Playbooks are how teams work and why they win. This book is about a different kind of playbook: the one coaches, teams, universities, police, communities, the media, and fans seem to follow whenever a college football player is accused of sexual assault. It’s a deep dive into how different institutions—the NCAA, athletic departments, universities, the media—run the same plays over and over again when these stories break. If everyone runs his play well, scrutiny dies down quickly, no institution ever has to change how it operates, and the evaporation of these cases into nothingness looks natural. In short, this playbook is why nothing ever changes.Unsportsmanlike Conduct unpacks this societal playbook piece by piece, and not only advocates that we destroy the old plays, but also suggests we replace them with ones that will force us to finally do something about this issue.Political sportswriter and Edge of Sports imprint curator Dave Zirin (the Nation) has never shied away from criticizing that which die-hard sports fans hold dear. The Edge of Sports titles will address issues across many different sports—football, basketball, swimming, tennis, etc.—and at both the professional and nonprofessional/collegiate levels. Furthermore, Zirin brings to the table select stories of athletes’ journeys and what they are facing and how they evolve both in their sport as well as against the greater backdrop of one’s life’s odyssey.Source: Akashic Books

    We gathered around the bigger tree. No one asked Matty - he just reached up and put his right hand on the trunk with ours.Kieran cleared his throat. 'We swear, on these trees, to always be friends. To protect each other - and this place.'Finding those carved trees forged a bond between Jay and her four childhood friends and opened their eyes to a wider world. But their attempt to protect the grove ends in disaster, and that one day on the river changes their lives forever.Seventeen years later, Jay finally has her chance to make amends. But at what cost? Not every wrong can be put right, but sometimes looking the other way is no longer an option.

    Mariam felt pretty sure she didn’t know a single Muslim woman who would describe herself that way. Why was she hearing about Muslim women from people who were neither Muslim, nor female?Years later the state of the national discourse has deteriorated even further, and Muslim women’s voices are still pushed to the fringes – the figures leading the discussion are white and male.Taking one of the most politicized and misused words associated with Muslim women and Islamophobia, It’s Not About the Burqa is poised to change all that. Here are voices you won’t see represented in the national news headlines: seventeen Muslim women speaking frankly about the hijab and wavering faith, about love and divorce, about feminism, queer identity, sex, and the twin threats of a disapproving community and a racist country. Funny, warm, sometimes sad, and often angry, each of these essays is a passionate declaration, and each essay is calling time on the oppression, the lazy stereotyping, the misogyny and the Islamophobia.What does it mean, exactly, to be a Muslim woman in the West today? According to the media, it’s all about the burqa.Here’s what it’s really about.

    Yet consent is a blunt tool. To grasp sex in all its complexity—its deep ambivalences, its relationship to gender, class, race and power—we need to move beyond yes and no, wanted and unwanted.We do not know the future of sex—but perhaps we could imagine it. Amia Srinivasan’s stunning debut helps us do just that. She traces the meaning of sex in our world, animated by the hope of a different world. She reaches back into an older feminist tradition that was unafraid to think of sex as a political phenomenon. She discusses a range of fraught relationships—between discrimination and preference, pornography and freedom, rape and racial injustice, punishment and accountability, students and teachers, pleasure and power, capitalism and liberation.The Right to Sex: Feminism in the Twenty-First Century is a provocation and a promise, transforming many of our most urgent political debates and asking what it might mean to be free.

    Includes special bonus material!Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation.In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness.

    The role of both men and women, in her view, was to find the work for which they were suited and to do it. While Sayers did not devote a great deal of time to talking or writing about feminism, she did explicitly address the issue of women's role in society in the two penetrating essays collected here. Though she wrote several decades ago, she still offers in her piquant style a sensible and conciliatory approach to ongoing gender issues.

    Now, just one month later, she is the city's latest Jane Doe, an unidentified murder victim.Ruby Jones is also trying to start over; she travelled halfway around the world only to find herself lonelier than ever. Until she finds Alice's body by the Hudson River.From this first, devastating encounter, the two women form an unbreakable bond. Alice is sure that Ruby is the key to solving the mystery of her life - and death. And Ruby - struggling to forget what she saw that morning - finds herself unable to let Alice go. Not until she is given the ending she deserves.Before You Knew My Name doesn't ask whodunnit. Instead, this powerful, hopeful novel asks: Who was she? And what did she leave behind? The answers might surprise you.

    In ‘Water’, a futuristic world is imagined and the fate of a people threatened. In ‘Light’, familial ties are challenged and characters are caught between a desire for freedom and a sense of belonging.Heat and Light presents an intriguing collection while heralding the arrival of an exciting new talent in Australian writing.

    A year later, he heard that the man had been murdered – and what was more, the killer was black.At first the murder seemed a twist on the old Deep South race crimes. But then more news rolled in. Maybe it was a dispute over money, or most intriguingly, over sex. Could the infamous racist actually have been secretly gay, with a thing for black men? Did Safran have the last footage of him alive? Could this be the story of a lifetime? Seizing his Truman Capote moment, he jumped on a plane to cover the trial.Over six months, Safran got deeper and deeper into the South, becoming entwined in the lives of those connected with the murder – white separatists, black campaigners, lawyers, investigators, neighbours, even the killer himself. And the more he talked with them, the less simple the crime, and the world, seemed.Murder in Mississippi is a brilliantly innovative true-crime story. Taking us places only he can, Safran paints an engrossing, revealing portrait of a dead man, his murderer, the place they lived and the process of trying to find out the truth about anything.

    A remarkable book of the history of women convicts transported to Australia to keep company with the many more males convicts.

    In the sparsely populated northern Queensland town of Desperance, loyalties run deep and battle lines have been drawn between the powerful Phantom family, leaders of the Westend Pricklebush people, and Joseph Midnight's renegade Eastend mob, and their disputes with the white officials of neighboring towns. Steeped in myth and magical realism, Wright's hypnotic storytelling exposes the heartbreaking realities of Aboriginal life. By turns operatic and everyday, surreal and sensational, the novel teems with extraordinary, larger-than-life characters. From the outcast savior Elias Smith, religious zealot Mossie Fishman, and murderous mayor Bruiser to activist Will Phantom and Normal Phantom, ruler of the family, these unforgettable characters transcend their circumstances and challenge assumptions about the downtrodden "other." Trapped between politics and principle, past and present, the indigenous tribes fight to protect their natural resources, sacred sites, and above all, their people. Already an international bestseller, Carpentaria has garnered praise from around the world.

    It's a "Brotopia," where men hold all the cards and make all the rules. Vastly outnumbered, women face toxic workplaces rife with discrimination and sexual harassment, where investors take meetings in hot tubs and network at sex parties.In this powerful exposé, Bloomberg TV journalist Emily Chang reveals how Silicon Valley got so sexist despite its utopian ideals, why bro culture endures despite decades of companies claiming the moral high ground (Don't Be Evil! Connect the World!)--and how women are finally starting to speak out and fight back.Drawing on her deep network of Silicon Valley insiders, Chang opens the boardroom doors of male-dominated venture capital firms like Kleiner Perkins, the subject of Ellen Pao's high-profile gender discrimination lawsuit, and Sequoia, where a partner once famously said they "won't lower their standards" just to hire women. Interviews with Facebook COO Sheryl Sandberg, YouTube CEO Susan Wojcicki, and former Yahoo! CEO Marissa Mayer--who got their start at Google, where just one in five engineers is a woman--reveal just how hard it is to crack the Silicon Ceiling. And Chang shows how women such as former Uber engineer Susan Fowler, entrepreneur Niniane Wang, and game developer Brianna Wu, have risked their careers and sometimes their lives to pave a way for other women.Silicon Valley's aggressive, misogynistic, work-at-all costs culture has shut women out of the greatest wealth creation in the history of the world. It's time to break up the boys' club. Emily Chang shows us how to fix this toxic culture--to bring down Brotopia, once and for all.

    Little by little the two sisters grow complicit with his obsessions, his cruelty, his need to control.Set in the leafy northern suburbs of Sydney during the 1940's, The Watch Tower is a novel of relentless and acute psychological power.

    A portrayal of the reality behind the rhetoric, her essays also chronicle the consequences of these regimes: The Berlin Wall may have fallen, but ideology cannot be dismantled so quickly, and a lifetime lived in fear cannot be so easily forgotten.Many of the pieces focus on the intense connection Drakulic discovers between material things and the expression of one’s spirit, individuality, and femininity—an inevitable byproduct of a lifestyle that, through its rejection of capitalism and commoditization, ends up fetishizing both. She describes the moment one man was able, for the first time in his life, to eat a banana: He gobbled it down, skin and all, enthralled by its texture. Drakulic herself marvels at finding fresh strawberries in N.Y.C. in December, and the feel of the quality of the paper in an issue of Vogue.As Drakulic delves into the particular hardships facing women—who are not merely the victims of sexism, but of regimes that prevent them from having even the most basic material means by which to express themselves—she describes the desperate lengths to which they would go to find cosmetics or clothes that made them feel feminine in a society where such a feeling was regarded as a bourgeois affectation. There is small room for privacy in communal housing, and the banishment of many time-saving devices, combined with a focus on manual labor, meant women were slaves to domestic responsibility in a way that their Western peers would find unfathomable. From this vantage point, she provides a pointed critique of Western feminism as a movement borne out of privilege.How We Survived Communism and Even Laughed is a compelling, brilliant account of what it was really like to live under Communist rule and its inevitable repercussions.

    Louis journalist Sarah Kendzior tackles issues including labor exploitation, racism, gentrification, media bias and other aspects of the post-employment economy. Sample titles: "The Peril of Hipster Economics", "The Wrong Kind of Caucasian", "Survival is Not an Aspiration". "Mothers Are Not 'Opting Out' -- They Are Out of Options", "Academia's Indentured Servants", "Meritocracy for Sale", "The Immorality of College Admissions", "Expensive Cities Are Killing Creativity". A former columnist for Al Jazeera English, Kendzior has spent years chronicling an America of diminishing opportunities. This collection contains the best of her work.