Maximilien Aue has reinvented himself, many years after the war, as a middle-class family man and factory owner in France. An intellectual steeped in philosophy, literature, and classical music, he is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man we experience in disturbingly precise detail the horrors of the Second World War and the Nazi genocide of the Jews. Eichmann, Himmler, Göring, Speer, Heydrich, Höss—even Hitler himself—play a role in Max's story. An intense and hallucinatory historical epic, The Kindly Ones is also a morally challenging read. It holds a mirror up to humanity—and the reader cannot look away.

    As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

    Comparing Vittorini's work to Picasso's, Italo Calvino described Conversations as "the book-Guernica."The novel begins at a time in the narrator's life when nothing seems to matter; whether he is reading newspaper posters blaring of wartime massacres, lying in bed with his wife or girlfriend, or flipping through the pages of a dictionary it is all the same to him—until he embarks on a journey back to Sicily, the home he has not seen in some fifteen years. In traveling through the Sicilian countryside and in variously hilarious and tragic conversations with its people—his indomitable mother in particular—he reconnects with his roots and rediscovers some basic human values.In the introduction Hemingway wrote for the American debut of Conversations (published as In Sicily by New Directions in 1949) he remarked: "I care very much about Vittorini's ability to bring rain with him when he comes, if the earth is dry and that is what you need." More recently, American critic Donald Heiney wrote that in this one book, Vittorini "like Rabelais and Cervantes...adds a new artistic dimension to the history of literature."

    Ottavia Salina is called upon by the highest levels of the Roman Catholic Church to decipher the scars found on an Ethiopian man's corpse: seven crosses and seven Greek letters.The markings, symbolizing the Seven Deadly Sins, are part of an elaborate initiation ritual for the Staurofilakes, the clandestine brotherhood hiding the True Cross for centuries, headed by a secretive figure called Cato.With the help of a member of the Swiss Guard and a renowned archaeologist, Dr. Salina uncovers the connection between the brotherhood and Dante's Divine Comedy, and races across the globe to Christianity's ancient capitals. Together, they will face challenges that will put their faith—and their very lives—to the ultimate test.

    Now, 30 years later, Puzo enriches us all with his ultimate vision of the subject: the story of the greatest crime family in Italian history, the Borgias.In The Family, this singular novelist transports his readers back to 15th century Rome, and reveals to us the extravagance and intrigue of the Vatican as surely as he once revealed the secrets of the Mafia. At the story's center is Rodrigo Borgia, Pope Alexander VI, a man whose lustful appetites were matched only by his consuming love of family. Surrounding him are his extraordinary children: simple, unloved Jofre; irascible, heartless Juan; beautiful, strong-willed Lucrezia; and passionate warrior Cesare, Machiavelli's friend and inspiration. Their stories constitute a symphony of human emotion and behavior, from pride to romance to jealousy to betrayal and murderous rage.A labor of love two decades in the making, The Family marks the final triumph of one of the greatest storytellers of our time.

    Thrust into the closed society that is seventeenth-century Japan, a land where the line between life and death is razor-thin, Blackthorne must negotiate not only a foreign people, with unknown customs and language, but also his own definitions of morality, truth, and freedom. As internal political strife and a clash of cultures lead to seemingly inevitable conflict, Blackthorne's loyalty and strength of character are tested by both passion and loss, and he is torn between two worlds that will each be forever changed.Powerful and engrossing, capturing both the rich pageantry and stark realities of life in feudal Japan, Shōgun is a critically acclaimed powerhouse of a book. Heart-stopping, edge-of-your-seat action melds seamlessly with intricate historical detail and raw human emotion. Endlessly compelling, this sweeping saga captivated the world to become not only one of the best-selling novels of all time but also one of the highest-rated television miniseries, as well as inspiring a nationwide surge of interest in the culture of Japan. Shakespearean in both scope and depth, Shōgun is, as the New York Times put it, "...not only something you read--you live it." Provocative, absorbing, and endlessly fascinating, there is only one: Shōgun.

    Still, she was a mere servant, and now (as this story begins) she is dead.As the details unfold about this mysterious woman, The Almond Picker assumes the witty suspense of a thriller, the emotional power of a love story, and the evocative atmosphere of a historical novel. Set in Sicily in the 1960s, a violent, complicated society in the midst of tumultuous change, The Almond Picker is the story of a woman who negotiated for her freedom as no one else dared.

    THE ROAD TO JERUSALEM covers his childhood and education at the Cistercian monastry of Varnhem. There he is taught the best of spiritual and worldly learning, as well as being trained to become a master archer and swordsman by the giant Brother Guilbert, a former knight. At seventeen, equipped to become a monk or a warrior, Arn returns home, a young man and yet an innocent in the ways of the world. Two sisters cross his path: one seduces him, while with the other sister, Cecilia, he falls deeply in love. In loving two sisters he has committed a crime punishable by both civil and clerical authorities, and he is sentenced to serve 20 years as a Knight Templar in the Holy Land.

    The stories are told in a country villa outside the city of Florence by ten young noble men and women who are seeking to escape the ravages of the plague. Boccaccio's skill as a dramatist is masterfully displayed in these vivid portraits of people from all stations in life, with plots that revel in a bewildering variety of human reactions.Translated with an Introduction and Notes by G. H. McWilliam

    But when he sets out to find the author's other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax's books in existence. Soon Daniel's seemingly innocent quest opens a door into one of Barcelona's darkest secrets--an epic story of murder, madness, and doomed love.--back cover

    Outside the Smolny Institute for Noble Young Ladies, an English governess is waiting for her young charge to be released from school. But so are the Tsar’s secret police… Beautiful and headstrong, Sashenka Zeitlin is just sixteen. As her mother parties with Rasputin and her dissolute friends, Sashenka slips into the frozen night to play her part in a dangerous game of conspiracy and seduction. Twenty years on, Sashenka has a powerful husband with whom she has two children. Around her people are disappearing, but her own family is safe. But she's about to embark on a forbidden love affair which will have devastating consequences. Sashenka's story lies hidden for half a century, until a young historian goes deep into Stalin's private archives and uncovers a heart-breaking tale of passion and betrayal, savage cruelty and unexpected heroism - and one woman forced to make an unbearable choice.

     Milan, 1497: Leonardo is completing The Last Supper. Pope Alexander VI is determined to execute him after realizing that the painting contains clues to a baffling -- and blasphemous -- message that he is driven to decode. The Holy Grail and the Eucharistic Bread are missing, there is no meat on the table, and the apostles, shockingly, are portraits of well-known heretics -- and none of them are depicted with halos. And why has the artist painted himself into the scene with his back turned toward Jesus? The clues to Leonardo's greatest puzzle are right before your eyes....

    It was made into a play, a Broadway as well as a Hollywood musical, and a fabulous movie starring Rosalind Russell. Since then, Mame has taken her rightful place in the pantheon of Great and Important People as the world's most beloved, madcap, devastatingly sophisticated, and glamorous aunt. She is impossible to resist, and this hilarious story of an orphaned ten-year-old boy sent to live with his aunt is as delicious a read in the twenty-first century as it was in the 1950s.

    Unjustly neglected today, Tasso's epic poem 'Jerusalem Delivered'(first published in 1581) is set in the 11th century and tells the story of the First Crusade and the siege which gave Christian armies control over Jerusalem and the Holy Lands for a time.As in other epic poems, 'Jerusalem Delivered' deftly mixes history and myth. Tasso's heroes - Godfrey, leader of the Christian armies; Rinaldo, bravest of the Christian warriors; and Tancred, the Italian prince who falls in love with the pagan warrioress Clorinda, whom he eventually (andsimultaneously) converts and kills - must face not only the Saracens and their allies, but also a host of fearsome and manipulative devils, demons, and sorcerers. This is a sweeping and often thrilling tale of war, faith, love, and sex that easily rivals its classical predecessors. Writing at a time when Christianity was bitterly divided, Tasso was naturally concerned with the nature of leadership and loyalty, with the importance of sacrifice, with the evils of corruption, and with the existence of truth, themes that continue to resonate today. No wonder that for three centuries, 'Jerusalem Delivered' was considered the great modern epic. Indeed, Spenser borrowed scenes and episodes from this poem in writing the 'Faerie Queen', and Milton was greatly influenced by Tasso when writing his own Christian epic, 'Paradise Lost'.English-language readers who are familiar with Tasso's grand romance have until now known it only through a verse translation by English poet Edward Fairfax published in 1600. In order to fit Tasso's stanzas into the then popular Spenserian verse form, Fairfax had to alter the original poem considerably. Now, 400 years later, Anthony Esolen presents a new translation that transforms 'Jerusalem Delivered' into an English-language masterpiece. The first major verse translation into English since Fairfax's, Esolen's version is both more true to its original source and more fluid than that of hisElizabethan predecessor. Esolen has translated 'Jerusalem Delivered' with the care of poet, capturing the delight of Tasso's descriptions, the different voices of its cast of characters, the shadingsbetween glory and tragedy, and does them all in an English as powerful as Tasso's Italian. Esolen's will immediately be acclaimed as the definitive translation of this powerful work of faith and war. Like theFagles 'Iliad' and 'Odyssey', the Pinsky 'Inferno', and Seamus Heaney's imaginative new rendering of 'Beowulf', Anthony Esolen's bold, fast-moving, and faithful translation of Tasso'sCrusade-era adventure will introduce a new generation of readers to a masterpiece of world literature.

    From extraordinary highs - patronage by the Medicis, friendship with Galileo and, most importantly of all, beautiful and outstandingly original paintings - to rape by her father's colleague, torture by the Inquisition, life-long struggles for acceptance by the artistic Establishment, and betrayal by the men she loved, Artemisia was a bold and brilliant woman who lived as she wanted, and paid a high price.