Nick’s own injuries are as extensive as they are horrifying. His face wrapped in bandages and unable to speak, Nick claims amnesia—but he remembers everything.He remembers how he and Augustin were mysteriously drawn to the Maudit, a remote and scarcely documented peak in the Swiss Alps.He remembers how the slopes of Maudit were eerily quiet, and how, when they entered its valley, they got the ominous sense that they were not alone.He remembers: something was waiting for them...But it isn’t just the memory of the accident that haunts Nick. Something has awakened inside of him, something that endangers the lives of everyone around him…It’s one thing to lose your life. It’s another to lose your soul.FROM THE INTERNATIONAL BESTSELLING SENSATION THOMAS OLDE HEUVELT comes a thrilling descent into madness and obsession as one man confronts nature—and something even more ancient and evil answers back.

    Just . . . gone. Surrounding their town was a wall of inky darkness, plummeting Walden into permanent night. Nothing can get in - not light, not people, not even electricity, radio, TV, internet, food, or water. And nothing can get out. No one who dared to penetrate the mysterious barrier has ever been seen again. Only their screams were heard. But for some, the darkness is not the worst of their fears. Driven mad by thirst, hunger, and perpetual night, the residents of Walden are ready to explode. The last few sane prisoners of this small town must prepare a final stand against their neighbors, themselves, and something even worse . . . something out there . . . in the darkness . . .

    In a small Western Queensland town, a reserved young woman receives a note from one of her vanished brothers—a note that makes question her memories of their disappearance and her father’s departure.A beguiling story that proves that gothic delights and uncanny family horror can live—and even thrive—under a burning sun, Flyaway introduces readers to Bettina Scott, whose search for the truth throws her into tales of eerie dogs, vanished schools, cursed monsters, and enchanted bottles.In these pages Jennings assures you that gothic delights, uncanny family horror, and strange, unsettling prose can live—and even thrive—under a burning sun.Holly Black describes as “half mystery, half fairy tale, all exquisitely rendered and full of teeth.” Flyaway enchants you with the sly, beautiful darkness of Karen Russell and a world utterly its own.

    Because his life began with his grandmother strongly recommending that he be destroyed as soon as possible, it's safe to say that Nathan was not destined for a typical existence.He hated the nickname “Fangboy,” but nobody could deny that he was the most frightening little boy in town. And he would have adventures of every sort. Tragic adventures, like what happened to his parents. Dangerous adventures, like his encounter with the sinister Professor Mongrel. Thrilling adventures, like the part where he's on an out-of-control horse and he can't make it stop running and you think “Well, he should just jump off,” but he CAN'T because it's going too fast and he could break a leg. And, yes, one particularly gruesome adventure, though it is not described in great detail.Will things end happily for Nathan? Will he bite somebody? Gather your family and your most deranged friends, make some chocolate chip cookies, and share the dark comedy treat of FANGBOY, a bizarre yet heartwarming yet rather tasteless saga that—all ego aside—will define a generation.

    What will begin, however, with the solemnity of marriage vows will end in the echoing screams of the damned - an ungodly spectacle of spilled blood and sobbing, throat-aching terror. There is a curse that grips the Bradwins from generation to generation, from horror to bloody horror, and that climaxes in a spine-chilling nightmare of black occultism and blood vengeance.

    Moving into a former storage building on the farm of Sarr and Deborah Poroth, he expects to spend a productive summer free from essentially all distractions - he is quite wrong in this assumption. Meanwhile, in New York, the rather reserved Carol Conklin goes about trying to survive in the big city on a small income from her job at a library. She meets Jeremy in New York just before he leaves for the summer, and a connection is made which will find the couple developing a romantic relationship on somewhat strange terms. What Jeremy and Carol do not know is that this relationship is the work of a strange, little old man known as Mr. Rosebottom. Rosie is actually the Old One working to bring his master back after a very long absence, and Jeremy and Carol are the unsuspecting keys to his success

    Now, in "Overtime," the Laundry is on a skeleton staff for Christmas—leaving one bureaucrat to be all that stands between the world and annihilation by the Thing That Comes Down Chimneys. Written especially for Tor.com's holiday season, Charles Stross's novelette is a finalist for the 2010 Hugo Award. Charles Stross is the Hugo-winning author of some of the most acclaimed novels and stories of the last ten years, including Singularity Sky, Accelerando, Halting State, the "Merchant Princes" series beginning with The Family Trade, and the story collections Toast and Wireless.

    P. Lovecraft, published his first story, the monstrosities that crawled out of his brain have become legend: the massive, tentacled Cthulhu, who lurks beneath the sea waiting for his moment to rise; the demon Sultan Azathoth, who lies babbling at the center of the universe, mad beyond imagining; the Deep Ones, who come to shore to breed with mortal men; and the unspeakably-evil Hastur, whose very name brings death. These creatures have been the nightmarish fuel for generations of horror writers, and the inspiration for some of their greatest works.This impressive anthology celebrates Lovecraft's most famous beasts in all their grotesque glory, with each story a gripping new take on a classic mythos creature and affectionately accompanied by an illuminating illustration. Within these accursed pages something unnatural slouches from the sea into an all-night diner to meet the foolish young woman waiting for him, while the Hounds of Tindalos struggle to survive trapped in human bodies, haunting pool halls for men they can lure into the dark. Strange, haunting, and undeniably monstrous, this is Lovecraft as you have never seen him before.Contents"Only the End of the World Again" by Neil Gaiman"The Bleeding Shadow" by Joe R. Lansdale"Love is Forbidden, We Croak & Howl" by Caitlín R. Kiernan"Bulldozer" by Laird Barron"A Quarter to Three" by Kim Newman"Inelastic Collisions" by Elizabeth Bear"That of Which We Speak When We Speak of the Unspeakable" by Nick Mamatas"Red Goat Black Goat" by Nadia Bulkin"Jar of Salts" and "Haruspicy" by Gemma Files"Black is the Pit From Pole to Pole" by Howard Waldrop and Steven Utley"I've Come to Speak with You Again" by Karl Edward Wagner"The Sect of the Idiot" by Thomas Ligotti"The Dappled Things" by William Browning Spencer"The Same Deep Waters as You" by Brian Hodge"Remnants" by Fred Chappell"Waiting at the Cross Roads" by Steve Rasnic Tem"Children of the Fang" by John Langan

    She had to see the dark hole in the storage room down the hall. She had to make love to Nicholas beside it, and stare into its secretive, promising depths. Then Nakota began her experiments: First, she put an insect into the hole. Then a mouse...Now from down the hall, the black hole calls out to Nicholas every day and every night. And he will go to it. Because it has already seared his flesh, infected his soul, and started him on a journey of obsession - through its soothing, blank darkness into the blinding core of terror...

    In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

    The repercussions will be felt for generations...Sixteen-year-old photography enthusiast Zoey has been fascinated by the haunted, burnt-out ruins of Medwyn Mill House for as long as she can remember--so she and her best friend, Poulton, run away from home to explore them. But are they really alone in the house? And who will know if something goes wrong?In 1851, seventeen-year-old Roan arrives at the Mill House as a ward--one of three, all with something to hide from their new guardian. When Roan learns that she is connected to an ancient secret, she must escape the house before she is trapped forever.1583. Hermione, a new young bride, accompanies her husband to the wilds of North Wales where he plans to build the largest water mill and mansion in the area. But rumors of unholy rituals lead to a tragic occurrence and she will need all her strength to defeat it.Three women, centuries apart, drawn together by one Unholy Pact. A pact made by a man who, more than a thousand years later, may still be watching...

    Early in the 20th century, the town was destroyed for the greater good: bringing water to the millions living downstate. Or at least that’s what the politicians from Manhattan insisted at the time. The local families, settled there since America’s founding, were forced from their land, but they didn’t move far, and some didn’t move at all…Now, a century later, the repercussions of human arrogance are finally making themselves known. An inspector assigned to oversee the dam, dangerously neglected for decades, witnesses something inexplicable. It turns out that more than the village was left behind in the waters of the Chill when it was abandoned. The townspeople didn’t evacuate without a fight. A dark prophecy remained, too, and the time has come for it to be fulfilled. Those who remember must ask themselves: who will be next? For sacrifices must be made. And as the dark waters begin to inexorably rise, the demand for a fresh sacrifice emerges from the deep...

    After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

      Now she’s out and determined to uncover who put her in that cellar and why.   When Clementine was a child, dangerous and inexplicable things started happening in New South Bend. The townsfolk blamed the fiendish people out in the Willows and burned their homes to the ground. But magic kept Clementine alive, walled up in the cellar for ten years, until a boy named Fisher sets her free. Back in the world, Clementine sets out to discover what happened all those years ago. But the truth gets muddled in her dangerous attraction to Fisher, the politics of New South Bend, and the Hollow, a fickle and terrifying place that seems increasingly temperamental ever since Clementine reemerged.

    When she flees boarding school after a horrifying incident, she goes to the only place she thinks is safe: the home she left behind. But when she gets there, she struggles to fit in with her monstrous relatives, who prowl the woods around the family estate and read fortunes in the guts of birds.Eleanor finds herself desperately trying to hold the family together — in order to save them all, Eleanor must learn to embrace her family of monsters and tame the darkness inside her.