeting with government war planners, asked to apply "ideas and principles to such matters as troop deployment and counterinsurgency". We see Elster at the end of his service. He has retreated to the desert, "somewhere south of nowhere", in search of space and geologic time. There he is joined by a filmmaker, Jim Finley, intent on documenting his experience. Finley wants to persuade Elster to make a one-take film, Elster its single character—"Just a man and a wall."Weeks later, Elster's daughter Jessica visits—an "otherworldly" woman from New York, who dramatically alters the dynamic of the story. The three of them talk, train their binoculars on the landscape, and build an odd, tender intimacy, something like a family. Then a devastating event throws everything into question. In this compact and powerful novel, it is finally a lingering human mystery that haunts the landscape of desert and mind.

    As Marco tells the khan about Armilla, which "has nothing that makes it seem a city, except the water pipes that rise vertically where the houses should be and spread out horizontally where the floors should be," the spider-web city of Octavia, and other marvelous burgs, it may be that he is creating them all out of his imagination, or perhaps he is recreating fine details of his native Venice over and over again, or perhaps he is simply recounting some of the myriad possible forms a city might take.

    Taking advantage of the absolute latest advances in wood pulp technology, Building Stories is a book with no deliberate beginning nor end, the scope, ambition, artistry and emotional prevarication beyond anything yet seen from this artist or in this medium, probably for good reason.

    There he runs afoul of Philip Lentz, an outspoken cognitive neurologist intent upon modeling the human brain by means of computer-based neural networks. Lentz involves Powers in an outlandish and irresistible project: to train a neural net on a canonical list of Great Books. Through repeated tutorials, the device grows gradually more worldly, until it demands to know its own name, sex, race, and reason for exisiting.

    He arrives at his friends' house without knowing how he got there. Nor do they. He seems to be having an affair with his secretary which is exciting, but unlikely. Further unsettled by leaps in logic and time, Carl wonders if he's actually reacting to the outside world, or if he's terribly mistaken. So begins a psychological adventure that stretches the boundaries of conciousness.