McCauleySPILL SITE by Matthew C. FunkA CLEAN WHITE SUN by Mike WilkersonLUCK by Johnny ShawPLUS: an exclusive first look at Tyrus Books upcoming novel from Todd Robinson, THE HARD BOUNCE

    They were never seen again. The father of one of the boys has hired New York private eye Joe Dunne to find the men responsible and kill them.

    Suffering from amnesia, accused of murder, and the object of a deadly pursuit, he must overcome the crime that time has thrust upon him...

    

    The poster art from the noir era has a bold look and an iconography all its own. During noir's golden age, studios commissioned these arresting illustrations for even the lowliest "B" thriller. The Art of Noir is the first book to present this striking artwork in a lavishly produced, large-format, full-color volume. The more than 300 dazzling posters and other promotional material range from the classics to rare archive films such as The Devil Thumbs a Ride and Blonde Kiss. With rare offerings from around the world and background information on the illustrators, The Art of Noir is the ultimate companion for movie buffs and collectors, as well as artists and designers.

    His stories opened up crime fiction to the realities of American streets and American speech. Now The Library of America collects the finest of them: 24 in all, along with some revealing essays and an early version of his novel The Thin Man. The texts, reprinted here for the first time, are those that appeared originally in the pulps, without the cuts and revisions introduced by later editors.Hammett's years of experience as a Pinkerton detective give even his most outlandishly plotted mysteries a gritty credibility. Mixing melodramatic panache and poker-faced comedy, his stories are hard-edged entertainment for an era of headlong change and extravagant violence, tracking the devious, nearly nihilistic exploits of con men and blackmailers, slumming socialites and deadpan assassins. As guide through this underworld he created the Continental Op, the nameless and deliberately unheroic detective separated from the brutality and corruption around him only by his professionalism.

    Ranchers find fifteen-year-old Lori Perkins in the wilderness on the edge of death. When she awakens, she tells a grizzly story of murder, vengeance and a ghostly rider that killed her family. Beside himself, Sheriff Rufus Mackie calls upon a mysterious Hunter to deal with the revenant that apparently is still stalking Lori. Hunter leads Elizabeth Winslow who nursed Lori back to health and her son Jonah who is the same age as Lori and heavily crushing on her along with Sheriff Mackie and Lori back to Lori’s family farm. What they find shocks everyone. Badlands: The Hunter is a 9,000-word short story that introduces readers to Hunter, the main character of the upcoming Badlands novel series. This story is the first of six leading to the premiere of the first novel Badlands: Comes the Hunter, coming soon.

    A year later, as a member of Britain's elite No. 3 Commando, Lynch wants nothing more than to go back over the Channel and kick open Hitler's Fortress Europe, guns blazing. Introduced by his commanding officer to the enigmatic Lord Pembroke, Lynch is offered a chance to be part of a special team of hand-picked Commandos. Their assignment: sneak into occupied France and ally with the French partisans to fight back against the Nazis. Lynch readily accepts the challenge, but when the mission goes awry from the very beginning, and the motives of the partisan leader become suspect, the Commandos begin to wonder about their role in the mission: trusted allies with the partisans, or worms dangling as bait for a hungry fish?COMMANDO: Operation Arrowhead is a military action - adventure novel written in the spirit of classic war movies and wartime pulp adventure fiction.

    I Should Have Stayed Home tells the story of two jobless roommates and movie extras. After Mona gains notoriety for cursing a judge during a friend?s trial, she and Ralph are introduces to Hollywood society. Ralph battles with his own corruption and loss of principle, while Mona serves as his conscience, warning him against himself and the temptations of success.

    President Roosevelt musters the captains of industry and leading scientists to find a way to turn back the Martian tide

    Where romance met with soft porn there was also a surprisingly large population of butch brunettes pursuing and seducing blond femmes. This was an alternate universe of erotic pulp fiction where gals and dolls were exploring the illicit pleasures of lesbian love -- much to the delight of a largely male, heterosexual readership. Before the sexual revolution of the 1960s, these books offered a thrilling peek into the deviant underworld of wild passion and scandalous sex.

    Adapted from the James M. Cain novel by director Wilder and novelist Raymond Chandler, it tells the story of an insurance salesman, played by Fred MacMurray, who is lured into a murder-for-insurance plot by Barbara Stanwyck, in an archetypal femme fatale role. From its grim story to its dark, atmospheric lighting, Double Indemnity is a definitive example of World War II-era film noir. Wilder's approach is everywhere evident: in the brutal cynicism the film displays, the moral complexity, and in the empathy we feel for the killers. The film received almost unanimous critical success, garnering seven Academy Award nominations. More than fifty years later, most critics agree that this classic is one of the best films of all time. The collaboration between Wilder and Raymond Chandler produced a masterful script and some of the most memorable dialogue ever spoken in a movie. This facsimile edition of Double Indemnity contains Wilder and Chandler's original -- and quite different -- ending, published here for the first time. Jeffrey Meyers's introduction contextualizes the screenplay, providing hilarious anecdotes about the turbulent collaboration, as well as background information about Wilder and the film's casting and production.

    Originally published in the October, 1933 issue of The Spider.

    Please read all the way through.)) Alex is dead. Dead, and apparently with a one way ticket to a place that only the worst of the worst go. All for a simple choice he made about a product his company owned. Damned for all time. Luckily for him, he’s about to be given a chance. Another choice to make. He can instead, return to the land of the living, though his soul would belong to another. Except the world he’s being sent to, isn’t the same one he came from. It’s not even a similar period in time, but from something long past in history. The dark ages. And part of the deal to live again, is to make pacts with others. Pacts that would bind others in secrecy. That they could never speak of what they'd done. Deals for anything, and everything. From things as simple as a meal, to their very lives. How much would you give of yourself to live on in the world is an easy question. The better question, is how much would you take from others? If Alex wants to keep living, to keep his soul from being sent to the darkest corner of hell, he’ll have to ask himself that question. Daily. Warning: This novel explores dark subjects, and what people will give up of themselves, and each other, to get what they want. The main character is written as a real person in a tough situation, and will not make choices that line up with societal and cultural norms. It contains adult themes and moral ambiguities. As with my previous work, explicit scenes are found within. It has violence and a harem relationship. This is the Omnibus edition of the 1st Fostering Faust Trilogy. It contains all three books of the first trilogy. Only the description of the first book has been included to prevent spoilers from occurring. (Product Page for Book 1: https://www.amazon.com/gp/product/B07...) (Product Page for Book 2: https://www.amazon.com/gp/product/B07...) (Product Page for Book 3: https://www.amazon.com/gp/product/B07...)

    Not with his wife, Amy, and especially not with their asshole friend, Scott. Lawyers all three, they were more likely to strip their opponents of pride, not clothing.Not that Ben wasn't intrigued--especially in the company of two attractive couples with a history of flirtation. He'd love to see either woman naked; he just wasn't sure how he felt about the guys ogling his wife. But when the wine begins to flow, inhibitions loosen, and clothes start coming off, he discovers a part of himself that's turned on by the attention Amy commands.Soon, the three couples are caught in the throes of high-stakes poker. Secrets come out, things get wild, and Ben discovers a side of his wife he never knew existed.