Jack Halberstam examines the significance of the transgender body in a provocative collection of essays on queer time and space. He presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.In a Queer Time and Place opens with a probing analysis of the life and death of Brandon Teena, a young transgender man who was brutally murdered in small-town Nebraska. After looking at mainstream representations of the transgender body as exhibited in the media frenzy surrounding this highly visible case and the Oscar-winning film based on Brandon's story, Boys Don t Cry, Halberstam turns his attention to the cultural and artistic production of queers themselves. He examines the transgender gaze, as rendered in small art-house films like By Hook or By Crook, as well as figurations of ambiguous embodiment in the art of Del LaGrace Volcano, Jenny Saville, Eva Hesse, Shirin Neshat, and others. He then exposes the influence of lesbian drag king cultures upon hetero-male comic films, such as Austin Powers and The Full Monty, and, finally, points to dyke subcultures as one site for the development of queer counterpublics and queer temporalities.Considering the sudden visibility of the transgender body in the early twenty-first century against the backdrop of changing conceptions of space and time, In a Queer Time and Place is the first full-length study of transgender representations in art, fiction, film, video, and music. This pioneering book offers both a jumping off point for future analysis of transgenderism and an important new way to understand cultural constructions of time and place."

    Follw space survival drill.''We are all dead men,' says First Engineer Holtz, when the spaceship Johannes Kepler is hit by a meteorite. But Lieutenant Donald Chase, a young doctor on his first flight, refuses to give in to despair. Soon he's in charge of the damaged ship, sailing off course without radio contact and heading for a solar storm.Can he get to Mars safely?

    

    Others send it straight to hell... Grab all four books in the thrilling CYBER SEED QUADRILOGY for one low price, in this great value 1200-page sci-fi box set! When Kurt Jacobs imagines the ultimate gadget — one capable of replacing phones, credit cards, keys and TVs — the idea consumes his every waking moment. When the Sycamore corporation buys into Kurt's creation and The Seed becomes a reality, his every dream comes true. Power like this has never existed. The launch of The Seed, a powerful microchip implant that turns each user's palm into a fully functioning trackpad and effectively turns them into walking computers, breaks all sales records. Alongside the augmented reality UltraLenses which act as the system's display, it immediately renders all handheld devices obsolete. But amid all of the awe and optimism, there is far more going on behind the curtain than Kurt or anyone else could ever have predicted... Cyber Seed Quadrilogy imaginatively chronicles The Seed's colossal impact on a society unprepared to handle it, from the high hopes of launch day to the breakneck descent into corporate dystopia. Remarkable apps and groundbreaking features that make life easier and more enjoyable... unprecedented surveillance and privacy abuses in a world where your eyes can no longer be trusted... both sides of a timely story unfold in this 1200-page complete series box set. And Kurt Jacobs, the guilt-wracked genius responsible for it all, may well be the only man who can do anything to put things right... This box set contains all four books in the CYBER SEED QUADRILOGY, previously published individually as: 1) Sycamore 2) Sycamore 2 3) Sycamore X (10-story collection) 4) Sycamore XL (12-story collection) Imaginative new technologies, devious conspiracies, and a whole lot of action-packed drama... dive in to the thrilling CYBER SEED QUADRILOGY today! (From the author of the blockbuster international bestseller, Not Alone)

    Heather Masri, editor of Science Fiction: Stories and Contexts, has prepared an anthology that recognizes, and is designed to meet, the needs of students and instructors in an introductory survey course in science fiction.Grouped into major themes, her comprehensive selection of fiction — enjoyable and captivating stories, notable for their literary, philosophical, and cultural richness — are by classic and emerging writers from the nineteenth to the twenty-first centuries. The stories are uniquely complemented by contextual documents that suggest the scholarly, theoretical, and historical currents that drove the development of the genre, and informative editorial matter that contributes to the book’s flexibility for instructors and usefulness for students.

    He analyzes previous contributions to a Marxist theory of literature from Marx himself to Lukacs, Althusser, and Goldmann, and develops his own approach by outlining a theory of cultural materialism' which integrates Marxist theories of language with Marxist theories of literature. Williams moves from a review of the growth of the concepts of literature and idealogy to a redefinition of determinism' and hegemony'. His incisive discussion of the 'social material process' of cultural activity culminates in a re-examination of the problems of alignment and commitment and of the creative practice in individual authors and wider social groups.

    The authors' comprehensive experience in legal practice, banking and teaching have enabled them to provide a condensed and easy to understand coverage of business law principles and areas of interest related thereto.

    Extensively revised and updated, this sixth edition highlights both classic texts and cutting edge essays from more than a century of thought and writing about the movies. Editors Leo Braudy and Marshall Cohen have reformulated the book's sections and their introductions in order to lead students into a rich understanding of what the movies have accomplished, both as individual works and as contributions to what has been called "the art form of the twentieth [and now twenty-first] century." Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race. The sixth edition features several new essays that discuss the impact of digital technology on the traditional conceptions of what films do and how they manage to do it. Additional selections from the important works of Gilles Deleuze round out sections dealing with the theories of such writers as Sergei Eisenstein, Andre Bazin, and Christian Metz, among others. New essays also strengthen sections dealing with the idea of "excess" in film, film spectatorship, the horror genre, and feminist criticism. Film Theory and Criticism, 6/e, is ideal for undergraduate and graduate courses in film theory and criticism."

    This groundbreaking book, winner of the 1974 Sorokin Award of the American Sociological Association, helped define for an entire generation of anthropologists what their field is ultimately about.

    The racecourse circumnavigates the post-apocalyptic ruins of Teijouan, and with a choice between being eaten by the monstrous Kaiju that prowl the island’s devastated cities or murdered by her fellow racers, the odds against surviving another Run, let alone winning it, are slim.Dutch doesn’t care about the odds nearly so much as she cares about getting back behind the wheel of her beloved Ford Falcon—except for one problem: she’s spent the last five years incarcerated in a high-security prison for her part in a heist.So when a crooked billionaire offers to put her back in the race on condition she uses it as cover for a secret retrieval operation, she can’t refuse.Can Dutch survive assassins, monsters, and psychopathic drivers long enough to complete her mission as well as take part in the race—or is this the year death finally catches up with her in a blazing tangle of wreckage?

    It covers the main developments in the history of British and Irish literature and has extensive accompanying language notes which explore the interrelationships between language and literature. With a span from AD 600 to the present day, it emphasises the growth of literary writing, its traditions, conventions and changing characteristics, and includes literature from the margins, both geographical and cultural. Extensive quotations from poetry, prose and drama underpin the narrative.The second edition covers recent developments in literary and cultural theory and has the following features: * additional or extended material on post-colonial writers, and the literature of the 1990s* an expanded Timeline with Booker, Whitbread, and Nobel prize winners* additions to the well-received language notes which include 'Shakespeare's language', 'Reading the language of theatre and drama', 'New modes of modern writing' and 'International and rotten Englishes'* An expanded Timeline with Booker, Whitbread, and Nobel prize winners.

    Included are thirteen classic works of modern sf; wondrous stories by Alfred Bester, Philip K. Dick, Jack Vance, Frederick Pohl and many others. If you love science fiction, read how a young fan grew up to become one of the most honored masters in the history of the field, as told in his own words.

    Their objective is classified, marked only by coordinates leading them into a deserted city at the heart of the fighting. From the beginning, everything possible goes wrong. A missile strike rocks the carrier mid-launch, and only a fraction of the unit reaches the surface alive.Outmanned, outgunned, and scattered, with a hard deadline to orbital bombardment looming, it is up to Drop Commander Tyco Hale to rally his troops and reach their objective. But what they find, hidden deep in the tunneled passages under the city, will change everything about what he fights for and what he believes in. With the unit in tatters and loyalties divided, the choice he makes in the dark will seal all of their fates - and much more besides.

    Arnold seeks to find out what culture really is, what good it can do, and if it is really necessary. He contrasts culture, which he calls the study of perfection, with anarchy, the mood of unrest and uncertainty that pervaded mid-Victorian England. This edition reproduces the original book version, revealing the immediate historical context and controversy of the piece. The introduction and notes broaden out the interpretative approach to Arnold's text, elaborating on the complexities of the religious context. The book also reinforces the continued importance of Arnold's ideas its influences in the face of the challenges of multi-culturalism and post-modernism.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.