And how can that get any worse for this Wimpy Kid? By finding out that you’re getting the meanest teacher in the school this year AND she just moved down the street.Leave it up to Connor, Max and Milo to turn the miserable first week of school into the biggest and most exciting party ever. All while avoiding the bully squad, outsmarting Molly, the teacher’s pet and staying one step ahead of Mr. Mooger, the principal.But everything is not as it seems and the three soon find out that they haven’t been the only one’s pulling pranks.Join Connor, Max and Milo on their new adventures in middle school, watch them out smart the bullies and stay one step ahead of the teachers. This illustrated book is a humorous and fun ride through middle school, never knowing what's just around the corner or under your seat. Connor's Diary of the Wimpy Kids in his prankster's club will keep you guessing and laughing out loud.Also Available: The Pranksters' Club: Ripped - Book 2 of the Series

    An eagerly anticipated successor to the author's internationally acclaimed book Scriptwriting Updated, it covers classic to avant-garde scripts, from The African Queen and Tootsie to 21 Grams, Pulp Fiction, Memento, and Eternal Sunshine of the Spotless Mind. Whether you want to write features, shorts, adaptations, genre films, ensemble films, blockbusters, or art house movies, this book is your road map, it takes you all the way from choosing a brilliant idea to plotting, writing, and rewriting a successful script. Featuring a range of insider survival tips on creativity under pressure, time-effective writing, and rising to the challenge of international competitions, The 21st-Century Screenplay is essential reading for newcomers and veterans alike.

    Peter Serafinowicz's Questions and Answers is a showcase for the razor wit and joyful nonsense of one of Britain's cleverest comedians, firing back genuinely funny instant replies to a stream of questions from the general public. This book collects together several hundred jokes from Peter's store of one-liners in a stylish, faux-Victorian, gifty hardback, just in time for Christmas. 'Peter Serafinowicz is hilarious' David Walliams' 'It's funny, but Peter Serafinowicz is the kind of funny person that funny people find funny' Simon Pegg 'Peter Serafinowicz is one of the funniest women in the world' Derren Brown

    Then in "Barbecue Blunder," sometimes it's fun to reminisce about picnics gone by!

    Wisdom was not at the top of the graduate school mountain, but there in the sandpile at Sunday School. These are the things I learned:Share everything.Play fair.Don't hit people.Put things back where you found them.Clean up your own mess.Don't take things that aren't yours.Say you're sorry when you hurt somebody.Wash your hands before you eat.Flush.Warm cookies and cold milk are good for you.Live a balanced life.Take a nap every afternoon.When you go out into the world, watch out for traffic, hold hands, and stick together.From the Trade Paperback edition.

     OB staff members write in with their strangest encounters, medics recall embarrassing moments, and nurses vent about frustrating incidents. We learn about even more odd things patients have gotten stuck in their orifices, and we share the laughter and confusion with the healthcare professionals who treated these patients. So, take this book to your nurses lounge to flip through while you're on break (WHAT BREAK?!), read it while you're staging, catch up on all the drama on your day off, or relive all the craziness while you're enjoying your retirement. You WILL laugh as you read firsthand accounts from healthcare professionals who share their experiences as a reminder that you are NOT alone, and you're not losing your mind!

    It is intended for those who write humor or have ever wanted to.

    Admired for its clarity and zest, Impro lays bare the techniques and exercises used to foster spontaneity and narrative skill for actors. These techniques and exercises were evolved in the actors' studio, when he was Associate Director of the Royal Court and then in demonstrations to schools and colleges and ultimately in the founding of a company of performers called The Theatre Machine.Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills' and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific approaches which Johnstone has himself found most useful and most stimulating. The result is a fascinating exploration of the nature of spontaneous creativity.

    In this expanded new edition, Mel Helitzer, named the "funniest professor in the country" by Rolling Stone magazine, and funnyman Mark Shatz pack in even more insight and instruction, including:- Humor writing exercises to punch up your jokes- Extra information on writing for sitcoms and stand-up- Comedic brainstorming techniques using associations and listings- Exclusive tips for writing humor for specific markets like editorials, columns, speeches, advertising, greeting cards, t-shirts, and moreTap into your comedic genius with Comedy Writing Secrets, 2nd edition, and you'll always leave ?em laughing!

     Meet Wally Moscowitz. His day job is top secret. As ghostwriter for Oral B, the most famous gangsta rapper in the world, Wally is the real mastermind behind Godz-Illa Records' best-selling artist, and the best-kept secret in the Industry. But if word gets out about Wally's true profession, Godz-Illa's kajillion-dollar rap empire will be sunk, and Wally will be dead meat. When Wally comes home one particularly bizarre afternoon to find a ransom note and his best friend and dog, Dr. Barry Schwartzman, missing, Wally goes to great lengths to stop the dognappers while keeping the big secret under wraps. He must, if he wants to walk away with his job, not to mention his life, intact. The hunt for Dr. Schwartzman and the blackmailing thug who is trying to reveal hip-hop's biggest conspiracy becomes a wild-goose chase in which everyone becomes a suspect: Sue Schadenfreude, Wally's girlfriend, who makes a pretty penny massaging Barbra Streisand's papillon, Yenta; Pardeep Vishvatma, Wally's neighbor, who keeps a watchful eye on all the suspicious characters lurking about the hood; Jerry Silver, Wally's slick-rick, self-styled superagent; Abraham "Dandy" Lyons, Wally's boss and Godz-Illa's CEO-badass with Suge Knight's street cred and Tony Soprano's "friends"; Jem, the fiery, achingly familiar vixen who steals Wally's heart; Yo Yo Pa and Teddy Bizzle, Oral B's entourage; and the mysterious mob crew: Five-two Lou, Six-seven Kevin, and Balsamic Vinny, who show up when Wally needs them most. Duck Duck Wally is a hilarious romp through the absurdities of Los Angeles, the bombastic details of hip-hop culture, and a day in the life of what was supposed to be the painfully ordinary existence of Wally Moscowitz.

    As we all know, true creativity comes from simple formulas and the memorization of data. This new bible makes the secrets of comedy accessible, not only to those funny few among us, but also to those who might not have the ability or talent to be funny. One no longer need worry about originality — just find the right comedy number and apply as needed... and then you're on your way to POPULARITYVILLE!© Comedy by the Numbers is a NEARLY comprehensive list of all comedy characters, bits, scenarios, sketches, skits, shtick, and much more. (We say nearly because we want to leave room for Volume 2.) Included are special hints, tips, and unboring comedy history. Comedy by the Numbers is the brainchild of Prof. Eric Hoffman (Mr. Show) and Dr. Gary Rudoren (Annoyance Theatre) — AND features loads of comedy fun facts that you can memorize and use to impress people at parties!

    This new edition of Writing Television Sitcoms features the essential information every would-be teleplay writer needs to know to break into the business, including: - Updated examples from contemporary shows such as 30 Rock, The Office and South Park - Shifts in how modern stories are structured - How to recognize changes in taste and censorship - The reality of reality television - How the Internet has created series development opportunities - A refined strategy for approaching agents and managers - How pitches and e-queries work - or don't - The importance of screenwriting competitions

    Then one night, despite bombing on stage, he caught the attention of Lorne Michaels and became one the first writers at 'Saturday Night Live', where he penned classic material for Gilda Radner, John Belushi, and all of the original Not Ready for Prime Time Players. From 'SNL', he went on to have a hand in a series of landmark shows - from 'It's Garry Shandling's Show' to 'Curb Your Enthusiasm'.Throughout 'LAUGH LINES', Zweibel weaves together his own stories and interviews with his friends and contemporaries, including Richard Lewis, Eric Idle, Bob Sagat, Mike Birbiglia, Sarah Silverman, Judd Apatow, Dave Barry, Carl Reiner, and more. The book also features a charming foreword from his friend of 45 years, Billy Crystal, with whom he cowrote and coproduced the film 'Here Today' starring Crystal and Tiffany Haddish. 'LAUGH LINES' is a warmhearted cultural memoir of American comedy.PLEASE NOTE:If you purchase this title in Audible format the accompanying PDF will be available in your Audible Library along with the audio.RUNNING TIME ⇒ 8hrs. and 5mins.©2020 Alan Zweibel (P)2020 Blackstone Publishing

    Owen, hopeless and downtrodden, wet and miserable. Suddenly, he is swept in through a doorway to a place full of wild imaginations, where loneliness and unfulfilled dreams are a thing of the past. Along with Messrs. Larkin, Britt-Britt and Dinner, the once completely ignored and abused Mr. Owen is pursued by women, has a constant supply of liquor, and hops from one off the wall adventure to another. He may lose his inhibitions, but he finds something he was in desperate need of, love. Miss Honor Knightly is everything he never knew existed and then some! This is a heartwarming tale of dreams coming true.

    This title explains the fundamentals of strong scene construction and how other useful fiction-writing techniques, such as character development, description, and transitions must function within the framework of individual scenes.