The crime is eerily similar to a twenty-year-old cold case: another victim, brutally murdered, found in the Delaware River. Lead detective Parker Reed is intent on connecting the two murders, but the locals are on lockdown, revealing nothing.The past meets the present when Becca Kingsley, who returns to Portland to be with her estranged but dying father, runs into Parker, her childhood love. As the daughter of the former police chief, Becca's quickly drawn into the case. Coming home has brought something ominous to the surface - memories long buried, secrets best kept hidden. Becca starts questioning all her past relationships, including one with a man who's watched over her for years. For the first time, she wonders if he's more predator than protector.In a small town where darkness hides in plain sight, the truth could change Becca's life - or end it.

    Claire has finally carved out a life for herself as a homicide detective in Detroit, but the past comes calling when the local police back home ask for her help with a murder eerily similar to Rachel’s.Still haunted by Rachel’s cold case, Claire returns home, hoping to solve the crime and finally put her grief to rest. As she starts investigating, the last thing she needs is tenacious journalist Noah Washington asking questions she’s not ready to answer. But like her, Noah won’t give up until he finds the truth—and Claire reluctantly finds herself relying on him more and more when disturbing new details about Rachel’s death come to light.When the killer strikes once again, Claire knows he’s not done. Now he’s set his sights on Claire, who will have to find the courage she needs to survive a deadly confrontation years in the making.

    So when a passenger from the same plane disappears into the crowds of Manhattan, it’s up to Fisk and his partner Krina Gersten to find him before the celebrations begin... And time is running out.

    Her younger sister, Madison, claims she was asleep in her room. Her older sister, Tara, claims she was out with friends. The tragedy drove their mother to suicide and Tara to leave town forever. The killer was caught. The case closed.Ever since, Emily and Madison have tried to forget what happened that night—until an eerily similar murder brings it all back. It also brings FBI special agent Zander Wells to the Oregon logging town. As eager as he is to solve the brutal double slaying, he is just as intrigued with the mystery of Emily’s and her sisters’ past.When more blood is shed, Zander suspects there’s a secret buried in this town no one wants unearthed. Is it something Emily and Madison don’t know? Or aren’t telling? And Tara? Maybe Emily can’t bear to find her. Because when Tara disappeared, she took a secret of her own with her.

    In short order, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist—and when Julie turns up as a murder victim in the still-unfinished mystery she’s writing, the link between fiction and real life grows both more urgent and more dangerous. But Esther’s role in this twisted scenario is not quite as clear as it first seems. Is she the culprit—or just another victim, trapped in a twisted game of vengeance? Anette and Jeppe must dig more deeply into the two women’s pasts to discover the identity of the brutal puppet-master pulling the strings in this electrifying literary thriller.

    True crime podcaster Trinity Scott is chasing breakout success, and her brand-new serial may get her there. Her subject is Clayton Jay Pelley. More than two decades ago, the respected family man and guidance counselor confessed to the brutal murder of teenage student Leena Rai. But why he killed her has always been a mystery.In a series of exclusive interviews from prison, Clayton discloses to Trinity the truth about what happened that night beneath Devil’s Bridge. It’s not what anyone in the Pacific Northwest town of Twin Falls expects. Clayton says he didn’t do it. Was he lying then? Or now?As her listeners increase and ratings skyrocket, Trinity is missing a key player in the story: Rachel Walczak, the retired detective who exposed Pelley’s twisted urges and put him behind bars. She’s not interested in playing Clayton’s game - until Trinity digs deeper and the podcast’s reverb widens. Then Rachel begins to question everything she thinks she knows about the past.With each of Clayton’s teasing reveals, one thing is clear: he’s not the only one in Twin Falls with a secret.

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    Nell and her father, Homicide Detective Martin Flynn, have never had much of a relationship. And Suffolk County will always be awash in memories of her mother, Marisol, who was brutally murdered when Nell was just seven.When Martin Flynn dies in a motorcycle accident, Nell returns to the house she grew up in so that she can spread her father's ashes and close his estate. At the behest of her father's partner, Detective Lee Davis, Nell becomes involved in an investigation into the murders of two young women in Suffolk County. The further Nell digs, the more likely it seems to her that her father should be the prime suspect--and that his friends on the police force are covering his tracks. Plagued by doubts about her mother's murder--and her own role in exonerating her father in that case--Nell can't help but ask questions about who killed Ria Ruiz and Adriana Marques and why. But she may not like the answers she finds--not just about those she loves, but about herself.

    One girl lived. No one believes her story. The police think she’s crazy. Her therapist thinks she’s suicidal. Everyone else thinks she’s a dangerous drunk. They’re all right—but did she see the killer? As the anniversary of the murders approaches, Faith Winters is released from the psychiatric hospital and yanked back to the last spot on earth she wants to be—her hometown where the slayings took place. Wracked by the lingering echoes of survivor’s guilt, Faith spirals into a black hole of alcoholism and wanton self-destruction. Finding no solace at the bottom of a bottle, Faith decides to track down her sister’s killer—and then discovers that she’s the one being hunted. How can one woman uncover the truth when everyone’s a suspect—including herself? From the mind of Wall Street Journal bestselling author Christopher Greyson comes a story with twists and turns that take the reader on a journey of light and dark, good and evil, to the edge of madness. The Girl Who Lived should come with a warning label: Once you start reading, you won’t be able to stop. Not since Girl on the Train and Gone Girl has a psychological thriller kept readers so addicted—and guessing right until the last page.

    He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Jack knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. not in Margrave, Georgia. Not a chance in hell.

    The detective assigned to the case, Conor Reid, swore to protect the sisters from then on.Beth moved on, throwing herself fully into the art world, running the family gallery, and raising a beautiful daughter with her husband Pete. Kate, instead, retreated into herself and took to the skies as a pilot, always on the run. When Beth is found strangled in her home, and Moonlight goes missing again, Detective Reid can’t help but feel a sense of déjà vu.Reid immediately suspects Beth’s husband, whose affair is a poorly kept secret. He has an airtight alibi—but he also has a motive, and the evidence seems to point to him. Kate and Reid, along with the sisters’ closest childhood friends, struggle to make sense of Beth’s death, but they only find more questions: Who else would have wanted Beth dead? What’s the significance of Moonlight?Twenty years ago, Reid vowed to protect Beth and Kate—and he’s failed. Now solving the case is turning into an obsession . . .

    But as soon as he realises she's one of his son's classmates, he knows he can't really leave her, alone, on the street.But nothing prepares him for the consequences of trying to help her out. The next morning he's gone from Good Samaritan to Murder Suspect, and with one girl dead and another missing, he's suddenly at the centre of a deadly puzzle that reaches right to the heart of the town - from its bullying police force to its strangely furtive mayor - and finally to one family's shocking secret.

    How do you move on when the world won’t let you?12:46: Claire Bingley stands alone at a bus stop12:47: Ted Conkaffey parks his car beside her12:52: The girl is missing . . .Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction,Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer. Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past. The residents of Crimson Lake are watching the pair's every move... and the town offers no place to hide.

    When Corbin Dell, a distant cousin in Boston, suggests the two temporarily swap apartments, Kate, an art student in London, agrees, hoping that time away in a new place will help her overcome the recent wreckage of her life.Soon after her arrival at Corbin’s grand apartment on Beacon Hill, Kate makes a shocking discovery: his next-door neighbor, a young woman named Audrey Marshall, has been murdered. When the police question her about Corbin, a shaken Kate has few answers, and many questions of her own—curiosity that intensifies when she meets Alan Cherney, a handsome, quiet tenant who lives across the courtyard, in the apartment facing Audrey’s. Alan saw Corbin surreptitiously come and go from Audrey’s place, yet he’s denied knowing her. Then, Kate runs into a tearful man claiming to be the dead woman’s old boyfriend, who insists Corbin did the deed the night that he left for London.When she reaches out to her cousin, he proclaims his innocence and calms her nerves--until she comes across disturbing objects hidden in the apartment and accidentally learns that Corbin is not where he says he is. Could Corbin be a killer? What about Alan? Kate finds herself drawn to this appealing man who seems so sincere, yet she isn’t sure. Jet-lagged and emotionally unstable, her imagination full of dark images caused by the terror of her past, Kate can barely trust herself, so how could she take the chance on a stranger she’s just met?

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?