Her story, as Carolly Erickson re-creates it, is page-turning drama: from the splendors of the Field of the Cloth of Gold to the gory last years of the outsize King Henry, when heads rolled and England trembled, Catherine bestrode her destiny and survived to marry her true love.Catherine Parr attracted the king’s lust and, though much in love with the handsome Thomas Seymour, was thrown into the intrigue-filled snake pit of the royal court. While victims of the king’s wrath suffered torture and execution, Catherine persevered—until, at last, she came within the orbit of the royal fury. King Henry toyed with her, first ordering her arrested, then granting her clemency. She managed to evade execution, but she knew that the king had his wandering eye fixed on wife number seven. She was spared by his death and married the attractive but dangerously unbalanced Seymour. Her triumph was shadowed by rivalry with the young Princess Elizabeth, whose lands and influence the lecherous Seymour coveted. Catherine won the contest, but at great cost.In The Last Wife of Henry VIII, critically acclaimed author Carolly Erickson brings this dramatic story of survival and redemption to life.

    Taking examples from the plays of Aeschylus, Sophocles and Euripides, The Poetics introduces into literary criticism such central concepts as mimesis (‘imitation’), hamartia (‘error’), and katharsis (‘purification’). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, centring on characters of heroic stature, idealized yet true to life. One of the most powerful, perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since.Malcolm Heath’s lucid English translation makes the Poetics fully accessible to the modern reader. It is accompanied by an extended introduction, which discusses the key concepts in detail and includes suggestions for further reading.

    How the book came to be written is itself an inspirational and even miraculous story. In 1940, famed Austrian author Franz Werfel and his wife were on a desperate flight from the Nazi invaders, whom Franz had publicly denounced. Repeatedly thwarted in their attempts to cross the French border, they found temporary refuge in Lourdes, home of the famous shrine where Bernadette received visions of the Virgin Mary and where millions come in faith to seek a miracle. Werfel became fascinated with Bernadette's story and began to visit the sacred grotto every day, swearing that, should he and his wife be granted escape from the Nazis, he would write the story of Bernadette for all the world. Franz's prayers were answered, and in America he wrote his masterpiece, The Song of Bernadette, a beautiful fusion of faith and craft.

    Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

    Tolkien assembled in this new paperback edition were with one exception delivered as general lectures on particular occasions; and while they mostly arose out of Tolkien’s work in medieval literature, they are accessible to all. Two of them are concerned with Beowulf, including the well-known lecture whose title is taken for this book, and one with Sir Gawain and the Green Knight, given in the University of Glasgow in 1953.Also included in this volume is the lecture English and Welsh; the Valedictory Address to the University of Oxford in 1959; and a paper on Invented Languages delivered in 1931, with exemplification from poems in the Elvish tongues. Most famous of all is On Fairy-Stories, a discussion of the nature of fairy-tales and fantasy, which gives insight into Tolkien’s approach to the whole genre.The pieces in this collection cover a period of nearly thirty years, beginning six years before the publication of The Hobbit, with a unique ‘academic’ lecture on his invention (calling it A Secret Vice) and concluding with his farewell to professorship, five years after the publication of The Lord of the Rings.

    The Penseés is a collection of philosohical fragments, notes and essays in which Pascal explores the contradictions of human nature in pscyhological, social, metaphysical and - above all - theological terms. Mankind emerges from Pascal's analysis as a wretched and desolate creature within an impersonal universe, but who can be transformed through faith in God's grace.

    A retelling of The Canterbury Tales

    Carlo Ginzburg uses the trial records of Domenico Scandella, a miller also known as Menocchio, to show how one person responded to the confusing political and religious conditions of his time.For a common miller, Menocchio was surprisingly literate. In his trial testimony he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a "mysterious" book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: "All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formed—just as cheese is made out of milk—and worms appeared in it, and these were the angels."

    And besides, it furnished me seven times the pleasure afforded me by any of the others; twelve years of preparation, and two years of writing. The others needed no preparation and got none." --Mark Twain

    Reflecting his lifelong interest in Arthurian themes, his primary sources were Malory's Morte d'Arthur and the Welsh Mabinogion. For him, the Idylls embodied the universal and unending war between sense and soul, and Arthur the highest ideals of manhood and kingship; an attitude totally compatible with the moral outlook of his age. Poetically, Tennyson was heir to the Romantics, and Keats's influence in particular can be seen clearly in much of his work. Yet Tennyson's style is undoubtedly his own and he achieved a delicacy of phrase and subtlety of metrical effect that are unmatched. This edition, based on the text authorized by Tennyson himself, contains full critical apparatus.

    As Emperor Go-Daigo fended off a challenge from the usurping Hojo family, and Japan stood at the brink of a dark political era, Kenkō held fast to his Buddhist beliefs and took refuge in the pleasures of solitude. Written between 1330 and 1332, Essays in Idleness reflects the congenial priest's thoughts on a variety of subjects. His brief writings, some no more than a few sentences long and ranging in focus from politics and ethics to nature and mythology, mark the crystallization of a distinct Japanese principle: that beauty is to be celebrated, though it will ultimately perish. Through his appreciation of the world around him and his keen understanding of historical events, Kenkō conveys the essence of Buddhist philosophy and its subtle teachings for all readers. Insisting on the uncertainty of this world, Kenkō asks that we waste no time in following the way of Buddha.In this fresh edition, Donald Keene's critically acclaimed translation is joined by a new preface, in which Keene himself looks back at the ripples created by Kenkō's musings, especially for modern readers.

    In over 30 essays, written over 20 years, one of the world's great story-tellers meditates on story-telling. Warm, funny, generous, entertaining, and above all, deeply considered, they offer thoughts on a wide variety of topic, including the origin and composition of Philip's own stories, the craft of writing and the story-tellers who have meant the most to him. The art of story-telling is everywhere present in the essays themselves, in the instantly engaging tone, the vivid imagery and the striking phrases, the resonant anecdotes, the humour and learnedness. Together, they are greater than the sum of their parts.

    The culmination of this work, Alter's masterly new translation and probing commentary combine to give contemporary readers the definitive edition of The Five Books. Alter's majestic translation recovers the mesmerizing effect of these ancient stories—the profound and haunting enigmas, the ambiguities of motive and image, and the distinctive cadences and lovely precision of the Hebrew text. Other modern translations either recast these features for contemporary clarity, thereby losing the character of the original, or fail to give readers a suitably fluid English as a point of contact. Alter's translation conveys the music and the meaning of the Hebrew text in a lyrical, lucid English. His accompanying commentary illuminates the text with learned insight and reflection on its literary and historical dimensions.

    A life of soul. Professor Karen Swallow Prior poignantly and humorously weaves the two, until you can't tell one life from the other. Booked draws on classics like Great Expectations, delights such as Charlotte's Web, the poetry of Hopkins and Donne, and more. This thoughtful, straight-up memoir will be pure pleasure for book-lovers, teachers, and anyone who has struggled to find a way to articulate the inexpressible through a love of story.

    It defines the grounds on which textual interpretation can claim to establish objective knowledge, defends that claim against such skeptical attitudes as historicism and psychologism, and shows that many confusions can be avoided if the distinctions between meaning and significance, interpretation and criticism are correctly understood. It provides perhaps the first genuinely comprehensive account of hermeneutic theory to appear in English and the first systematic presentation of the principles of valid interpretation in any language.Mr. Hirsch, associate professor of English at the University of Virginia, is the author of Wordsworth and Schelling and Innocence and Experience: An Introduction to Blake.“Here is a book that brings logic to the most unruly of disciplines, literary interpretation. Viewing this subject within the tradition of hermeneutics, Mr. Hirsch is able to trace its origins and development with brilliant insight.  The result is a lucidly systemic and authoritative account of the premises and procedures applicable to the interpretation of a literary text.  Mr. Hirsch has performed a monumental service thereby that of reinstating the credentials of objectivism and defining the limits of the aesthetics of truth.  This study is a necessary took for anyone who wants to talk sense about literature.”—Virginia Quarterly Review“Professor Hirsch demonstrates convincingly that objectivity is attainable in humane studies, and that it is not identified with the subject but with the evidence. A valid interpretation is not necessarily a correct one, but one which is more probably than any other on the basis of existing evidence.  He makes a subtle and important distinction between a text’s ‘meaning’ (which does not change) and its ‘significance’ (which does), and brilliantly relates meaning to understanding (the necessary preliminary to interpretation) and interpretation to explanation…” In short, this is a work which future students of literary theory cannot afford to neglect.”—Notes and Queries