A high altitude lake is the point of departure for these stories of dark adventure, in which fishing guides, amateur sportsmen, teenage misfits, scientists, mountaineers, and expatriates embark on disquieting journeys of self-discovery in far-flung places.

    The girls and women in these stories come up against the rules and roles that give shape to their worlds. As marriages are arranged over tea, blood feuds simmer beneath football games, and the ruins of a city burn, they struggle between holding on to their families and seeking out new ways to live and love.These stories ask, as our hands slip from the long line of tradition and we become refugees from home, what, if anything, is lost. And how is it that what we thought we’d let go keeps finding its way back?PRAISE FOR MAN AND WIFE:“Katie Chase’s stories have a rhythm, a form, and a mesmerism all their own.” —Kevin Brockmeier, author of The Brief History of the Dead“Toggling between the comic and the horrific, these brilliant stories rearrange the familiar into something more nuanced, fraught, and mysterious.” —Edan Lepucki, author of California“With sharp, confident consideration of what it takes to survive in the world as a woman, Man and Wife introduces an important new literary voice.” —Danielle Evans, author of Before You Suffocate Your Own Fool Self“These slyly subversive stories tweak suburban reality in a manner reminiscent of ‘The Lottery’ or The Stepford Wives. Katie Chase’s narrators sound like the girl-next-door. . . if you lived next door to a parallel universe.” —Peter Ho Davies, author of The Welsh Girl“Captivating, haunting, and eerily smart. Every story in this collection gave me chills. Katie Chase is one of a kind.” —Jennifer DuBois, author of Cartwheel

    For the boy inside the pages . . From Charles: I am often asked about my childhood. How I grew up. Where. What informed me as a writer, man and child of God. Starting with some of my earliest memories, these are stories of that place in me. That kid in me. In here you will find honest admission of my mistakes, failures, successes. Note: these are not fiction and this is not a novel.These stories are as true as I can remember. In these pages, you will hear the beginnings of my voice as a writer, the things that were troubling me — things I didn’t know how to voice out my mouth so they bubbled up and out my fingers. You will also hear my unshakable and childlike faith in a sovereign and good Heavenly Father.I wrote most all of these stories between my sophomore year in high school and my senior year in college so my temptation here and now was to edit them. To make them sound like me today, the writer I’ve become after almost thirty years with this keyboard on my lap. For the record, I have not done that. What you read today, is what I wrote then. (That doesn’t mean they’re sloppy. I’ve cleaned them up a bit.) But, as a result, you hear my early voice. And while it is ripe with mistakes and a wordiness long since edited out of me, there’s also an innocence and purity that I cherish.For those of you looking for my next novel, this is not it. But, it will give you insight into the novels you have read or might read. I’ve entitled them, “River Road,” because I grew up there. Because that hallowed ground along the St. Johns River holds a tender place in my heart. Because the valiant, sweaty kid I knew back then is still running around with Tom Sawyer and Huck Finn and he holds an absolute faith that fishing is a more noble pursuit than school, that he can play in the NFL, that men don’t die of hiccups, that he can still cat-walk his Schwin Mag Scrambler over sixty nine parking spaces, that swallowing Levi Garrett chewing tobacco won’t hurt him and that girls actually think it’s cool, that throwing tangerines at cars is good training for arm strength, that being a bully to a buddy hurt his heart, that a pellet to the gonads is excruciatingly painful, that when my praying mother hit her knees next to a wrecked car and bleeding man that she towered over the men around her, that forgiveness is the toughest thing that kid will ever offer another and that God can and will kill the devil. Enjoy.

    Some say it's Death, Some say it's darkness, I say it's a game of light...Gutsy 17-year-old Albert "Shoe" Horn is an apprentice plumber and part-time boxer in England in 1922, but when his mother dies, he finds himself responsible for an abusive, alcoholic father and a younger brother with special needs.This marvelous novel follows the indomitable Shoe's day-to-day survival with poetic grit, cynical genius, respect, and deep affection as he navigates a world full of very real characters: the gentle giant McAvy, his slave-driving boss, the Irish louts that resurrect his temper, the tempting ladies who seek him out, his hilarious plumbing clients, and the formidable “Dropper,” who Shoe fears will take away the most true thing in his life, his brother.

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    A deft, masterful mix of both bizarro and horror."--Brian Keene, author of The Rising and Ghoul"Dark and grim and surreal." --Electric LiteratureMondays suck. You get mugged, your car won't start, you miss the bus, and your stylist burns a bald spot into your head. Suddenly you're single and unemployed, and the only friend you have left is a cat. By Tuesday, you've been murdered. But death isn't the end. You find yourself on an odyssey between weird worlds, reborn each time you die, stalked obsessively by the man who killed you.Even in death, you just can't seem to catch a break. Call it Mercury in retrograde, call it Murphy's law, call it . . .SHIT LUCK

    Winner of the prestigious Drue Heinz Prize in 1993 -- selected by a panel chaired by Tobias Wolff -- O'Nan's collection In the Walled City features twelve stories that delve into the lives and souls of an astonishing range of characters, from an old Chinese grocer to a young policeman separated from his family and descending into madness. Intimate and generous, these stories brilliantly illuminate the connections that bind us and the obligations and sorrows of love.

    Following his extraordinary debut in The Pugilist at Rest, Thom Jones returned with a collection of unparalleled fire and vision. Jones takes us from down-and-out in America to death and disease in Rwanda, introducing us to hard-luck fighters steeling themselves for battles they've already lost, doctors who fall in love with their illnesses, and a strung-out advertising writer who uses the hand of the devil to do the work of God.

    The narrator recalls a girl he once knew. He and Evangeline, both shy, never find the courage to speak to each other in high school. Every evening, however, Evangeline meets him at the Osage orange tree on the edge of her property. He delivers a newspaper to her, and they talk—and as the year progresses a secret friendship blossoms. This magical coming-of-age tale is brought to life through linocut illustrations by Oregon artist Dennis Cunningham, with an afterword by poet Naomi Shihab Nye, a personal friend of Stafford’s.In the tradition of the work of great fiction writers like Steinbeck, O’Connor, and Welty, The Osage Orange Tree stands the test of time, not just as an ode to a place and a generation but as a testament to the resilience of a nation and the strength of the human heart.

    He is famous not only for his love of the hills, but for imbuing the countryside with life and vibrancy through moving descriptions. The simple people who inhabit his stories evoke sympathy and laughter in equal measure. This wonderful collection of seventy stories, including classics like ‘A Face in Dark’, ‘The Kitemaker’, ‘The Tunnel’, ‘The Room of Many Colours’, ‘Dust on the Mountain’ and ‘Times Stops at Shamli’, is a must-have for any bookshelf.

    A story set in the far antiquity of Bakker's fictional world world of Eärwa, the setting for his Prince of Nothing and Aspect Emperor series.

    Eggers’ irreverent approach included a pioneering design that incorporated chapbooks, drawings, and all manner of cultural confetti previously unseen in the lit-mag format. McSweeney’s became an instant hit, showcasing the work of major new voices as well as literary luminaries such as William T. Vollman and Joyce Carol Oates. Long out of print and available only in the pricey collectors’ market, the first three issues appear in this omnibus, reproduced precisely as they first appeared. Longtime fans can revisit some of the best of the early McSweeney’s, while those new to the journal will see what all the fuss was about. A bracing range of topics include John Hodgman writing on the topic of cavemen, Jon Langford on Lester Bangs, Gary Greenberg on the Unabomber, and much more.

    The characters who inhabit these stories -- teenagers, beauty queens, race car drivers, and even grandfathers -- fall in love, strive to make ends meet, or search for answers to their future while reconciling the past. Michael Jaime-Becerra casts a warm glow on each of them.

    Sainsbury. Two short, punchy, action-packed episodes in each book.They murdered his parents, shot him in the head, and left him to die. They should have made sure.Twenty years after Tom Lewis watched his parents die, those responsible are being killed. One by one.Gentle, brain-damaged Tom, a giant of a man who can barely speak, can’t be responsible for their deaths. Can he?When Tom Lewis was shot, something new was created. Something unique. Something deadly. Something patient enough to plan revenge for twenty long years.Meet Bedlam Boy

    Dostoevsky's crocodile, cruelly displayed in a traveling sideshow, gobbles whole a pretentious high-ranking civil servant. But the functionary survives unscathed and seizes his new unique platform to expound to the fascinated public. Dostoevsky's Crocodile is a matchless, hilarious satire.Hernandez's Crocodile, on the other hand, while also terribly funny, is a heartbreaker. A pianist struggling to make ends meet as a salesman finds success when he begins to weep before clients and audience alike, but then he can't stop the crocodile tears.