Particularly suitable for students of secondary-school level, it is also a handy dictionary for the home and office. It covers all the words you need for everyday use, and has excellent coverage of curriculum vocabulary. For the new edition the definitions are clearer than ever before and there is lots of help with those aspects of the language (such as spelling, pronunciation, and usage) which cause most difficulties.In particular, there are hundreds of new spelling notes to help with tricky words that are commonly misspelled, extra usage notes giving advice on good English, and more help with pronunciations of difficult words. A new open design ensures that this dictionary is even more accessible and easier to use than ever before.

    Youth ministries adapted and responded to the first two shifts, but we’re missing the boat on the third. The result? Youth ministry isn’t addressing the realities and needs of today’s youth culture. After nearly three decades in youth ministry, Mark Oestreicher has lived through a lot of those shifts himself. In recent years, he’s found himself wondering what needs to change, especially since so much of what we’re doing in youth ministry today is not working. In Youth Ministry 3.0, youth workers will explore, along with Marko and the voices of other youth workers, why we need change in youth ministry, from a ministry moving away from a dependence on programs, to one that is focused on communion and mission. They’ll get a quick history of youth ministry over the last fifty years. And they’ll help dream about what changes need to take place in order to create the next phase of youth ministry — the future that needs to be created for effective ministry to students.

    His groundbreaking work explores India's sexual fantasies and ideals, the "unlit stage of desire where so much of our inner theater takes place."Kakar's sources are primarily textual, celebrating the primacy of the story in Indian life. He practices a cultural psychology that distills the psyches of individuals from the literary products and social institutions of Indian culture. These include examples of lurid contemporary Hindi novels; folktales; Sanskrit, Tamil, and Hindi proverbs; hits of the Indian cinema; Gandhi's autobiography; interviews with women from the slums of Delhi; and case studies from his own psychoanalytic practice. His attentive readings of these varied narratives from a vivid portrait of sexual fantasies and realities, reflecting the universality of sexuality as well as cultural nuances specific to India.Moving from genre to genre, Kakar offers a brilliant reading of verses from the Laws of Manu, the original source of Hindu religious laws, to uncover their psychological foundations—male terror of the female sexual appetite that shields itself by idealizing women's maternal role. Kakar also examines the psychosexual history of Gandhi at length, though his near-lifelong celibacy makes him an atypical subject. Gandhi's story is universal, Kakar says, because "we all wage war on our wants."In India's lore and tradition, complex symbols abound—snakes that take the shape of sensual women or handsome men, celibates sleep with naked women, gods rape their daughters, and a goddess fries a king in oil. With the analyst's "third ear," Kakar listens, decodes, and translates the psychological longings that find expression in Indian sexual relations.

    Acclaimed poet and World War II veteran Harvey Shapiro's pathbreaking gathering of work by more than sixty poets of the war years includes Randall Jarrell, Anthony Hecht, George Oppen, Richard Eberhart, William Bronk, and Woody Guthrie.

    Fitzgerald rose to fame in his 20s with stories chronicling the upheaval of manners and morals in the Jazz Age, and with his wife Zelda blurred the line between literature and life.

    American culture is indebted to him for helping to spread, by his lectures as well as his writings, a love of good reading in the United States.Contains the following stories:Hans in Luck (German)Why the Sea is Salt (Norse)The Lad Who Went to the North Wind (Norse)The Lad and the Diel (Norse)Ananzi and the Lion (Norse)The Grateful Foxes (Japanese)The Badger's Money (Japanese)Why Brother Bear Has no Tail (Uncle Remus)The Origin of Rubies (Bengal)Long, Broad and Sharpsight (Bohemian)Intelligence and Luck (Bohemian)George with the Goat (Bohemian)The Wonderful Hair (Serbian)The Dragon and the Prince (Serbian)The Good Children (Russian)The Dun Horse (Pawnee)The Greedy Youngster (Norwegian)Hans, Who Made the Princess Laugh (Norwegian)The Story of Tom Tit Tot (Suffolk)The Peasant Story of Napoleon (French)

    Teaches basic science of the animal and insect world through the lives of the characters and explores various animal characteristics, environments and predators. Rich in vocabulary and attention to detail. Beautifully illustrated.

    These children grow up between two cultures, the Hearing and the Deaf, forever balancing the worlds of sound and silence. Paul Preston, one of these children, takes us to the place where Deaf and Hearing cultures meet, where families like his own embody the conflicts and resolutions of two often opposing world views. Based on 150 interviews with adult hearing children of deaf parents throughout the United States, Mother Father Deaf examines the process of assimilation and cultural affiliation among a population whose lives incorporate the paradox of being culturally "Deaf" yet functionally hearing. It is rich in anecdote and analysis, remarkable for its insights into a family life normally closed to outsiders.

    It includes exhilarating new adventures, characters, and ideas, carrying the reader through book I leading to book II and with book III promising an ever-expanding new series based on the classic. The author consulted the original French as well as the oldest English translations of The Count of Monte Cristo, but the style of the retellling, in the distinctive voice of Sherlock Holmes, constitutes a new work. Books II and III, soon to follow, are wholly original sequels although they include characters from the original classic. The author of The Count of Monte Cristo as Retold by Sherlock Holmes enjoyed the 2003 translation by Robin Buss of The Count of Monte Cristo, which helped to inspire both this work and the first sequel in this series, The Sultan of Monte Cristo. The most recent (2003) unabridged translation by Buss is indispensable to fully appreciate the original story. Those who have already had the pleasure of reading The Sultan of Monte Cristo will certainly appreciate the unique way in which the Holy Ghost Writer has expanded the original story without the help of anyone (except perhaps from the ghost of Dumas himself). While The Sultan of Monte Cristo has been enjoyed by thousands as a stand-alone work, this work is an even easier read of the original classic, as it has a condensed version of the original story, uniquely retold in the voice of Sherlock Holmes.

      Making art does not necessarily mean painting a gallery-worthy still life or belting out a Grammy-winning song. It simply means finding a way to give your inner muse a voice in this world. Sure, there’s drawing, dancing, singing, and writing. But there’s also art to be made from creating your own pair of angel wings or inventing a new toy or curating your own at-home film festival.   Each week features a project of self-examination, an inspirational message, a real-world example of a celebrity who has addressed similar obstacles, and three zany activities to awaken your infinite creativity.   It’s time to declare the beat of your own drum.

    Jerome Klapka Jerome (1859-1927) was an English author, best known for the humourous travelogue Three Men in a Boat (1889). In 1877, he decided to try his hand at acting, under the stage name Harold Crichton. He joined a repertory troupe who tried to produce plays on a shoestring budget, often drawing on the meager resources of the actors themselves to purchase costumes and props. He tried to become a journalist, writing essays, satires and short stories, but most of these were rejected. Over the next few years he was a school teacher, a packer, and a solicitor's clerk. Finally, in 1885, he had some success with On the Stage-and Off, a humourous book, the publication of which opened the door for more plays and essays.

    The passionate Karamazov brothers spring to life, led by their roue of a father, who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka. In The Idiot, meet the kindly, childlike Prince Myshkin, as he returns to the decadent social whirl of 1860s St. Petersberg. The two most beautiful, sought-after women in the town compete for his affections, in a duel that grows increasingly dangerous.

    With engaging stories and keen insights the authors delve into the fundamental aspects of leadership to help students keep pace with our ever-changing world.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Comic-book artist Gil Kane illustrates Richard Wagner's four Ring operas in a graphic style which makes music all its own.