Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.

    We read every chapter, summarize and analyze it for your convenience. This is an Instaread Summary of 'Me Before You' by JoJo Moyes. Below is a preview of the earlier sections of the summary: Chapter 1 Louisa ‘Lou’ Clark, a member of a working class family in a small English village, has just lost her job. Although both Lou’s father, Bernard, and her sister, Treena, work, neither makes enough money to help the family make ends meet without Lou’s income. For this reason, it is decided that Lou should apply for a new job at the Job Centre as soon as possible. The next day Lou goes to the gym to see her boyfriend, Patrick. He sees Lou’s lost job as an opportunity for her to improve herself and find something better. The counselor at the Job Centre suggests Lou apply as a care assistant for a man in a wheelchair. She is not interested in this job, but she is running out of options. She agrees to go for the interview. Chapter 2 Lou usually wears odd, eccentric clothes. For the job interview, Josie, her mother, insists she wear a business suit. Lou goes to Granta House, an elegant and expensive home next to the local tourist attraction, Stortfold Castle. She is interviewed by Camilla Traynor. Camilla is Will Traynor’s mother. Will became a quadriplegic after being hit by a motorcycle. He already has a nurse named Nathan to take care of his personal and medical needs. Camilla wants to hire someone to be a companion for Will and to stay with him during the day when no one else can be there. Lou thinks the interview goes badly. Therefore, she is surprised when Camilla offers her the job with a six-month contract and generous pay. Chapter 3 Lou reports for work at Granta House the following morning. Camilla shows her around the annexe, a space that was once stables but was turned into guest quarters. This is where Will lives now that he is confined to a wheelchair. Camilla explains her duties to Lou. She makes it clear that Lou is not to leave Will alone and unattended for more than 15 minutes at any one time. Camilla introduces Lou to Will and Nathan, Will’s nurse. Nathan explains Will’s medications to Lou and tells her she is there to cheer Will. Nathan leaves, and Lou and Will are left to get to know each other. It does not go well. Will is sullen, quiet, and talks very little. She keeps herself busy with cleaning and household chores to fill in the time. Lou is unhappy about the first day at her new job. She talks to her sister Treena about it. Treena asks her to stick with the job because she has decided to quit her job and go back to college. She has received a grant to help pay her tuition, but will have to quit her job. Lou feels this puts more pressure on her to earn an income.

    ANNE SEXTON (1928–1974) was an American poet known for her highly personal, confessional verse. A celebrated poet of mid- twentieth century America, Sexton’s impressive body of work continues to be widely read and debated by literary scholars and cultural critics alike. Her poetry explored the many paradoxes within human behavior and motivation.

    The finished product is a document of a year’s worth of moments filled with joy, sorrow and unexpected beauty. The book y creates the sense that present moments do not just disappear and provides a visceral understanding of how these moments fit into the context of the rest of our lives.The short verses in Haiku Year stab and elate. They hint at both the transcendence and mediocrity of everyday life. The power of Michael Stipe’s southern, twilight drenched lyrics from early REM albums is present in the volume. Douglas A. Martin’s sparse yet descriptive prose gleams throughout. The thoughtful storytelling of Grant Lee Phillips is pared down to the simplest words to describe an instance.The Haiku Year is about the appreciation of small moments of beauty, ultimately adding up to the appreciation and respect not only for our individual lives but for all the lives that intersect with ours. The Haiku Year effortlessly urges readers to enjoy details and to let spare moments pierce through the numbness of everyday routine.

    As I crossed over to the other side of forty, I found myself constantly wondering, "Is this it? Is it all there is for me? All those sacrifices that I made as a woman, have they really been worth it?" I was constantly dealing with self-created issues of love, vulnerabilities, and self-worth. On one such day, as I sat under a beautiful, half-naked maple tree, I found myself in the middle of a stark contradiction between the ethereal beauty of nature surrounding my body and the dark shadows of emotions surrounding my mind. As I tried to make peace between the two, my eyes fell on a fallen autumn leaf. There, it lay… Quivering yet unafraid  completely devoid of any shame It let the earth embrace its pain ‘cause in healing, there is no shame. When I turned the leaf over I found my face smiling back at me And just like that on that autumn day I found a piece of my broken me.
And from that day, I began collecting my broken pieces. ‘Unsaid’ is a collection of these broken pieces in the form of poetry & prose. I offer this book as a memoir of my learnings and realizations with the hope that these thoughts will speak to you in the same way they spoke to me. And however sketchy or incomplete these learnings may be, I offer them with complete humility and gratitude.  We live our lives thinking that all that we are doing will one day be worth it. Well, that one day is today. Has it been worth it?

    As she delves into queerness, feminism, fatness, dating, and race, Wiley molds these topics into a punching critique of culture and a celebration of self. A fat positive activist, Wiley's work soars and challenges the bounds of bodies and hearts, and the ways we carry them.

    That day comes suddenly when his grandfather dies leaving him the floundering business. With the help of Becky Salmon, an enterprising young woman, Charlie sets out to make a name for himself as "The Honest Trader". But the brutal onset of World War I takes Charlie far from home and into the path of a dangerous enemy whose legacy of evil follows Charlie and his family for generations.The Prodigal DaughterWith a will of steel, Polish immigrant Florentyna Rosnovski is indeed Abel's daughter. She shares with her father a love of America, his ideals, and his dream for the future. But she wants more to be the first female president.Golden boy Richard Kane was born into a life of luxury. The scion of a banking magnate he is successful, handsome, and determined to carve his own path in the world-and to build a future with the woman he loves. With Florentyna's ultimate goal only a heartbeat away, both are about to discover the shattering price of power as a titanic battle of betrayal and deception reaches out from the past-a blood feud between two generations that threatens to destroy everything Florentyna and Richard have fought to achieve.

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

    Broken up into four chapters, she holds your hand and takes you inward with her, from skin to flesh, to flesh to bones, from bones to all that lies within. Both heartbreaking and hopeful, The Anatomy of Being marks a very distinct time in a young girl's life, and aches and aches to be heard and devoured. 2013 Goodreads Choice Awards Poetry Finalist

    With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape—Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain—persistently emerge and reappear with the dark energy of the inevitable, while at the same time are shot through with the bright aspect of things new-made.              From the outset (“Come here / Come here, little one”), Gluck’s voice has addressed us with deceptive simplicity, the poems in lines so clear we “do not see the intervening fathoms.”  From within the earth’sbitter disgrace, coldness and barrennessmy friend the moon rises: she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

    I want nothingto reveal feeling but feeling--as in freedom,or the knowledge of peace in a realm beyond,or the sound of water poured in a bowl.--from "Gravity and Center" In his sixth collection of poetry, Henri Cole deepens his excavations of autobiography and memory. "I don't want words to sever me from reality," he asserts, and these poems--often hovering within the realm of the sonnet--combine a delight in the senses with the rueful, the elegiac, the harrowing. Many confront the human need for love, the highest function of our species. But whether writing about solitude or the desire for unsanctioned love, animals or flowers, the dissolution of his mother's body or war, Cole maintains a style that is neither confessional nor abstract. And in Blackbird and Wolf, he is always opposing disappointment and difficult truths with innocence and wonder.

    Arranged in seven parts and culminating in the superb "The Showings: Lady Julian of Norwich," Breathing the Water draws the readers deep into spiritual domains––not in order to leave the world behind, but to reanimate our sometimes dormant love for it.

    In R's Boat, she brings us to the crossroads of poetry, theory, the body, and cultural criticism. These poems bring fresh vehemence to Robertson's ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself.Praise for Lisa Robertson's The Men:"In The Men, as in much of her work, Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture."-Village Voice"Robertson writes both from within and against the tradition-splitting, seeding, and suturing the cracks in each ideational edifice. . . . Her occupations with past forms lead not to a backward-looking poetry but forward to a fresh field of inquiry, an imaginatively created utopia."-Boston Review

    Published in 1923, it has been translated into more than twenty languages, and the American editions alone have sold more than nine million copies.The Prophet is a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.

    And in their midst travels Madeleine, the dreamer, who is trying to make sense of her own metamorphosis as she leaves home, joins a gypsy circus, and falls into an unexpected triangle of desire and love.