Yet, no records exist explaining how, why, or who built Egypt’s megalithic monuments and statues. The ancient Egyptians did, however, record that their civilization resided in the shadow of a kingdom of “gods” whose reign ended many thousands of years before their first dynasty. What was this Civilization X that antiquity’s most accomplished people revered as gods?The recent discovery of a large stone at one of Egypt’s oldest ruins presents physical evidence that clearly and distinctly shows the markings of a machining process far beyond the capabilities of the Ancient Egyptians. Likewise, experimental modeling of the Great Pyramid’s subterranean chambers and passageways gives scientific evidence to further support the theory that the civilization responsible for such magnificent monuments is much older than presently believed. Ancient Egypt 39,000 BCE examines this evidence from historical and technical points of view, explaining who these prehistoric people were, what happened to them, why they built their civilization out of granite, and why they built a series of pyramids along the west bank of the Nile River.

    Religion, medicine, technology, and what we would call magic coexisted without apparent conflict, and it was not unusual for magical and practical remedies for illness, for example, to be used side by side. Everyone resorted to magic, from the pharaoh guarding his country with elaborate magical rituals to the expectant mother wearing amulets to safeguard her unborn child. In this book, Geraldine Pinch examines the connections between myth and magic and the deities--such as the goddess Isis, and the protective lion-demon Bes--who had special magical importance. She discusses the techniques of magic, its practitioners, and the surviving magical texts, as well as the objects that were used in magic: figurines, statues, amulets, and wands. She devotes a chapter to medicine and magic and one to magic and the dead. Finally, Dr. Pinch shows how elements and influences from Egyptian magic survived in or were taken up by later societies, right down to our own century.

    Today's view of history cannot account for ancient anomalies, such as the Pyramids and advanced knowledge contained in India's Vedas-but in 1894 an Indian sage gave us an explanation not only for our hidden past, but for the trends of today and for our future enlightenment-the 24,000 year yuga cycle

    This was a special teaching describing the secret wisdom about the nature of the universe and of the soul as well as a path to make the journey, through varied phases of spiritual evolution, from mortal to immortal and from earth to heaven and beyond. The goal is to regain one's divine stature and transcendental place. In its earliest form, originated in Ancient Egypt, it was related to theurgical religious system developed in the priests and priestesses of the Ancient Egyptian city of Anu and the Tree was seen as the source of life. This book explains that teaching, which has been available to all, but missed by those who did not possess the keys to unlock its mystic formula. In this volume the Creation teaching of Anu, the TREE OF LIFE metaphysical teachings, disciplines and techniques, from the hieroglyphic texts, for activating the Tree, are given.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Starting with the unique role enjoyed by Egypt's women in the ancient world, the book goes on to present a biographical portrait of every queen, supplemented by a wealth of pictorial detail, datafiles, genealogical trees, timelines, and special features—from Childbirth to Wigs—highlighting different aspects of Egyptian culture.The queen of Egypt was, first and foremost, a supportive wife and mother, but in times of dynastic crisis she was expected to act as her husband's deputy. The queen might be required to marshal troops, or to rule on behalf of an infant son. She might even be called upon to rule in her own right in the absence of a suitable king. The female pharaohs Hatshepsut and Tawosret, the sun queens Tiy and Nefertiti, the seductive Nefertari and Cleopatra: many of Egypt's queens have left an indelible mark on their country's history.And what of Egypt's lesser queens, the numerous wives and daughters maintained in pampered seclusion in the harem palaces? These women are generally forgotten, their graves lost in the desert sands. But the anonymous ladies occasionally stepped from the security of the harem to influence the royal succession, and their stories too are told.

    Comprehensive explanations of their secret rituals and symbolism. Including alchemy, astrology, Kabbalism, ceremonial magic, animal magnetism and more.

    Through these studies, noted Egyptologist Bob Brier has unearthed the gripping stories of grave robberies and stolen mummies, the forgotten language of the pharaohs, and the tombs of the royal mummies. In an easily accesible and lively style, Brier uncovers the complete historical context of ancient Egyptian culture and offers a fascinating contemporary interpretation of it. Illuminating their mysteries, myths, sacred rituals, and heiroglyphic writing, Egyptian Mummies brings the ancients to life.

    Its greatest treasures were discovered in royal tombs and were inevitably connected with the cult of the dead.But the picture of a gloomy march to the grave is a false one. It results from the accident of survival--the royal tombs were built like fortresses and their spectacular contents overshadowed by the evidence of everyday life. This book shows the truer picture: it demonstrates the remarkable diversity of the gods of Egypt and tells the stories that were told about them, and shows how profound and complete were the beliefs which covered the span of life of the ordinary man, no less than that of Pharaoh, who was regarded as a god on earth.

    Instead of regarding Egyptian mythology and legend as unique, "classic" and inviolate, as did many Egyptologists, Spence saw Egyptian religious thought as part of world mythology, rooted in primitive conceptions common to mankind as a whole and related to those of many other cultures. In supporting this thesis, Spence offers an immensely erudite in-depth survey of the broad spectrum of Egyptian gods and goddesses, cults, and beliefs, as well as a concise review of Egyptian history, manners, customs, and archaeology.Animism, totemism, fetishism, creation myths, and other aspects of early religious beliefs are explored in an introductory chapter. The author then goes on to discuss the Egyptian priesthood, mysteries and temples, the cult of Osiris; Ra the Sun-God, Anubis, Horus, Thoth, and numerous other deities; the Book of the Dead, the birth of Hatshepsut, sacred trees, alchemy, the festival of Bast, Egyptian art, magic, and amulets, legends; and a host of other topics.Enhanced with over 50 photographs and illustrations, this book belongs in the library of any student of ancient Egypt or of early man's attempts, through mythology and legend, to give order, meaning, and purpose to his world.

    This is followed by a chronological survey of the royal family from c. 3100 BC to the last Cleopatra. For each dynasty, or significant part of a dynasty, the authors provide an historical overview of the period, a summary listing of the kings, and a discussion of their families’ relationships.This superb biographical history of ancient Egypt is handsomely illustrated with hundreds of photographs, line drawings, and genealogical trees.

    In The Sabbats, Edain McCoy reveals the eight major holidays of this faith and the many ways in which they are celebrated.There are two basic types of holidays. The first come at the Solstices and Equinoxes. The others divide the time between those dates in two, resulting in eight major holidays or Sabbats with approximately the same amount of days between them. The balance, here, gives the appearance of spokes in a wheel, so this cycle is commonly called the Wheel of the Year.The holidays represent two things. First, the harvest cycle. Each holiday represents a time in the growth of crops. From planting to growth, from harvesting to letting the lands lie fallow in the cold winter, the festivals follow the agricultural cycles of ancient times. However, they also represent the eternal love of the God and Goddess, following the God's birth from the Goddess and his death before she gives birth to him again. This also follows the pattern of the Sun which moves from warm and high in the sky to cold and low in the sky.The book is filled with ways you can follow the Wheel of the Year, whether you work with a coven, with your family, or by yourself. You will learn the secrets of ritual construction and handicrafts appropriate to each of the festivals. You will also learn recipes for traditional foods for each holiday and even songs appropriate to the Sabbats.This is a wonderful, joyous book filled with color, information, and wisdom. If you are involved with Paganism in any way, this book is a must for your studies and practices. This book functions as both a resource and as a practical manual for the celebration of the holidays. Get your copy today.

    They were wizards, storytellers, teachers and spiritual leaders. They were attuned to the Earth and the Sun. And they were very powerful.Druid Magick presents everything you need to know to become a Druid and even start your own Druid "Grove" (the name of a Druid group). Learn about the Druid's tools--the sickle, wand, cord, and more--and how to make and use them. Discover all of the beliefs the Druids hold, including the emphasis on honor and ethics.And, of course, you'll learn the secrets of the magic of the Druids.Protection spells How to use magic to find missing items Learn to visit other "worlds" (levels of reality) Shapeshifting And more! Druidry is far more than historic Celtic leadership. It is a living, growing, spiritual tradition that can bring you more self-assurance and self-development than you've before ever had.Winner of the 2001 Coalition of Visionary Resources (COVR) Award for best Magic Book

    Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be. The Art of Art History is a unique guide to understanding art history through a critical reading of the field's most innovative and influential texts over the past two centuries. Each section focuses on a key issue: aesthetics, style, history as an art, iconography and semiology, gender, modernity and postmodernity, deconstruction and museology. More than thirty readings from writers as diverse as Winckelmann, Kant, Gombrich, Warburg, Panofsky, Heidegger, Lisa Tickner, Meyer Schapiro, Jacques Derrida, Mary Kelly, Michel Foucault, Rosalind Krauss, Louis Marin, Margaret Iversen, and Nestor Canclini are brought together, and Donald Preziosi's introductions to each topic provide background information, bibliographies, and critical elucidations of the issues at stake. His own concluding essay is an important and original contribution to scholarship in the field.Contents:Art history : making the visible legible by Donald PreziosiReflections on the imitation of Greek works in painting and sculpture by Johann Joachim WinckelmannWinckelmann divided : mourning the death of art history by Whitney DavisPatterns of intention by Michael BaxandallWhat is enlightenment? ; The critique of judgement by Immanuel KantPhilosophy of fine art by G.W.F. HegelPrinciples of art history by Heinrich Wölfflin"Form," nineteenth-century metaphysics, and the problem of art historical description by David SummersStyle by Meyer SchapiroStyle by Ernst GombrichLeading characteristics of the late Roman "Kunstwollen" by Alois RieglImages from the region of the Pueblo Indians of North America by Aby WarburgWarburg's concept of "Kulturwissenschaft" and its meaning for aesthetics by Edgar WindRetrieving Warburg's tradition by Margaret IversenSemiotics and iconography by Hubert DamischSemiotics and art history : a discussion of context and senders by Mieke Bal and Norman Bryson"Et in Arcadia ego" : Poussin and the elegiac tradition by E. PanofskyToward a theory of reading in the visual arts : Poussin's "The Arcadian shepherds" by Louis MarinSculpture in the expanded field by Rosalind KraussWhat is an author? by Michel FoucaultThe allegorical impulse : toward a theory of postmodernism by Craig OwensMapping the postmodern by Andreas HuyssenThe art historical canon : sins of omission by Nanette SalomonSexuality andbyin representation : five British artists by Lisa TicknerNo essential femininity by Mary Kelly and Paul SmithPostfeminism, feminist pleasures, and embodied theories of art by Amelia JonesThe temptation of new perspectives by Stephen MelvilleThe origin of the work of art by Martin HeideggerThe still life as a personal object : a note on Heidegger and van Gogh by Meyer SchapiroRestitutions of the truth in pointing ["pointure"] by Jacques DerridaOrientalism and the exhibitionary order by Timothy MitchellThe art museum as ritual by Carol DuncanInventing the "postcolonial" : hybridity and constituency in contemporary curating by Annie E. CoombesRemaking passports : visual thought in the debate on multiculturalism by Néstor García CancliniThe art of art history by Donald Preziosi

    Includes: Dance through Religion for the Hell of It; The Physics of Synchronicity; James Joyce and Finnegan's Wake; The Godfather and the Goddess; The Poet as Early Warning Radar; Mammary Metaphysics; and, The Married Catholic Priests Convention.