Now Beah, whom Dave Eggers has called “arguably the most read African writer in contemporary literature,” has returned with his first novel, an affecting, tender parable about postwar life in Sierra Leone.At the center of Radiance of Tomorrow are Benjamin and Bockarie, two longtime friends who return to their hometown, Imperi, after the civil war. The village is in ruins, the ground covered in bones. As more villagers begin to come back, Benjamin and Bockarie try to forge a new community by taking up their former posts as teachers, but they’re beset by obstacles: a scarcity of food; a rash of murders, thievery, rape, and retaliation; and the depredations of a foreign mining company intent on sullying the town’s water supply and blocking its paths with electric wires. As Benjamin and Bockarie search for a way to restore order, they’re forced to reckon with the uncertainty of their past and future alike.With the gentle lyricism of a dream and the moral clarity of a fable, Radiance of Tomorrow is a powerful novel about preserving what means the most to us, even in uncertain times.

    In Chronicler of the Winds, he gives us something different: a beautifully crafted novel that is a testament to the power of storytelling itself. On the rooftop of a theater in an African port, a ten-year-old boy lies slowly dying of bullet wounds. He is Nelio, a leader of street kids, rumored to be a healer and a prophet, and possessed of a strangely ancient wisdom.One of the millions of poor people “forced to eat life raw,” Nelio tells his unforgettable story over the course of nine nights. After bandits cruelly raze his village, he joins the legions of abandoned children living in the city’s streets. An act of the imagination, an effort to prove to his comrades that life must be more than mere survival, cuts short Nelio’s life.Already published in thirteen countries, Chronicler of the Winds was shortlisted for the Nordic Council Prize for Literature and was nominated for the Swedish Publishers Association’s August Prize.

    Whistling and thundering, a snake-like wonder hurtled past them, packed both on the inside and on top with infidels shouting and waving their hands. ‘The End of the World!’ thought both Mahmud-Hodja the Sunni and Djebral the Shiite.”Set mainly in Uzbekistan between 1900 and 1980, The Railway introduces to us the inhabitants of the small town of Gilas on the ancient Silk Route. Among those whose stories we hear are Mefody-Jurisprudence, the town's alcoholic intellectual; Father Ioann, a Russian priest; Kara-Musayev the Younger, the chief of police; and Umarali-Moneybags, the old moneylender. Their colorful lives offer a unique and comic picture of a little-known land populated by outgoing Mullahs, incoming Bolsheviks, and a plethora of Uzbeks, Russians, Persians, Jews, Koreans, Tatars, and Gypsies.At the heart of both the town and the novel stands the railway station—a source of income and influence, and a connection to the greater world beyond the town. Rich and picaresque, The Railway is full of color. Sophisticated yet with a naive delight in storytelling, it chronicles the dramatic changes felt throughout Central Asia in the early twentieth century.

    A passionate love story set against the ugly political backdrop of repression, torture, and murder, "The Noli," as it is called in the Philippines, was the first major artistic manifestation of Asian resistance to European colonialism, and Rizal became a guiding conscience—and martyr—for the revolution that would subsequently rise up in the Spanish province.

    A small child when he comes to England on a Kindertransport in the summer of 1939, one Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, the fleeting memories return to him, and obeying an instinct he only dimly understands, he follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.

    Although it was not published for over thirty years, it was an instant bestseller when it finally appeared in 1994. The 'first man' is Jacques Cormery, whose poverty-stricken childhood in Algiers is made bearable by his love for his silent and illiterate mother, and by the teacher who transforms his view of the world. The most autobiographical of Camus's novels, it gives profound insights into his life, and the powerful themes underlying his work.

    An outsider in his own country—adrift between two worlds divided by class, race, and culture—he’s always been searching for home. Alongside a flock of other streetwise young men, each looking for direction and each easily susceptible, Tariq finds his cause in the Muslim revival.Idealistic, driven by faith, and empowered with purpose, he’s drawn to radical Islam—his last resort for achieving a sense of belonging, for embracing and being embraced. It’s only when he enlists in the war against Assad that Tariq’s eyes are truly opened. Dispirited with the violence, faced with the consequences of his choices, and increasingly distanced from the brutalities of jihad, Tariq’s spiritual struggle is now his alone. So are the stories he will tell to make sense of his life.In this daring and unprecedented work of literary fiction, Demian Vitanza explores the power of memory, the lure of rebellion, the search for meaning amid chaos—and the toll that such a journey can take before finally finding one’s way home.

    Showing us the war as we have never seen it before, here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits. Blending shocking realism with flights of fantasy, The Corpse Exhibition offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.

    (from Wikipedia)

    The bomb is timed to explode after work hours, so no one will be hurt. But the authorities have been watching. He is caught, the bomb is defused, and he is tortured, tried in a day, condemned to death, and thrown into a cell to await the guillotine. A routine event, perhaps, in a brutal conflict that ended the lives of more than a million Muslim Algerians.But what if the militant is a “pied-noir”? What if his lover was a member of the French Resistance? What happens to a “European” who chooses the side of anti-colonialism?By turns lyrical, meditative, and heart-stoppingly suspenseful, this novel by Joseph Andras, based on a true story, was a literary and political sensation in France, winning the Prix Goncourt for First Novel and being acclaimed by Le Monde as “vibrantly lyrical and somber” and by the journal La Croix as a “masterpiece”.

    In France, a young woman succumbs to illness, leaving her husband and small children bereft. Present at both events, Emmanuel Carrère sets out to tell the story of two families—shattered and ultimately restored. What he accomplishes is nothing short of a literary miracle: a heartrending narrative of endless love, a meditation on courage and decency in the face of adversity, an intimate and reverent look at the extraordinary beauty and nobility of ordinary lives.Precise, sober, and suspenseful, as full of twists and turns as any novel, Lives Other Than My Own confronts terrifying catastrophes to illuminate the astonishing richness of human connection: a grandfather who thought he had found paradise—too soon—and now devotes himself to helping his neighbors rebuild their village; a husband so in love with his ailing wife that he carries her in his arms like a knight does his princess; and finally, Carrère himself, longtime chronicler of the tormented self, who unexpectedly finds consolation and even joy as he immerses himself in the lives of others.

    Tony, a senior police officer in Maputo, has apparently been supporting four other families for many years. Rami remains calm in the face of her husband's duplicity and plots to make an honest man out of him. After Tony is forced to marry the four other women--as well as an additional lover--according to polygamist custom, the rival lovers join together to declare their voices and demand their rights. In this brilliantly funny and feverishly scathing critique, a major work from Mozambique's first published female novelist, Paulina Chiziane explores her country's traditional culture, its values and hypocrisy, and the subjection of women the world over.

    The doctor, of a newly arrived German hospital ship, Pietri Friari gives the unconscious soldier medical assistance. His new patient has no documents or anything that can identifying him. When he regains consciousness he has lost his memory and cannot even remember what language he speaks. From a few things found on the man the doctor, who is originally from Finland, believes him to be a sailor and a fellow countryman, who somehow or other has ended up in Trieste. The doctor dedicates himself to teaching the man Finnish, beginning the reconstruction of the identity of Sampo Karjalainen, leading the missing man to return to Finland in search of his identity and his past.New Finnish Grammar won three literary prizes in Italy in 2001: Premio Grinzane Cavour, Premio Ostia Mare and Premio Giuseppe Desi and has received critical acclaim across Europe.

    Set in France between 1910 and 1940 and first published in France in 1947, five years after the author’s death, All Our Worldly Goods is a gripping story of war, family life and star-crossed lovers. Pierre and Agnes marry for love against the wishes of his parents and his grandfather, the tyrannical family patriarch. Their marriage provokes a family feud that cascades down the generations. This brilliant novel is full of drama, heartbreak, and the telling observations that have made Némirovsky’s work so beloved and admired.

    Everyone in Cape Verde knows Señor da Silva. Successful entrepreneur, owner of the island's first automobile, a most serious, upright, and self-made businessman, Señor da Silva is the local success story. Born an orphan, he never married, he never splurged; one good suit was good enough for him; and he never wandered from the straight and narrow. Or so everyone thought. But when Señor da Silva's 387-page Last Will and Testament is read aloud; a marathon task on a hot afternoon which exhausts reader after reader; there's eye-opening news, and not just for the smug nephew so certain of inheriting all Señor da Silva's property. With his will, Señor da Silva leaves a memoir that is a touching web of elaborate self-deceptions. He desired so ardently to prosper, to be taken seriously, to join (perhaps, if they'll have him) the exclusive Grémio country club, and, most of all, to be a good man. And yet, shady deals, twists of fate, an illegitimate child: such is the lot of poor, self-critical Señor da Silva. A bit like Calvino's Mr. Palomar in his attention to protocol and in his terror of life's passions; a bit like Svevo's Zeno (a little pompous, a little old-fashioned, and often hapless), Señor da Silva moves along a deliciously blurry line between farce and tragedy: a self-important buffoon becomes a fully human, even tragic, figure in the arc of this hilarious and touching novel - translated into Spanish, German, French, Italian, Dutch, Norwegian, Swedish, and now, at last, English.