1936 looked like it would be a great year for the movie industry. With the economy picking up after the Great Depression, Americans everywhere were sitting in the dark watching the stars and few stars shined as brightly as one of America's most enduring screen favorites, Mary Astor. But Astor's story wasn't a happy one. She was born poor, and at the first sign that she could earn money, her parents grabbed the reins and the checks. Widowed at twenty-four, Mary Astor was looking for stability when she met and wed Dr. Franklyn Thorpe. But the marriage was rocky from the start; both were unfaithful, but they did not divorce until after Mary Astor gave birth to little Marylyn Thorpe. What followed was a custody battle that pushed The Spanish Civil War and Hitler's 1936 Olympic Games off of the front pages all over America. Astor and Thorpe were both ruthless in their fight to gain custody of their daughter, but Thorpe held a trump card: the diaries that Mary Astor had been keeping for years. In these diaries, Astor detailed her own affairs as well as the myriad dalliances of some of Hollywood's biggest names. The studio heads, longtime controllers of public perception, were desperate to keep such juicy details from leaking. With the complete support of the Astor family, including unlimited access to the photographs and memorabilia of Mary Astor's estate, The Purples Diaries is a look at Hollywood s Golden Age as it has never been seen before, as Egan spins a wildly absorbing yarn about a scandal that threatened to bring down the dream factory known as Hollywood."

    We seemed to be suspended effortlessly in the air, but in reality, our wings were beating very, very fast." - Mae Murray "It is worse than folly for persons to imagine that this business is an easy road to money, to contentment, or to that strange quality called happiness." - Bebe Daniels "A girl should realize that a career on the screen demands everything, promising nothing." - Helen Ferguson In Dangerous Curves Atop Hollywood Heels, author Michael G. Ankerich examines the lives, careers, and disappointments of 15 silent film actresses, who, despite the odds against them and warnings to stay in their hometowns, came to Hollywood to make names for themselves in the movies. On the screen, these young hopefuls became Agnes Ayres, Olive Borden, Grace Darmond, Elinor Fair, Juanita Hansen, Wanda Hawley, Natalie Joyce, Barbara La Marr, Martha Mansfield, Mae Murray, Mary Nolan, Marie Prevost, Lucille Ricksen, Eve Southern, and Alberta Vaughn. Dangerous Curves follows the precarious routes these young ladies took in their quest for fame and uncovers how some of the top actresses of the silent screen were used, abused, and discarded. Many, unable to let go of the spotlight after it had singed their very souls, came to a stop on that dead-end street, referred to by actress Anna Q. Nilsson as, Hollywood's Heartbreak Lane. Pieced together using contemporary interviews the actresses gave, conversations with friends, relatives, and co-workers, and exhaustive research through scrapbooks, archives, and public records, Dangerous Curves offers an honest, yet compassionate, look at some of the brightest luminaries of the silent screen. The book is illustrated with over 150 photographs.

    Born the child of vaudevillians, she was on stage by age three. With her casual sex appeal, distinctive cello voice, megawatt smile, luminous saucer eyes, and flawless timing, she came into widespread fame in Warner Bros. musicals and comedies of the 1930s, including Blonde Crazy, Gold Diggers of 1933, and Footlight Parade.Frequent co-star to James Cagney, Clark Gable, Edward G. Robinson, and Humphrey Bogart, friend to Judy Garland, Barbara Stanwyck, and Bette Davis, and wife of Dick Powell and Mike Todd, Joan Blondell was a true Hollywood insider. By the time of her death, she had made nearly 100 films in a career that spanned over fifty years.Privately, she was unerringly loving and generous, while her life was touched by financial, medical, and emotional upheavals. Joan Blondell: A Life between Takes is meticulously researched, expertly weaving the public and private, and features numerous interviews with family, friends, and colleagues.

    The true origins of her birth, her fairy-tale discovery in Hollywood, and her career struggles at Metro-Goldwyn-Mayer are revealed for the first time. Garson combined an everywoman quality with grace, charm, and refinement. She won the Academy Award in 1941 for her role in Mrs. Miniver, and for the next decade she reigned as the queen of MGM. Co-star Christopher Plummer remem

    Following a close filial relationship as it unfolds week by week, year by year, these letters move through three decades of life: from the vagaries of Groucho's career in film, radio, and television, through two divorces and two remarriages, to Miriam's own often tumultuous young adulthood. In his own inimitable fashion, Groucho advises his daughter about her schoolwork, writing, career, growing up, and growing old. He also discusses theater, film, books, and politics with a candor that will surprise and delight even his most knowledgeable fans. Accompanied by photographs from Miriam's personal albums, Love, Groucho reveals a man deeply concerned with his family, a sometimes firm, always loving father who never hesitated to say exactly what he thought.

    Although her career was brief, she lit up the screen in films like High Society, Rear Window, and The Country Girl, for which she won an Oscar. She was not only a fine actress, great beauty, and icon of American style, but she was also a passionate philanthropist, known for her generosity and kindness. Published on the 25th anniversary of her death, Grace Kelly: A Life in Pictures is the definitive photographic portrait—160 images capturing the early years, film career, royal marriage, and private life of this remarkable woman.

    But over the years, Humphrey Bogart has remained an enigma, despite what we have learned of him from wife Lauren Bacall's own fond memories and from the various biographies that have appeared over the years since his death in 1957. With Bogart, this wonderful enigma is brought under the light as never before. Although authors Ann M. Sperber and Eric Lax never met, Bogart is a unique collaboration, combining the strengths of two prize-winning biographers. Sperber, the author of the New York Times best-selling Pulitzer-Prize finalist Murrow: His Life and Times (1986), spent seven years before her death in 1994 amassing a vast archive of original research on the life and times of Humphrey Bogart, including more than 200 interviews she conducted with people who had known and worked with him, including Katharine Hepburn and John Huston. Eric Lax, whose Woody Allen was a national bestseller in 1991, took over the project after Sperber's death and spent two years completing it. The result is the definitive portrait of the actor who merged his screen anti-heroism with his own staunch personal integrity in a manner new to Hollywood, fashioning a persona as timely today, forty years after his death, as it was during his own life.

    But Olivier was as elusive in life as he was on the stage, a bold and practiced pretender who changed names, altered his identity, and defied characterization. In this mesmerizing book, acclaimed biographer Terry Coleman draws for the first time on the vast archive of Olivier’s private papers and correspondence, and those of his family, finally uncovering the history and the private self that Olivier worked so masterfully all his life to obscure. Beginning with the death of his mother at age eleven, Olivier was defined throughout his life by a passionate devotion to the women closest to him. Acting and sex were for him inseparable: through famous romances with Vivien Leigh and Joan Plowright and countless trysts with lesser-known mistresses, these relationships were constantly entangled with his stage work, each feeding the other and driving Olivier to greater heights. And the heights were great: at every step he was surrounded by the foremost celebrities of the time, on both sides of the Atlantic—Richard Burton, Greta Garbo, William Wyler, Katharine Hepburn. The list is as long as it is dazzling.Here is the first comprehensive account of the man whose autobiography, written late in his life, told only a small part of the story. In Olivier, Coleman uncovers the origins of Olivier’s genius and reveals the methods of the century’s most fascinating performer.

    Carole Lombard’s mother didn’t want to get on the plane. The stars were all wrong, she said, and her astrologer had warned her not to fly. But Carole Lombard was in a hurry. She’d spent the week on a whirlwind tour of the country, selling war bonds for the United States government, and she couldn’t bear another moment away from her husband, Clark Gable, Hollywood’s most dashing leading man. She flipped a coin—heads for the train, tails for the plane. Carole won. They flew. Her plane crashed into a mountainside shortly after it left Las Vegas, killing all aboard. This intimate biography by Warren G. Harris tells the story of Gable and Lombard, whose romance shocked the movie industry, and whose tragedy would change Hollywood forever.

    But the drama on-screen has been matched, and often exceeded, by the lives off-screen."As the title suggests the book covers the history of Hollywood from its origins in the early part of the 20th century through its heyday under the studio system and finally to the Hollywood of CGI and summer blockbusters.

    . . Some Like It Hot occupies a unique place in American culture. This beloved classic showcases five comic geniuses: Tony Curtis, Jack Lemmon, I. A. L. Diamond, Billy Wilder, and Marilyn Monroe. It has been honored by the American Film Institute as the "Funniest Film of All Time". It has contributed quotes, styles, and stories to film lore. Yet the full story of its making has never been told—until now.

    The arc of Lyle Talbot’s career is in fact the story of American entertainment. Born in 1902, Lyle left his home in small-town Nebraska in 1918 to join a traveling carnival. From there he became a magician’s assistant, an actor in a traveling theater troupe, a romantic lead in early talkies, then an actor in major Warner Bros. pictures with stars such as Humphrey Bogart and Carole Lombard, then an actor in cult B movies, and finally a part of the advent of television, with regular roles on The Adventures of Ozzie and Harriet and Leave It to Beaver. Ultimately, his career spanned the entire trajectory of the industry.In her captivating, impeccably researched narrative—a charmed combination of Hollywood history, social history, and family memoir—Margaret Talbot conjures warmth and nostalgia for those earlier eras of ’10s and ’20s small-town America, ’30s and ’40s Hollywood. She transports us to an alluring time, simpler but also exciting, and illustrates the changing face of her father’s America, all while telling the story of mass entertainment across the first half of the twentieth century.

    In this, one of the very first celebrity memoirs, Chaplin displays all the charms, peculiarities and deeply-held beliefs that made him such an endearing and lasting character.Re-issued as part of Melville House’s Neversink Library, My Autobiography offers dedicated Chaplin fans and casual admirers alike an astonishing glimpse into the the heart and the mind of Hollywood’s original genius maverick.Take this unforgettable journey with the man George Bernard Shaw called “the only genius to come out of the movie industry” as he moves from his impoverished South London childhood to the heights of Hollywood wealth and fame; from the McCarthy-era investigations to his founding of United Artists to his “reverse migration” back to Europe, My Autobiography is a reading experience not to be missed.

    Moving Pictures is his fascinating remembrance of growing up amidst the glamour, swank, courage, triumphs, defeats, cabals, and double-crosses of an industry in the making. His utterly candid account includes unsparing portraits of outsized characters in all their power, venality, charm, pettiness, and vindictiveness. As a book on the early days of the movies in Hollywood, this one is hard to beat. Abundantly illustrated with black-and-white photographs.

    In a span of less than twenty years, her talent graced a dozen classics, including Miracle on 34th Street, The Searchers, Rebel Without a Cause, Splendor in the Grass, West Side Story, and Gypsy, earning her three Oscar nominations and two Golden Globes. Few actresses in Hollywood history have carved out careers as diverse and rich as Natalie Wood's, and few have touched as many hearts in a tragically short lifetime.Natalie Wood: Reflections on a Legendary Life boldly redefines Natalie not by her tragic death, but by her extraordinary life. This is the first family-authorized photographic study of Natalie Wood, and the first book to examine her glamorous film career as well as her private off-screen life as a wife and mother. Highlights include a special section on the making of West Side Story, a foreword by her husband Robert Wagner, a family album with never-before-seen snapshots captioned by daughter Courtney Wagner, an unpublished article written by Natalie in her own words, and an afterword by friend and costar Robert Redford. Natalie Wood: Reflections on a Legendary Life will change the way the world remembers a Hollywood legend.