Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

    Ghosts, ghouls, incubi: all have one thing in common. They know Booth for one of their own . . .

    Featuring Joyce Carol Oates, Josh Malerman, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand and more. A collection of new and exclusive short stories inspired by, and in tribute to, Shirley Jackson. Shirley Jackson is a seminal writer of horror and mystery fiction, whose legacy resonates globally today. Chilling, human, poignant and strange, her stories have inspired a generation of writers and readers. This anthology, edited by legendary horror editor Ellen Datlow, will bring together today’s leading horror writers to offer their own personal tribute to the work of Shirley Jackson. Featuring Joyce Carol Oates, Josh Malerman, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand, Cassandra Khaw, Karen Heuler, Benjamin Percy, John Langan, Laird Barron, M. Rickert, Seanan McGuire, and Genevieve Valentine.

    Adopted by colleges across the country to be used in literature courses, The Dark Descent showcases some of the finest horror fiction ever written.Contents: Pt. 1 - The Color of EvilThe Reach / Stephen KingEvening Primrose / John CollierThe Ash-Tree / M. R. JamesThe New Mother / Lucy CliffordThere's a Long, Long Trail A-winding / Russell KirkThe Call of Cthulhu / H. P. LovecraftThe Summer People / Shirley JacksonThe Whimper of Whipped Dogs / Harlan EllisonYoung Goodman Brown / Nathaniel HawthorneMr. Justice Harbottle / J. Sheridan Le FanuThe Crowd / Ray BradburyThe Autopsy / Michael SheaJohn Charrington's Wedding / E. NesbitSticks / Karl Edward WagnerLarger Than Oneself / Robert AickmanBelsen Express / Fritz LeiberYours Truly, Jack the Ripper / Robert BlochIf Damon Comes / Charles L. GrantVandy, Vandy / Manly Wade WellmanPt. 2 - The Medusa in the ShieldThe Swords / Robert AickmanThe Roaches / Thomas M. DischBright Segment / Theodore SturgeonDread / Clive BarkerThe Fall of the House of Usher / Edgar Allan PoeThe Monkey / Stephen KingWithin the Walls of Tyre / Michael BishopThe Rats in the Walls / H. P. LovecraftSchalken the Painter / J. Sheridan Le FanuThe Yellow Wallpaper / Charlotte Perkins GilmanA Rose for Emily / William FaulknerHow Love Came to Professor Guildea / Robert HichensBorn of Man and Woman / Richard MathesonMy Dear Emily / Joanna RussYou Can Go Now / Dennis EtchisonThe Rocking-Horse Winner / D. H. LawrenceThree Days / Tanith LeeGood Country People / Flannery O'ConnorMackintosh Willy / Ramsey CampbellThe Jolly Corner / Henry JamesPt. 3 - A Fabulous Formless Darkness Smoke Ghost / Fritz LeiberSeven American Nights / Gene WolfeThe Signal-Man / Charles DickensCrouch End / Stephen KingNight-Side / Joyce Carol OatesSeaton's Aunt / Walter de la MareClara Militch / Ivan TurgenevThe Repairer of Reputations / Robert W. ChambersThe Beckoning Fair One / Oliver OnionsWhat Was It? / Fitz-James O'BrienThe Beautiful Stranger / Shirley JacksonThe Damned Thing / Ambrose BierceAfterward / Edith WhartonThe Willows / Algernon BlackwoodThe Asian Shore / Thomas M. DischThe Hospice / Robert AickmanA Little Something for Us Tempunauts / Philip K. Dick

    Across the city, abandoned factories populate the skyline; meanwhile at the shore, one strong spark, and the Cuyahoga River might catch fire. But none of that compares to what’s happening in their own west side neighborhood. The girls Phoebe and Jacqueline have grown up with are changing. It starts with footprints of dark water on the sidewalk. Then, one by one, the girls’ bodies wither away, their fingernails turning to broken glass, and their bones exposed like corroded metal beneath their flesh.As rumors spread about the grotesque transformations, soon everyone from nosy tourists to clinic doctors and government men start arriving on Denton Street, eager to catch sight of “the Rust Maidens” in metamorphosis. But even with all the onlookers, nobody can explain what’s happening or why—except perhaps the Rust Maidens themselves. Whispering in secret, they know more than they’re telling, and Phoebe realizes her former friends are quietly preparing for something that will tear their neighborhood apart.Alternating between past and present, Phoebe struggles to unravel the mystery of the Rust Maidens—and her own unwitting role in the transformations—before she loses everything she’s held dear: her home, her best friend, and even perhaps her own body.

    Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story.Since his first collection, Nightshift, published thirty-five years ago, Stephen King has dazzled readers with his genius as a writer of short fiction. In this new collection he assembles, for the first time, recent stories that have never been published in a book. He introduces each with a passage about its origins or his motivations for writing it.There are thrilling connections between stories; themes of morality, the afterlife, guilt, what we would do differently if we could see into the future or correct the mistakes of the past. “Afterlife” is about a man who died of colon cancer and keeps reliving the same life, repeating his mistakes over and over again. Several stories feature characters at the end of life, revisiting their crimes and misdemeanors. Other stories address what happens when someone discovers that he has supernatural powers—the columnist who kills people by writing their obituaries in “Obits;” the old judge in “The Dune” who, as a boy, canoed to a deserted island and saw names written in the sand, the names of people who then died in freak accidents. In “Morality,” King looks at how a marriage and two lives fall apart after the wife and husband enter into what seems, at first, a devil’s pact they can win.Magnificent, eerie, utterly compelling, these stories comprise one of King’s finest gifts to his constant reader—“I made them especially for you,” says King. “Feel free to examine them, but please be careful. The best of them have teeth.”

    Here are over 20 stories and short novels by the masters of gore, including Ramsey Campbell, Dennis Etchison, F. Paul Wilson, Brian Lumley, Tanith Lee and John Kaine. This classic Mammoth title features new and previously uncollected stories from some of the biggest and brightest names on both sides of the Atlantic, as well as classics from acknowledged masters.The contents include:Fruiting Bodies by Brian LumleyNeedle Song by Charles L. GrantTurbo-Satan by Christopher FowlerTalking In The Dark by Dennis EtchisonThe Circus by Sydney J. BoundsFoet by F. Paul WilsonThe Candle In The Skull by Basil CopperThe Chimney by Ramsey CampbellDark Wings by Phyllis EisensteinReflection Of Evil by Graham MastertonMirror Of The Night by E.C. TubbMaypole by Brian MooneyUnder The Crust by Terry LamsleyTir Nan Og by Lisa TuttleA Living Legend by R. Chetwynd-HayesWake-Up Call by David J. SchowThe Fourth Seal by Karl Edward WagnerUnlocked by Tanith Lee & John KaiineClosing Time by Neil GaimanIt Was The Heat by Pat CadiganFodder by Tim Lebbon & Brian KeeneOpen Doors by Michael Marshall SmithAndromeda Among The Stones by Caitlín R. KiernanFlowers On Their Bridles, Hooves In The Air by Glen HirshbergAmerikanski Dead At The Moscow Morgue Or: Children Of Marx And Coca–Cola by Kim NewmanAmong The Wolves by David Case

    Gabe has brought his wife, Eve, and daughters, Loren and Cally, down to Devon, to the peaceful seaside village of Hollow Bay. He can work and Eve and the kids can have some peace and quiet and perhaps they can try, as a family, to come to terms with what's happened to them...Crickley Hall is an unusually large house on the outskirts of the village at the bottom of Devil's Cleave, a massive tree-lined gorge - the stuff of local legend. A river flows past the front garden. It's perfect for them...if it a bit gloomy. And Chester, their dog, seems really spooked at being away from home. And old houses do make sounds. And it's constantly cold. And even though they shut the cellar door every night, it's always open again in morning The Secret of Crickley Hall is James Herbert's finest novel to date. It explores the darker, more obtuse territories of evil and the supernatural. With brooding menace and rising tension, he masterfully and relentlessly draws the reader through to the ultimate revelation one that will stay to chill the mind long after the book has been laid aside.

    And that's a scary place to be.

    They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death.Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end future in this one-horse town. He's willing to risk everything, including his life, to be a winner for once. But before the night is over, Pete will look into the saw-toothed face of horror - and discover the terrifying true secret of the October Boy...

    Ellen Datlow, Kelly Link, and Gavin Grant continue this critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field, nearly four dozen works ranging from fairy tales to gothic horror, from magic realism to dark tales in the Grand Guignol style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, and sections on graphic novels, by Charles Vess; on anime and manga, by Joan D. Vinge; on media, by Ed Bryant; and on music, by Charles de Lint. With a long list of Honorable Mentions, this is an indispensable reference as well as the best reading available in fantasy and horror.Isabel Allende   Laird Barron   Elizabeth Bear    Andrew Bonia   Chaz Brenchley   Tom Brennan   Jack Cady   Jennifer Chang Robert Coover  Albert E. Cowdrey   Kelly Everding   Jeffrey Ford    Theodora Goss  Elizabeth Hand  Joe Hill   Glen Hirshberg   Pentti Holappa  Dave Hutchinson   China Miéville, Emma Bircham, and Max Schäfer  Sarah Monette  Ralph Robert Moore  Adam L.G. Nevill   Kim Newman  Reggie Oliver   Chuck Palahniuk   Stacey Richter  Barbara Roden  Deborah Roggie   Jay Russell  Geoff Ryman   Mark Samuels   Willa Schneberg   Nisi Shawl   Delia Sherman  Bruce Sterling   Howard Waldrop  Daniel Wallace   Marley Youmans

    The Lonesome Place by August Derleth c. 1947 by All-Fiction Field, Inc. and c. 1962 by August Derleth. Reprinted by permission of Arkham House.2. In The Vault by H. P. Lovecraft c. 1932 by Popular Fiction Publishing Company, c. 1939, 1945 by August Derleth and Donald Wondrei; c. 1963 by August Derleth. Reprinted by permission of Arkham House.3. The Man Who Collected Poe by Robert Bloch, c. 1951 by Popular Publications, Inc. Reprinted by permission of the author's agent, Harry Altshuler.4. Where Angels Fear by Manly Wade Wellman, from "Unknown". Copyright 1939 by Street & Smith Publications, Inc.; c. renewed 1967 by The Conde Nast Publications, Inc. Reprinted by permission of The Conde Nast Publications, Inc.5. Lot No. 249 by Sir Arthur Conan Doyle from "The Conan Doyle Stories". Reprinted by permission of the Trustees of the Estate of Sir Arthur Conan Doyle and John Murray, Ltd.6. The Haunted Doll's House by M. R. James from "The Collected Ghost Stories of M. R. James" by Montagne Rhodes James. Reprinted by permission of Edward Arnold (Publishers) Ltd.7. The Open Door by Mrs. Oliphant8. Thus I Refute Beelzy by John Collier from "Fancies and Goodnights". Copyright 1940 by John Collier. Reprinted by permission of the Harold Matson Company.9. Levitation from "Nine Horrors and a Dream" by Joseph Payne Brennen. Copyright 1958 by Joseph Payne Brennen. Reprinted by permission of Arkham House.10. The Ghostly Rental by Henry James11. The Face by E. F. Benson from "Spook Stories". Reprinted by permission of Reverend K. S. P. McDowall.12. The Whistling Room by William Hope Hodgson. Copyright 1947 by August Derleth. Reprinted by permission of Arkham House.13. The Grey Ones by J. B. Priestley. Reprinted by permission of A. D. Peters & Co.14. The Stolen Body by H. G. Wells. Reprinted by permission of Collins-Knowlton-Wing, Inc.15. The Red Lodge from "They Return at Evening" by H. Russell Wakefield. Copyright 1928 by D. Appleton and Company. Reprinted by permission of Appleton-Century, affiliate of Meredith Press.16. The Visiting Star from "Powers of Darkness" by Robert Aickman. Copyright 1966 by Robert Aickman. Reprinted by permission of William Collins & Sons, Ltd.17. Midnight Express by Alfred Noyes. Reprinted by permission of Hugh Noyes.

    The pale and secretive Lavinia wanders through the woods, Asenath is a precocious teenager with an attitude, and the Ancient Egyptian pharaoh Nitocris has found a new body in distant America. And do you have time to hear a word from our beloved mother Shub-Niggurath?Defiant, destructive, terrifying, and harrowing, the women in She Walks in Shadows are monsters and mothers, heroes and devourers. Observe them in all their glory. Iä! Iä!TABLE OF CONTENTS“Bitter Perfume” Laura Blackwell“Violet is the Color of Your Energy” Nadia Bulkin“Body to Body to Body” Selena Chambers“Magna Mater” Arinn Dembo“De Deabus Minoribus Exterioris Theomagicae” Jilly Dreadful“Hairwork” Gemma Files“The Head of T’la-yub” Nelly Geraldine García-Rosas (translated by Silvia Moreno-Garcia)“Bring the Moon to Me” Amelia Gorman“Chosen” Lyndsey Holder“Eight Seconds” Pandora Hope“Cthulhu of the Dead Sea” Inkeri Kontro“Turn out the Lights” Penelope Love“The Adventurer’s Wife” Premee Mohamed“Notes Found in a Decommissioned Asylum, December 1961″ Sharon Mock“The Eye of Juno” Eugenie Mora“Ammutseba Rising” Ann K. Schwader“Cypress God” Rodopi Sisamis“Lavinia’s Wood” Angela Slatter“The Opera Singer” Priya Sridhar“Provenance” Benjanun Sriduangkaew“The Thing in The Cheerleading Squad” Molly Tanzer“Lockbox” E. Catherine Tobler“When She Quickens” Mary Turzillo“Shub-Niggurath’s Witnesses” Valerie Valdes“Queen of a New America” Wendy N. Wagner

    K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.

    of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle.The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.Preface to Hauntings (1890) -- Amour dure (1887, 1890) -- Dionea (1890) -- Oke of Okehurst (1886, 1890) -- A wicked voice (1887, 1890) -- Prince Alberic and the snake lady (1896) -- A wedding chest (1904) -- Preface to The virgin of the seven daggers (1927) -- The virgin of the seven daggers (1896, 1909,1927) -- Appendix A: From Algernon Charles Swinburne, "Notes on designs of the old masters at Florence" (1868, 1875) -- Appendix B: From Walter Pater, "Pico della Mirandula" (1871, 1873) -- Appendix C: From Walter Pater, "Lionardo da Vinci" (1869, 1873) -- Appendix D: Vernon Lee, "Faustus and Helena: notes on the supernatural in art" (1880, 1881) -- Appendix E: A. Mary F. Robinson, "Before a bust of Venus" (1881) -- Appendix F: Eugene Lee-Hamilton, "The mandolin" (1882) -- Appendix G: A. Mary F. Robinson, "The ladies of Milan" (1889) -- Appendix H: Eugene Lee-Hamilton, "On a surf-rolled torso of Venus" (1884, 1894) -- Appendix I: Vernon Lee, "Out of Venice at last" (1925).